Swan Lake of Blood | Ballerina (2025) Review

From the World of John Wick: Ballerina is a strong contender for “movie with the worst title of the year,” and incidentally, the subtitle (supertitle?) is both strength and weakness. My question, from the moment the film was announced in 2019, was “Why does this have to be a spin-off?” There’s nothing about a ballerina-turned-assassin that screams John Wick any more than it does La Femme Nikita or 2023’s own Ballerina, though the lead character in that one wasn’t the titular ballerina. In fact, 2025’s Ballerina starts on the most stock-standard note: her father is killed, and she seeks revenge. That’s every action movie! It’s also why the original John Wick was such a breath of fresh air: action movies are bad. … More Swan Lake of Blood | Ballerina (2025) Review

When Stars Align

It happened. Friend, it finally happened. For a while, I’ve been meaning to write at least two blog segments (these posts are supposed to come in threes), one about Irene & Seulgi’s new release Tilt and the other about issues facing international fans of K-pop, so this new development would’ve completed the match-three puzzle and into this world a blog post’d be born. But I’m afraid I can’t do that. This one stands alone. Last July, I’d mentioned that Gyuri of Kara opened a YouTube channel seemingly with the express purpose of one day inviting on her idol Seulgi of Red Velvet. As she’d express how much she’s been a longtime fan, I’d watch Seulgi hang out with countless other idols – including Gyuri’s own groupmate Youngji. What a traitor! I know how hard it is for such in-demand people to coordinate their schedules, but finally, the stars aligned – Seulgi has a new album to promote, and it’s Gyuri’s birthday. … More When Stars Align

The Beach Episode | Sonatine (1993) Review

It’s rare for a film to give the sense that we, the audience, are seeing the world through the director’s eyes. Typically, great direction serves the story, but in this case, the director may be the story, doubling as the lead actor. As his character Murakawa, Takeshi Kitano observes. Along with countless static shots of people standing by, sitting still, waiting, we look at a lot of Murakawa looking. More than that, Sonatine, like Kitano’s earlier film Boiling Point, moves to its own rhythm. Proceeding without a lot of dialogue, it establishes a unique language with what we see and when we see it. Often, what we see is a shocking instance of violence. For my money, Sonatine has the most effective jump scare in any non-horror movie. I practically leapt out of my seat. And yet, it’s also irreverent and tender, melancholy and affecting. It’s phenomenal. … More The Beach Episode | Sonatine (1993) Review

The Streak

When BTS went on hiatus on account of military service, I will admit to worrying about the future of hallyu. Surely, one day, this fever will break, right? Trends never last. It would help, I think, if some of the key players became household names in, say, America, the way they have in other countries. Understandably, Korean names are more difficult to remember and pronounce than, for example, Japanese names. Back in the day, we had the crossover efforts chronicled on this site — “Gianna” Jun in Blood: The Last Vampire, Lee Byung-hun in GI Joe and Red — and they didn’t really go anywhere. Well, they went back to Korea. Remember Choi Min-sik in Lucy? What do you mean no? Jesus, live-action Blood comes up way too often on this website. … More The Streak

Automatic Arsenal | Battle Girl (1991) Review

It’s true that the movie fully entitled Battle Girl: The Living Dead in Tokyo Bay has a very low budget. As much as I’d prefer to be an enlightened critic who doesn’t discriminate on such bases, in this case I’m interested in how the miniscule production influences the viewing experience. For reference, we can plot this one somewhere between, say, Nemesis and Screamers? The former is so raggedy that it’s sometimes incoherent, not only in the big picture but in the micro, where the camera and editing have to be so judicious, so careful not to show the edges of the set, so to speak. Battle Girl has a little bit of that, though its setting – the zombie post-apocalypse – is easier to render than other sci-fi worlds, where “scatter some trash in the corner” is actually workable. … More Automatic Arsenal | Battle Girl (1991) Review

Lessons from Television

My memory of the movie Ghost in the Shell: Solid State Society is that my memory of it is fuzzy. Even for Ghost in the Shell, it’s a little too murky, with less promise of a reward than the similarly complicated Ghost in the Shell 2. Still, it’s an appropriate sendoff for Stand Alone Complex, refocusing the story to the “what” of the Major from the “why.” After having fun playing hacker pirate, she returns to Section 9, though her continued employment is nevertheless a question. It actually frustrated me how indecisive the show was, as if afraid to muss the continuity. One of the things I do remember is mention of Dejima, the island of migrants whose manipulation into declaring itself a nuclear state by a rogue intelligence agency bent on returning Japan to prewar imperialism was the subject of the show’s second season. By the finale, Dejima’s hero Kuze has been executed, with the criminal mastermind behind the manipulation, Gouda, assassinated by the Major – his head a-splode. Where does that leave Dejima? According to Solid State Society: nowhere. The immediate threat is over, but the broader problem remains unresolved. In this case, the indecision is useful. … More Lessons from Television

Japanese Fighting Girl: The New School

So, I got into anime relatively late in life, and it was a lateral move, from an existing interest in science fiction movies. As a big fan of The Matrix, of course my first anime was Ghost in the Shell. And I liked Trinity, but wow, the Major? Now, there was a helicopter-wrangling, tank-wrassling straight shooter – and unlike what I was used to, she wasn’t alone. There’s her cousin Deunan Knute in Appleseed, Priss and the Knight Sabers in Bubblegum Crisis, Nausicaa, Battle Angel Alita, Armitage III, the Dirty Pair, Gall Force, Iria: Zeiram the Animation. It’s an embarrassment of riches. An embarrassment. … More Japanese Fighting Girl: The New School

YouTube is My Best Friend!

Tomorrow, the With Eyes East YouTube channel will roar back to vibrant life with its first upload in, I think, years? WEE-heads already know this history, but this site was founded as a component of the channel, until my interest in making videos buckled under the weight of the logistics. I remember having to reupload that Departed video half a dozen times over the course of a few days, to the point where my roommate asked why our Internet sucked lately. Copyright. The problem was copyright. The solution? I’ll cut down on the use of copyrighted video by filming myself! Already camera shy, this was a difficult proposition. I didn’t know what to do with my hands, how to memorize lines, how to keep the camera batteries charged. Plus, it was the pandemic, and my hair looked bad[der than usual]. I gave that a college go before quitting partway through a video on Shin Godzilla, which ended up being text-only. And everybody cried. … More YouTube is My Best Friend!

Gotta Be Number One at Something

I’ve always meant to dedicate space on this blog to the exploits, the travails, of Michelle Wu, mayor of Boston since 2021. Immediately following her election, I subscribed to the Boston Globe to follow her policies, and opened a couple of Google Docs for notes and scratch thoughts on, say, Mass and Cass. How indeed would she fulfill one of her major campaign promises and solve the city’s homeless problem? Well, as I discovered, the answer was “slowly.” I ended up not writing about Mayor Wu simply because there wasn’t really anything [for me] to write about, and also because this is a blog about Asians, not their scurrilous Western counterparts. So it looks like this blog’s actual introduction to Mayor Wu is gonna come in response to something that happened on The Daily Show. That’s about as much as my brain can output. … More Gotta Be Number One at Something

New Sluggie

It’s Seulgi Day, which is typically cause for celebration around these parts. Unfortunately, her lead single “Baby, Not Baby” arrives at the conjunction of two emerging threads: one, my own gradual realization that Red Velvet members don’t really make Red Velvet music when pursuing solo work (made clear by Irene, who does), and two, the promotional build-up to Seulgi’s solo album being kind of a bummer. The very album title, Accidentally On Purpose, makes me a little nauseous. … More New Sluggie