Park Yeon-jin’s Evil Faces

As yet another teaser for a potential feature on Lim Ji-yeon’s acting, here’s a quick look at how many evil faces she makes in just one scene. The above image is from a YouTube thumbnail for her show Welcome 2 Life, which we can use as a reference. She’s expressing anger, but it’s a comedic scene. There’s a measure of indignant shock tempering the threat. … More Park Yeon-jin’s Evil Faces

Casual vs. Stressful Viewing

Today is The Glory Day, everyone, which I’ve been excited about for at least a month. I watched the first new episode this morning, and wow, was it scary. I’ve been meaning to write something more substantive about Lim Ji-yeon, because she was so impressive in Part 1, but now having seen her play a kind-hearted character — a doofus, even — in Welcome 2 Life, her transformation here is astonishing. She’s so evil, I just want to sing her praises all day. … More Casual vs. Stressful Viewing

The Weight of a Winner

Before I’d seen it for myself, Decision to Leave was my horse in the race for the Palme d’Or. Last year’s Cannes Film Festival was only another opportunity to proclaim my love for Park Chan-wook, a love that hasn’t abated even after a less-than-stellar entry in his catalogue. But I remember reading the list of award winners, and noting that while he won Best Director — and that is one of the best directed films of 2022, for sure — the grand prize went to something called Triangle of Sadness?! Not the best introduction of movie to prospective moviegoer. … More The Weight of a Winner

The Worst Titles of the Year 2022

I really had to come around on this. While better than “Predator: Skulls,” which was floating around for a while, “Prey” is way too common a title. Even in one medium – video games – it’s contentious, with a 2006 Prey and a completely unrelated 2017 Prey that had the title foisted upon it. It’s also a movie about lions and a Michael Crichton book about deadly nanoparticles. … More The Worst Titles of the Year 2022

Selfish, by YooA

There are two hurdles for me and music, and maybe K-pop in particular: repetition, and “cool.” I may need to explain the latter. I don’t know if it was just the environment I grew up in, but I felt like the only thing worse than being uncool was trying to be cool. Even today, nothing is worse than cringe; nobody likes Elon Musk. For me, Blackpink skews too western, and while I respect their artistry – I love Jisoo’s voice – there can be something uncanny about the style. It’s like when anime music has too much broken English. Remember Black Lagoon? … More Selfish, by YooA