Physical: 100 Season 2 Part II – The Final [PODCAST]

A winner declared! We’ve found the perfect physique, though the search continues! (What?) This week, Donovan and I recap episode #5 through the finale of Physical: 100 – Underground. Has a heart-pounding ending sustained our enthusiasm for the show despite a rocky, even controversial sophomore season? … More Physical: 100 Season 2 Part II – The Final [PODCAST]

K-Drama Report: Love is for Suckers

Another K-drama, another shock — to me and my imagination so constrained by the conventions of story. In countless instances before, I’ve shrieked, “You can’t do that!” upon narrative shortcuts like coincidence or melodrama. Here, Love is for Suckers plays out for four episodes and only begins on the fifth — and it’s brilliant. Clued in by a flash-forward cold open, we know that this will be about a romance between the producer of a Bachelor-style reality show and one of the contestants. But before that reality show even begins filming, we watch entire relationships come together and fall apart. Jobs are lost. There are medical emergencies. We learn about pasts enough for people from those pasts to reemerge. It may just be table-setting, but it feels like an entire show — with the commensurate emotional weight. … More K-Drama Report: Love is for Suckers

Physical: 100 – Underground Podcast Coming Soon!

Unfortunately, I’m away this week, so while Donovan and I have the second part of our podcast coverage recorded, I can’t actually put it together until I get back. I have my work computer with me, but I’m unable to install actual video/audio editing software to it without an admin password. The web-based editing software I’ve tried, like ClipChamp and Movavi (not web-based, but a simple download), lacks the fine control I’m used to with Premiere, which is essential for syncing multiple audio tracks and excising the hundreds, no thousands of “ums” and “yeahhhhs” endemic to my podcasting character. … More Physical: 100 – Underground Podcast Coming Soon!

From the World of You-Know-Who | Ballerina (2023) Review

I was ready, as soon as I’d seen the trailer last year, to see a review for Ballerina here as part of an ongoing conversation (with myself). In 2020, I’d written about Furie, a female-led Vietnamese action movie addled by flashbacks. Later, it was The Villainess, a Korean action movie with at least two set pieces now canonical to the genre, but which didn’t fully believe in its female lead. It’s now 2024, and in the time since, I’ve actually avoided a lot of the female-led action movies that seem to be a natural byproduct of the genre’s current renaissance (if everyone’s making action movies, some of them are gonna star women). I mean, ten years earlier, I would’ve given a limb to see “Mary Elizabeth Winstead the action star” in something like Kate, but alas. It could be option paralysis, because there are a lot of these movies, but I also wonder if the many, varied disappointments over the years have burrowed into my subconscious, impacting whatever impulse it is that I hit play instead of browsing on. Furie and The Villainess especially seemed to follow the formula nearly perfectly, nearly, and Ballerina is very much the next example in that sequence. … More From the World of You-Know-Who | Ballerina (2023) Review

Physical: 100 Season 2 Part I [PODCAST]

Don’t forget to turtle up! This week, Donovan and I discuss the first four episodes of Physical: 100 Season 2 — Underground, the triumphant return of the greatest show on TV. Despite loving the first season, we definitely had issues with the production and the ambitious but inevitably uncomfortable mission statement as it pertains to gender. Did they listen? … More Physical: 100 Season 2 Part I [PODCAST]

Redefining What It Is to Be a Wendy

Last time we spoke of Wendy’s solo outing, it was her debut, 2021’s Like Water. That title track remains memorable, especially as a snapshot of a tumultuous time in Red Velvet history. Of course, I’m glad they went in a different direction with this one, “Wish You Hell” being more pop-punk — a soft Paramore, let’s say. Though for Mother Wenresa, that marks a stylistic departure (and a really good song). … More Redefining What It Is to Be a Wendy

Made It

It’s March now, so we’re nearing the end of the first quarter of our entertainment year, which is exactly how entertainment is measured. I have to say, of the titles I previewed in this earlier post, not one that I’ve seen has been good. I like Gyeongsong Creature, but it’s so deeply flawed that the flaws become its very substance, for one’s acceptance or rejection — I don’t think it cares either way. I found Echo to be empty, and True Detective: Night Country uneventful. One show I did not list was FX/Hulu’s Shogun, something I’d seen in snippets last year for my job and assumed, when it made landfall, it would be brushed off as hoary-old white-savior nonsense. Wow, how wrong I was. … More Made It

Flower Power Tower | Mechanical Violator Hakaider (1995) Review

Over the years, I’ve attempted to watch Mechanical Violator Hakaider three or four times, and only on the third or fourth attempt did I make it to the credits – not intact. I’d fallen asleep every time, so it was just a matter of picking up where I’d left off or deciding it had been too long and starting over. And I’d think, “How is this happening?” One of the strands running through this (strand-type) blog is the film’s director Keita Amemiya, whose career serves the hyper-specific, me-shaped niche of “non-kaiju tokusatsu and also R-rated violence,” with the bonus of an appreciation for action heroines (usually played by one actress, Yuko Moriyama). Hakaider could be the result of the slightest deviation from that formula, but I think its sleep-inducing powers speak to fundamental problems, and ironically may speak to Amemiya’s craft. … More Flower Power Tower | Mechanical Violator Hakaider (1995) Review