The Next Red Velvet?

No one will replace Red Velvet. If I were to suggest that, I should be summarily executed. Anyway, as you well know, I’ve been hesitant to explore the fourth generation of K-pop, a hesitance so lengthy there’s now a fifth generation. The reasons were twofold. One, as previously outlined, the idol experience is more than the music itself. My interests in groups like Red Velvet and Oh My Girl began with the music, and then gradually I’d fall in love with the members and their dynamics. I love Solar’s chaotic energy and artistry and her chemistry with Moonbyul, and Moonbyul’s no-bullshit attitude and friendship with Seulgi, and Seulgi’s curious mind and so on and so on. I love the demystification of seeing the idols in music videos either playing characters or performing with uniform professionalism, only to then discover their individual selves, which are sometimes dramatically different. I tried this with Kep1er, who are so cool in the video for “Killa,” but in the behind-the-scenes material, they’re a little too kidlike. Only in their early 20s, they’re not too far removed from their teenage years, and it gave me a visceral reaction. As someone in his 30s now, I shouldn’t be so concerned with the interior lives of people that young. No, no, please, hold your applause. Xiaoting just put out a solo track called “Legend,” though, if you’re interested. … More The Next Red Velvet?

I Understand There’s an Issue Here

Rare situation. Late last year, I became somewhat enamored of this actress Jung Eun-chae, right? That’s totally normal. Lots of people are like me. Beyond her striking appearance is an exciting talent, as she selects roles for their substance rather than billing in the credits. Admittedly, this is a double-edged sword, because while supporting roles tend to be the most interesting – especially in K-dramas – in practice, the dearth of leading roles means a lot of Jung Eun-chae material without a lot of Jung Eun-chae. To date, the best performance of hers I’ve seen is in the Bae Suzy drama Anna, in which she bares her fangs as a villainous socialite, but isn’t featured in every episode. The cumulative result is that she’s done just about everything, from cameos and guest spots to indie films and international productions, donning the right outfits for lawyers, judges, detectives, opera stars, middle managers, and even the prime minister. Surprisingly, no doctor yet, as far as I can tell. And while “detective” would catch my eye on that list, it’s in a supernatural show about demons, which is a bit of a no-fly zone for me personally (it’s bad enough Park Shin-hye is gonna make me sit through another season of The Judge from Hell). … More I Understand There’s an Issue Here

Who You Callin’ Stupid?

I posted a review for The Furious one week ago, and haven’t been able to stop thinking about it – not the movie but the review. And not just because it was a brilliant piece of film criticism, but because the apparent dichotomy between its near-perfect star rating and the more negative text of the review indeed represents a confusion I’m still processing. To go back, it wasn’t too long before my learning about The Furious and hearing the swell of excited reactions out of the festivals. This was the next Raid, and unlike the other Raid-likes over the years, it was coming to U.S. theaters. That had to mean something. Then the trailer releases online and, in addition to being phenomenal, is filled with enthusiastic, superlative sound bites. “One of the best action films of the decade” (in a decade which includes RRR, John Wick 4, and for me, Baby Assassins 3). I click around on Reddit and read similar opinions, though one person comments that the trailer pretty much gives everything away. “How could that be possible?” I huff. Well, one punch at a time, and I think this was a huge part of my reaction. … More Who You Callin’ Stupid?

I Will Be So Sad if This is Bad

Mark your calendars, folks, for a new Ghost in the Shell on July 7th! “Ghost in the Shell?!” I hear you erupt, indignant, “You mean the Japanese cyberpunk media franchise which hasn’t been good in over ten years, being generous?” “Ah,” I say, with scholarly poise, “Japanese postcyberpunk media franchise.” How clever indeed. The plan was to totally play it cool and wait to write about Science Saru’s The Ghost in the Shell only upon its release, theoretically doable as I haven’t been trapped in a hype cycle (hype psyop) in what feels like ages. And frankly, the first two teaser trailers weren’t doing much for me, beyond providing excellent music samples – the second like something out of Metroid Prime – and selling the concept of animating the artwork of Masamune Shirow with a budget larger than, say, the Appleseed OVA. So, what happened to turn things around? The third trailer. And so, I want to tell you a story in three trailers, and it’s my favorite one: the story of the Major. … More I Will Be So Sad if This is Bad

Kitana Wins

I’ve just gotten back from Mortal Kombat II, with a couple of hours to post this and prove that I saw it extra nerd early on Thursday rather than on Friday. I suppose I could show you the ticket, which I’d wanted to anyway because it was for 6:30, but then on the door, it said 6:45. And when I looked at Fandango today to see if anybody was gonna be sitting next to me, it also said 6:45, but there’s no way to prove that now. So, take my word that I thought to myself, “How can it be a 6:30 showing and a 6:45 showing at the same time?” Like a practiced modern moviegoer, I arrived at the theater at 6:30 sharp, budgeting enough time for all the pre-movie rituals, including waiting at the concession stand wherein the group in front of me appeared to be buying tickets? Growing surprisingly anxious, I finally made it to the premium-format theater and my seat and proceeded to sit there like a dope through, like, ten minutes of ads for insurance and cars. … More Kitana Wins

