Tokyo Story Raids Again | Godzilla Minus One (2023) Review

The question isn’t about potentially overstating Godzilla Minus One with hyperbole, but rather which hyperbole to choose from? So far, I have “In terms of improving upon source material, Godzilla Minus One may be the greatest remake of all time,” and “I didn’t expect a Godzilla movie to make me cry, but here we are.” In terms of the first, I’d had the sense that I wanted to go into this one knowing as little as possible. I wasn’t as fixated on the advent of a new Godzilla movie as I had been for, say, a new Predator, because we were just recently gifted with a great installment. So, going in, I knew that Minus One took place directly after World War II – and that was pretty much it! Would this be a remake of the original, down to Serizawa and the Oxygen Destroyer? And most importantly, what would the titular monster mean this time? … More Tokyo Story Raids Again | Godzilla Minus One (2023) Review

The Iron Horse has Lasers | Godzilla vs. Destoroyah (1995) Review

After a surprising bump in quality with Godzilla vs. SpaceGodzilla, we’re back in business to close out the Heisei era with this, one of several series finales – like Futurama. The Showa era ended with Terror of Mechagodzilla, a return to the darker tone of the original movie, and the disjointed Millennium era had the explosive Final Wars, a special project for the 50th anniversary. Well, is Godzilla vs. Destoroyah, too, a special project? Did the filmmakers take a step back from what they’d been doing and say, “Let’s go out with a bang”? The film’s title might help us out here, bearing the typical “vs.” instead of something like The Final Chapter or maybe The End of Godzilla. No, it’s just another day, another monster. Consequently, this is a pretty low-key send-off, though at the very least, unlike Terror and Final Wars, it is a send-off. … More The Iron Horse has Lasers | Godzilla vs. Destoroyah (1995) Review

Atomic Superwoman | Godzilla vs. SpaceGodzilla (1994) Review

The previous installment, Godzilla vs. Mechagodzilla II, was one movie too many. I’d actually forgotten it existed before embarking on this review journey more than a year ago. After watching Godzilla and Mothra, I was dreading it, while conversely looking forward to SpaceGodzilla, and so the two came to represent a binary in my mind. On one hand, you have a competent but generic Heisei Godzilla movie, one which introduces absolutely nothing new, and on the other hand, you have the movie where the tip of Godzilla’s tail is coming off. What better visual metaphor for a series that’s run its course? Godzilla vs. SpaceGodzilla is exactly what I want from a long-running film franchise: “We’ve run out of ideas, so let’s make crap up.” It wouldn’t be competent but unhinged, and it wouldn’t be generic but, indeed, unhinged. … More Atomic Superwoman | Godzilla vs. SpaceGodzilla (1994) Review

More Dinosaurs | Godzilla vs. Mechagodzilla II (1993) Review

By this point in the Godzilla chronicles, I feel a bit lost. Our feature tonight, Godzilla vs. Mechagodzilla II, is a perfect entry in the Heisei series. It checks all the boxes of everything that worked in the past, so what worries me is that when the boxes are checked, we’re still left with a mediocre film. And “mediocre” might be a funny word to use. I mean, these movies were produced practically nonstop, and for a young audience, whose chief and maybe only stipulation is that Godzilla appears. That’s a big check. But reviewing this movie positively – which I’d fully anticipated, having a brief idea of its general reputation – wouldn’t be very useful. Not that any of the lessons we might pull from Mechagodzilla II can be applied to future films, as they’ve already been made, but goddamn it – or Godzilla it – they could have. … More More Dinosaurs | Godzilla vs. Mechagodzilla II (1993) Review

Made in Japan

In Little League baseball, the best player on each team was usually the pitcher. It was an observable rule of thumb, similar to the one which held that the worst player in the entire league was me. Unfortunately, I was probably the only Asian player that year – or rather, those years, because I played baseball for far longer than I understood why. So, then, you grow up and observe that it’s different in Major League baseball, that the pitcher usually doesn’t even bat! And by that point, mercifully, the Asian kid is no longer playing sports. Enter Shohei Ohtani, widely considered the best player in professional baseball – maybe ever. For starters, when it comes to his upcoming free agency, the number being bandied about for a contract is half a billion dollars, the highest in history. … More Made in Japan

