Category: Blog

Police Dad

November 2, 2021

The ongoing saga of cop shows in the age of “copaganda” furthers its absurdity at the NCIS front, a show itself mired in absurdity. After having left my job over the summer like so many Americans, I eventually went crawling back and now watch CBS procedurals again. But much has changed in these scant months. I come back to NCIS and Gibbs is gone! The man himself, Mark Harmon, is no longer pressing clipped sentences through his teeth and firing a gun. Who’s gonna take his place, I hear you shout, let it all out, because for some reason the show doesn’t end with his exit. The show never ends. … More Police Dad

The Fall of Reach is a Good Story Never Meant to Be Told

October 23, 2021

You might find YouTube video of “Halo 3 funny Elite dialogue,” including winners like, “One of us must die!” or “If you gaze at me much longer, we may as well exchange fluids,” and my favorite, the exasperated “We have few enough warriors as it is!” if you shoot an ally to death. If you haven’t played Halo, these lines are being growled by gravelly-voiced aliens, the “Elites.” One of the lines triggers when you, the protagonist Master Chief, melee an Elite ally. He replies, “Is this because of Reach?” The result of a special mode, this is not really “canonical” dialogue, though it’s impressive that even incidental writing was better than the real stuff in later sequels. … More The Fall of Reach is a Good Story Never Meant to Be Told

K-Drama Report: My Name (2021) Follow-Up

October 18, 2021

Funny story with this one; I’d checked to see, “Hey, when’s that new Korean cool girl show out?” and it was that day, Oct. 16. Two thoughts seized me, then: “Yay!” and “I should write about this.” See, I’ve been on kind of an SEO tear lately, which is partly why the last several posts have skewed entirely Korean. That seems to be the country of the week, and I’m glad there’s a country of the week at all. I just happened to see the SNL Squid Game parody, and that’s how you know you’ve made it, aside from the massive revenue. The recent post I did about Squid Game, in fact, was a cynical product, and even a bit rushed as a result — a hastily-thought-out premise effecting a strange contrarian opinion. But once I read that review of Parasite, I couldn’t let it go. And then comes My Name, yet another Netflix K-drama, and this one — unlike Squid Game — actually appealed directly to my sensibilities (which probably makes for a less compelling post, because I tend to say the same, uncomfortable thing). But because I’d checked, I had the opportunity to post something that very premiere day. … More K-Drama Report: My Name (2021) Follow-Up

The Three Greatest K-Pop Songs?

October 8, 2021

I know I still have a long way to go on my K-pop journey, and am in no way claiming the authority necessary to even ask this question. But sometimes there’s music so compelling that the only way to express my feelings is with superlative. It’s shortsighted, and I’ve been burned on listicles before (because I live dangerously, apparently), but this is my current thought process. Sometimes I think I know which is number one, but then it changes. I do know better than to ask for input, unless the spiders have opinions, but if you’re reading this sometime in the future, let me know your take, and your top three. And don’t forget to like, comm– oh, right, spiders. … More The Three Greatest K-Pop Songs?

The Dollars Trilogy Machete Order

September 20, 2021

After far longer than I realized, I’m returning to Sergio Leone’s Dollars Trilogy. I was very much into them during high school, but my attention then shifted entirely to Once Upon a Time in the West. Leone’s final western was important to me at that point in my life, anticipating and then entering film school, as it’s a genre deconstruction, film as myth, dense with symbols, et cetera. With, perhaps, the help of Christopher Frayling, Once Upon a Time in the West opened up to me as a movie to analyze, and I never spared the same approach to the trilogy. These days I’m far less insecure about my movie taste, and this has granted me welcome revelations. Especially since, to be honest, I could hardly follow what was happening in these movies. … More The Dollars Trilogy Machete Order

The 20-Year Marketing Legacy of “Training Day”

September 12, 2021

Filmmakers can be sensitive sometimes. David Fincher still won’t talk about Alien 3, a 25-year-old wound by the time he produced Mindhunter, co-starring Holt McCallany (from Alien 3). Maybe on the promotional circuit, McCallany mentions that he first worked with David on Alien 3, and the director has to sit by silently — we apply the Eisenstein montage to his blank face and imagine the inner turmoil. Once a film has been made, it’s printed onto public record, and may follow its filmmaker through their career. I understand via pop culture osmosis that Stephen King wants to be known for The Dark Tower, but everybody talks about The Stand instead. You may not get to choose, as budgets inflate and stakes raise and the realities of showbiz bear down on creative passersby. … More The 20-Year Marketing Legacy of “Training Day”

Train to Busan Remake

August 29, 2021

The reviews are in! First of all, before mentioning the personnel involved in the Train to Busan remake — I hate this, and it broke wide yesterday. Now, I understand the sentiment, because Hollywood has had a bad track record remaking Korean movies, from The Lake House to Oldboy, but I have to emphasize that this example is different. The director is Timo Tjahjanto, a horror filmmaker in the clique with Ti West and Gareth Evans (in that they’ve all contributed shorts to the V/H/S series) who also happened to direct The Night Comes for Us. This is an Indonesian guy, and he was hired by James Wan — neither are Korean, fine, but it’s not the usual Wonderbread cash grab. … More Train to Busan Remake

Summer Red Velvet Maybe

July 19, 2021

I realize I hadn’t done even a brief write-up on Joy’s solo debut as I had Wendy’s, but that’s partly because it dropped at a busy time. See, I’d been preparing to move from Los Angeles back home, as the dream is over or what have you. The video for Joy’s “Hello” is a sweet and surprisingly emotional piece, trading the CG dreamscapes of Red Velvet past for an indie-movie feel — the earthy color palette and road trip narrative. Joy, overcoming a Wendy-approved breakup, packs up for vacation and encounters a little girl trying to get home. Here we have very human moments like the dad squeezing his daughter in the end, which is a different kind of special effect, to be terrible. “Hello” is a really big song and Joy bursts with soaring energy. However, it’s an interesting approach to a Joy debut, not only being an album of cover songs, but I thought her whole thing was “sexy dynamite.” I expected it to be closer to something like Namjoo’s “Bird,” at least in terms of visuals. So it’s a nice surprise, and very Red Velvet — refreshing, like a summer breeze. … More Summer Red Velvet Maybe

“We’ve Found Ourselves in a Village, a Resident Evil Village”

June 10, 2021

Resident Evil is a great stress test for my unified transmedia theory! That’s redundant, but I’d like to emphasize my concern here. In any given entry in the long-running zombie series, you’ll see inappropriate martial arts, superpowers, pretty boys, meme-making dialogue, boulder-punching, and a bestiary of such zoological scope it’s breathtaking. In that regard, it’s far closer to Pokémon than most movies of its ilk and their galdern, premature satisfaction with the simple zombo. So much to say, Resident Evil is weird. … More “We’ve Found Ourselves in a Village, a Resident Evil Village”

Lee Da-hee: Dichotomy

June 4, 2021

I promise not to make this a regular feature, especially since it’s rare anyway. It’s something I’ve always liked about actors, when an already compelling turn is underscored by just how opposite the performer seems to be in reality. It’s a strange thing to write about, but the actress Lee Da-hee represents an extraordinary case. … More Lee Da-hee: Dichotomy