2026 Movie Preview

We’ve had a lot of movie news pouring out lately, apparently because of CinemaCon, something I’m only vaguely aware of. A high-profile exhibition for movies, in an age where movie theaters and international industries are dying and we don’t even have E3 anymore? Sounds made-up. But anyway, it looks like the rest of 2026 is pretty jam-packed, which I was not expecting. I already got The Bone Temple; I was good for the year. Also, 2025 was quite jam-packed itself, with representatives from my favorite brands and directors — Alien, Predator, Jurassic Park, Park Chan-wook, Bong Joon-ho, James Cameron, Kathryn Bigelow, Alex Garland, David Cronenberg, and on and on. What could possibly be left? … More 2026 Movie Preview

This Wasteland

On the most recent episode of QNA, Donovan and I spoke with the hosts of Comic Timing about the comics industry, which like Hyman Roth, has been dying of the same heart attack for the last twenty years. I think it’s easy to hit the panic button in situations like these, as Korean luminaries recently have with regards to the local film industry. On the press tour for No Other Choice, Director Park described a “state of great danger.” It was only the blockbuster release of The King’s Warden that would appear to course-correct from the COVID slump, but there are perhaps deeper, systemic problems. … More This Wasteland

There Are No Female Kamen Riders

“Cool! Where’s the girl version?” has been my reflex with pop culture for as long as I can remember, and surely for longer than I was able to admit. I was into a lot of things – genres, subject matter, etc. – which were not, in turn, interested in women. Funny how that came to a head during my own coming-of-age, with #GamerGate and Star Wars and everything. Not “funny” ha-ha, mind. Anyway, Kamen Rider was one of those examples of pop culture, and same with Ultraman. Godzilla less so, because I’d heard that the one in Godzilla Raids Again was female, and that was good enough for me, parthenogenesis or not. I like Kamen Rider, but my ideal version – ‘90s, Keita Amemiya – never made it past a pilot or two. And truthfully, my ideal version is “girl Kamen Rider,” so I was heartbroken to discover that, out of the one-thousand-and-one Kamen Riders to ever don the motorcycle, none have been women. And even when they sort of were, they wouldn’t wear the helmet! That’s, like, a totally different thing, man. So, imagine my surprise – and confusion – when this popped up in my algorithm … More There Are No Female Kamen Riders

9294* Saga: Return of the Hur Sisters

Man, I’d been missing Youngji’s sister Song-yeon, as the Hur Sisters YouTube Channel seemed to be supplanted by Youngji’s own solo channel – which itself ceased updating after that fateful, never-subtitled video with Hyojung and Seulgi, from October 2024. That’s crazy. If I had a YouTube channel, I’d never stop uploading content. NEVER! That video was back when I was desperate for any ‘94 Line content. How things have changed. Anyway, it turns out that Hur Song-yeon was probably just busy, having gotten married in late 2025. It was apparently a star-studded ceremony, though I only saw it through Youngji’s eyes – Jiyoung was there, say. And despite sharing a name with one of the Kara members, Song-yeon is not an idol, but a TV announcer and MC. Ironically, I encountered her again via Oh My Girl, for her appearance with Youngji on Hyojung & Binnie’s Sweet Home. Very funny. And now she’s back, with the most recent upload being a surprisingly melancholy hangout in what I assume is their old apartment? Like, maybe Song-yeon is moving in with her husband, so they’re sending it off? Again, no subtitles. … More 9294* Saga: Return of the Hur Sisters

Everybody Loves Apink

Eunji goes big with that “Oh, baby” and I experience something novel in my six years of K-pop fandom: nostalgia? Is that even possible? Their 2026 single “Love Me More” technically falls on the year of their 15th anniversary, but unlike with 2nd-gen contemporaries Girls’ Generation and Kara, Apink never really went away. I will admit that my interest lapsed around the time of Naeun’s departure in 2022, and I later assumed that they were simply nearing their end alongside 3rd-gen contemporaries Mamamoo, Red Velvet, and Oh My Girl. “Love Me More” and its EP Re: Love feels like a grand comeback, then, maybe because it’s so classical? Not only like it could’ve come from the middle of the catalog but because it’s got that throwback feel of the second generation, like ’90s American R&B. To clarify, people who were around and listening to K-pop in the 2010s would’ve known Apink as 2nd gen, but from my perspective, I can’t square Bomi and the gang as colleagues of Taeyeon and Tiffany. We’ve got a couple of liners here, with Chorong and Solar, and then Hayoung, Joy, and Yerin. … More Everybody Loves Apink