American Kung Fu Primer [PODCAST]

July 24, 2022

This month, Donovan Morgan Grant returns to provide an overview of the American kung fu movie, which is also the story of the evolution of the action scene and the United States’ cultural perception of China, Hong Kong, and Japan. We start at prehistory, before the advent of martial arts styles, and move through the watershed year of 1973 — challenge the conventional wisdom that that was the beginning — and continue onto the Golden Age and the resulting Doldrums, both pivoting around the rise and fall of The Matrix. Throughout, we introduce the careers of the action icons like Chuck Norris and Jean-Claude Van Damme, and whittle down a list of recommendations. … More American Kung Fu Primer [PODCAST]

The Barber of Jeonju

July 14, 2022

You’ve read right! The most precious duo in K-pop debuted as a unit yesterday, and props for taking on the fandom name. I can’t explain “Iseul” for Irene and Seulgi, who have been known in English-speaking circles as “Seulrene” forever, other than Irene is the senior and her name must come first. The music video for Chobom’s song “Copycat” is live, and it’s delightful. It’s more bubblegum than Apink’s been trending lately, with an easygoing style. I was wondering how this subunit would work musically, given how Apink music usually works, where Bomi plays off of Eunji and Namjoo, I feel like. … More The Barber of Jeonju

Emmys 2022

July 12, 2022

For the most part, I think it was a pretty crowd-pleasing Emmy nomination announcement today, between Abbott Elementary, Yellowjackets, and of course, Squid Game. Does the first-ever nominated Korean show have a chance to repeat the success of Parasite three years ago? Seems unlikely. I have to agree with the Washington Post assessment, because between perennial favorite Succession and two big departures, the smart pick here is Better Call Saul. I’m pretty sure Breaking Bad won only one Outstanding Drama award, and that was for its last season. The Academy, or whatever it is, sure loves pulling that stunt. … More Emmys 2022

K-Drama Report: Inspector Koo

July 4, 2022

Little by little, I’m getting a sense for the geography of South Korea. Of course, there’s metropolitan Seoul and Busan. You land in Incheon, a major city to the east. Jeju is a popular vacation spot. Irene and her accent come from Daegu. Now we have the setting for K-drama Inspector Koo, Tongyeong, a destination on the southern coast which CNN praises for its “fresh seafood, picturesque seascapes and quaint fishing village charm.” After only two episodes, I desperately wanted to visit. Who knew a murder mystery could be so flattering for a city, but every chase scene, every surveillance detail is another opportunity for a wide shot or roving camera showcasing the mountains or festivals or public gardens. This is a regular feature of the genre as I’ve witnessed it, that K-dramas are always selling something, and in total present the shiny artifice of a country at its best. How is it that every male lead is at least six feet tall and every female lead is five-foot four? And take a look at this black bean noodle – doesn’t sound appetizing, but it looks amazing. How about that sunset on the skyline? There’s a beach in everyone’s backyard here, but you fall in love on the bridge over the river. … More K-Drama Report: Inspector Koo

Gianna Jun | The Last Vampire vs. Ashin of the North

June 26, 2022

Like all those books with straightforward titles like How to Learn JavaScript, I’ll note in this introduction that “This is not a book on how to learn JavaScript,” and in this case, I won’t be summarizing Gianna Jun’s career between the films Blood: The Last Vampire and Kingdom: Ashin of the North — not exactly. But I chose these two movies because together, they suggest something about how stars are made. … More Gianna Jun | The Last Vampire vs. Ashin of the North

Zombie Mad Scientist [PODCAST]

June 26, 2022

With Netflix K-shows being renewed left and right, what better a time to talk about Kingdom than this tense moment before season three gets the green light, too? In other words, I couldn’t wait. How could I resist Gianna, focus of this month’s discussion? For whatever reason, when Kingdom: Ashin of the North was released, my first thought was Blood: The Last Vampire, and together, they may say something about international star-making. … More Zombie Mad Scientist [PODCAST]

Filmmaking Returns | RRR (2022) Review

June 20, 2022

One of the joys of exploring movies from different countries is encountering new cinematic languages. I buckled at the deliberative pacing of K-dramas before giving myself over entirely, and went into Shu Qi-starrer The Assassin assuming it was an action movie before leaving perplexed but intrigued. It’s strange, especially for a critic, to think “I don’t really understand what I’m seeing.” Yes, the image is crystal clear, of an extremely muscled man straining against the bonds of an ensnared tiger and screaming back into its roaring face, but nothing in my career of watching historical dramas has prepared me for this. Am I supposed to be registering some level of irony? Can they do this, even? And of course, subtly suggesting that I myself discovered RRR is a willful misguidance, as it came at the urgent recommendation of my QNA cohost Donovan – our own friendship highly reminiscent of Rama and Bheem’s, complete with underwater Predator handshakes. … More Filmmaking Returns | RRR (2022) Review

The Day It’s “About” the Empire and Not “By” the Empire

June 19, 2022

Anyway, something I love about Asian movies is when they manage to find white actors to play less than flattering roles, often in recreations of historical events. The question is sometimes, “Where’d they find this guy?” because the acting is so bad, but then it’s “Where’d they find this guy?” because he’s making the British look real fucking stupid. In Ray Stevenson’s case, I’m genuinely curious if his Irish heritage meant no lost love, either, or if it was just a paycheck and an awesome vacation. … More The Day It’s “About” the Empire and Not “By” the Empire

Why I’m Quitting Dinosaurs

June 18, 2022

It happened with Terminator: Genisys, it happened with Godzilla vs. Kong. I will eventually see Jurassic World: Dominion and anything that comes after it, but I wish I had the inner strength to resist. The self-respect, really. Some of my favorite movies are American blockbusters, but the “artform” is in a valley phase. They’re now produced with a TV model, where every film is an episode. This works on TV where the budgets are low enough to keep the moneymen off the lot. The proud catchphrase from the golden era was “On TV, the writer is king,” though that was before we learned that a lot of those guys were mad kings. To be honest, the role of a good director in television is underrated, and the problem is that our modern blockbusters make no room for directors. Jurassic Park was directed. And given that these legacy franchises are all about worshiping older work, I can’t escape this thought even if I wanted to. “Look at how much better this earlier movie was!” the movie is saying. … More Why I’m Quitting Dinosaurs