It’s just how things are these days, that the credits on the Kung Fu revival fade in and make a promise soon to be unfulfilled: “Based on Kung Fu by Ed Spielman.” This new show has nothing to do with the earlier one, which was a western, and the current narrative in television is that Kung Fu has been reclaimed by the Bruce Lee estate, by way of Cinemax’s Warrior. Why go back and reclaim again, in that way we ordinarily do, by only populating a problem canvas with better faces? The whole thing needed restructuring, from the draft phase, and it was already done. It was done. So I guess, well, now time for the next one! Hell, bring on The CW’s Kung Fu, because I don’t need to hear the argument that The Hunger Games is a ripoff of Battle Royale. If The Hunger Games can offer anything new, anything extra or different or special, why argue it shouldn’t exist just to boost your cult film creds? (Battle Royale does not count as “cult”). I’m perfectly willing, even possibly excited, to see the Y.A. version of “martial arts woman,” because I want to see all versions. I want to see a martial arts woman in everything I ever watch — provided she’s treated with respect. Or rather, demands respect — takes it, by the throat. … More 04/11/2021 – Pilot Pains
What did everyone think of Wendy’s solo debut? We have the video for her single “Like Water,” and a mini-album with — appropriately so — great B-sides, including a duet with Seulgi adorably titled “Best Friend.” It’s been a long, strange journey, but for Wendy, she’s arrived. After suffering an injury around Christmas 2019 during a rehearsal, she spent 2020 recuperating, and while Red Velvet fans (myself included) imagined that’s all she did, here she comes with another stunning SM production. The album itself Like Water may not have the sheer dynamism of the Iseul debut before it, cleaving entirely toward the Velvet concept — no wild synth here or colorful bubblegum — but it’s a long-awaited showcase for Wendy’s vocals. … More 04/05/2021 – Sir, this is a WENDY
My introduction to the happy world of podcasts came in the mid-2000s, and it was supplied entirely by iTunes, back when computers were slow enough to mask how poorly iTunes ran on Windows (to this date). Off the very first podcast I ever heard, Slice of Scifi, iTunes would give me the old “You’ll Also Like” tab, which led me to Cinemaslave and then Genrebusters, The Greatest Movie Ever! Podcast and Fast Karate for the Gentleman. The last two are the only ones still active, with Fast Karate having technically released an episode earlier this year. “Active” rings oddly here, because I simply don’t know what happened to everyone else. If you’re a podcaster, either you’re active or you’re…? And that’s upsetting enough that I simply have to believe these people are fine and living their lives. Still, it’s the disappearance of the Genrebusters off the entire Internet that gets me the most. Those guys had such a different vibe, in terms of online discourse, something sort of West Coast but northern. Very laidback, but passionate all the same. I think sometimes we confuse passion for volume, and when I say “we” I mean “I.” Damn it! … More 04/03/2021 – Donovan Was Right!
Have you seen the trailer for this movie Nobody? You’d be excused for not remembering the title, it’s horrible. Looks like Bob Odenkirk is the latest dad action hero, and I appreciate his gradual rise in stardom. I mean, I think he’s a good actor, but more so the rise is visibly apparent. He goes from sketch comedy to memorable supporting character on buzzy TV show to lead role on buzzy TV show sequel to supporting roles on A-list Oscar movies. With an arc like this, we see how some roles and projects are more “legitimate” than others, whether or not our personal valuation of them is consistent with the objective assessment. Similarly, our previous understanding of Odenkirk slots into a different kind of spectrum. On Breaking Bad, he’s menaced by Jonathan Banks, an actor typecast as action movie heavies. Do we buy the funnyman as badass? … More 03/13/2021 – My Name is Nobody
In the inarguable blog post for With Eyes East — a feature I’m hoping will equate to semiregular content on this, you know, blog site — I got some problems. Number one being the sexual confusion I experience while watching Steven Seagal movies, but that’ll be our last item because it’s horrifying. First, and only appropriately so, Irene’s movie Double Patty came out (at the domestic box office), and no, netizens are not over “the Irene thing.” Via email alert, I was greeted by this happy headline the other day: “K-pop idols, such as Red Velvet’s Irene, are bombing at the box office as they seek big film careers,” over on the South China Morning Post (or Korea Times?). The article cites a number of idols trying their hands at acting, apparently poorly, but I only recognize Irene here, and as previous posts on this site have well-established, on this I get a little touchy. … More 02/25/2021 – You Are the Product, You Feeling Discomfort