Two Gods

It’s news to me that a Godzilla movie is releasing this year. Now, typically, this has been cause for indigestion, being no fan of the Legendary MonsterVerse. Granted, that new movie bears the title Godzilla X Kong: The New Empire, which is just goofily sincere enough. Not for me to see, but for something. No, a Godzilla movie is coming down from Toho Studios as well, and it’s entitled Godzilla Minus One. Sounds a lot like the proposed title for the third Jaws movie (Jaws 3, People 0), but there’s a weight behind it. Taking place immediately after World War II, we find Japan at “zero,” and Godzilla’s arrival will bump them down to the negative. I’m not 100% certain, but I believe this is the first Godzilla period piece, and that’s already exciting. … More Two Gods

Insects of Sea and Space | Godzilla and Mothra: The Battle for Earth (1992) Review

This one is so close. It just needed a little more time in the oven. All the pieces are here, and they mostly fit together, but there’s something missing. Maybe an oomph? Maybe it’s the pieces themselves, each of them chipped in some unique way. Take the characters, for example. I know, this isn’t the place to start with a Godzilla movie, but that would make Godzilla movies an exception. Our protagonist this time, arguably, is Takuya Fujito, an archaeology professor who steals artifacts from tombs. After he’s thrown in jail, he’s visited by government men who want him and the feisty Masako to investigate a meteor on Infant Island. Apparently, this island is in Indonesian territory, making it off-limits to Japan, like an echo of the original Godzilla’s production. Okay, so Takuya is a man of action, unlike the sci-fi writers and journalists of Heisei movies past. He has more immediate personality, but one nevertheless expressed by whining through the bars of his jail cell. Not super appealing. … More Insects of Sea and Space | Godzilla and Mothra: The Battle for Earth (1992) Review

Home Movies | Shin Kamen Rider (2023) Review

Chances are, if you’ve heard of Shin Kamen Rider, you’re gonna go see it. For my part, I missed Shin Godzilla in theaters and then missed Shin Ultraman. I was determined not to miss Shin Kamen Rider, despite it being my least favorite of the three properties. My experience with Kamen Rider is mostly bafflement. There’s this explosion of light and color, and suddenly, he’s on a motorcycle. Who? I don’t know. The guy who’s running away from the mutants, and he has to stop SHOCKER. Obviously. The difference between Godzilla, Ultraman, and Kamen Rider is a matter of personal taste. I prefer monsters to superheroes, and Kamen Rider is a quintessential Japanese superhero, up there with Astro Boy. Shin Kamen Rider is the 50th anniversary project (adjusted for COVID), and as alluded to, the third in anime maestro Hideaki Anno’s weird revival movies, beginning with the masterpiece Shin Godzilla. … More Home Movies | Shin Kamen Rider (2023) Review

New World Order | Godzilla vs. King Ghidorah (1991) Review

Opening with a tease is almost never a good idea. It always feels so arbitrary, to show a moment from the middle of the story and then say “One Year Earlier.” When we get back to that moment chronologically, it never feels like anything. “Oh, great, so that’s how we know that happened.” It might not even be inherently bad but that its use is so automated, because test screenings find the beginning too slow. Godzilla vs. King Ghidorah opens with maybe the ultimate tease, informing us we’re in the year 2204 before “flashing back” to present-day 1992. That’s not a good sign, and neither is our ostensible lead, Kenichiro Terasawa, being a science fiction writer. Made famous by a book on ESP, he’s hoping to break into more human interest stories, which is a dramatic need that hardly screams “Godzilla movie.” Fortunately for us, his human interest turns out to be a veteran of World War II who believes that dinosaurs still yet live. Then we cut to a classic government conference room where people in suits discuss The Situation, this time involving UFOs. There’s a lot going on already. … More New World Order | Godzilla vs. King Ghidorah (1991) Review

Thespian Equestrian | Ran (1985) Review

The horses and the horse riders are put through the wringer in Ran, the final epic of Akira Kurosawa and perhaps his greatest film. I saw horses struggling through water coming up to their necks, soldiers falling off horses, and horses just about to trample a soldier who fell off his horse. It’s a movie entitled “Chaos,” after all! And, well, that’s about as fresh an angle I can manage for this or any Kurosawa title, the director being so widely studied and appreciated. Of course, I’ve come into this one for the first time nearing the age of 30, long after film school let out. I have nothing to add to the conversation, so take this review on a humble blog as a missive – delivered by horseback – that I’d like the conversation to continue. … More Thespian Equestrian | Ran (1985) Review