Flower Power Tower | Mechanical Violator Hakaider (1995) Review

Over the years, I’ve attempted to watch Mechanical Violator Hakaider three or four times, and only on the third or fourth attempt did I make it to the credits – not intact. I’d fallen asleep every time, so it was just a matter of picking up where I’d left off or deciding it had been too long and starting over. And I’d think, “How is this happening?” One of the strands running through this (strand-type) blog is the film’s director Keita Amemiya, whose career serves the hyper-specific, me-shaped niche of “non-kaiju tokusatsu and also R-rated violence,” with the bonus of an appreciation for action heroines (usually played by one actress, Yuko Moriyama). Hakaider could be the result of the slightest deviation from that formula, but I think its sleep-inducing powers speak to fundamental problems, and ironically may speak to Amemiya’s craft. … More Flower Power Tower | Mechanical Violator Hakaider (1995) Review

Kicks to the Face Before Breakfast | Lady Whirlwind (1972) Review

Since we’re all in the “video game adaptation” mood lately, I might suggest a challenge: a faithful film version of an RPG, say, The Elder Scrolls V: Skyrim. The hero has a task, and then they spend the entire movie on side quests. This was my thinking during Lady Whirlwind, one of the early star vehicles for Angela Mao. Having costarred with him in Enter the Dragon, she’s sometimes considered “the female Bruce Lee,” but I was skeptical, even watching her early scenes here. The character she’s playing is cool and confident, but her facial expressions tell a different story in the midst of fighting. Does “female Bruce Lee” simply mean “female martial arts star”? And does a woman score the title just by being good, suggesting that we don’t expect greatness? It takes me a moment to realize that she’s taking on a dozen guys at a time, and most critically, that like a lot of Bruce Lee characters, she’s kind of a dick. She is certainly not the hero, and in fact, wants the hero dead. Thank God she spends the entire movie on side quests. … More Kicks to the Face Before Breakfast | Lady Whirlwind (1972) Review

I’m a Cow(girl) | DOA: Dead or Alive (2006) Review

DOA: Dead or Alive gets off to a rough start. We find Princess Kasumi awkwardly sitting on a throne and a dork named Hayabusa awkwardly standing nearby and expositing. Then Kasumi gets up and leaves, trading awkward dialogue with Hayabusa as he follows. She wants to leave the palace to find her dear brother Hayate, but “Princess Kasumi,” he warns, “the guards will kill you!” So she goes outside and it’s a veritable Curse of the Golden Flower army. And yet, nothing happens. A pink-haired Ayane shows up to further exposit awkwardly, and then Kasumi turns off the gravity and leaps over the gate, over the Great Wall of China, and over a cliff. No fight scene, but a lot of terrible acting, terrible special effects, and terrible everything. As far as video game adaptations go, it’s pretty faithful. … More I’m a Cow(girl) | DOA: Dead or Alive (2006) Review

Home Movies | Shin Kamen Rider (2023) Review

Chances are, if you’ve heard of Shin Kamen Rider, you’re gonna go see it. For my part, I missed Shin Godzilla in theaters and then missed Shin Ultraman. I was determined not to miss Shin Kamen Rider, despite it being my least favorite of the three properties. My experience with Kamen Rider is mostly bafflement. There’s this explosion of light and color, and suddenly, he’s on a motorcycle. Who? I don’t know. The guy who’s running away from the mutants, and he has to stop SHOCKER. Obviously. The difference between Godzilla, Ultraman, and Kamen Rider is a matter of personal taste. I prefer monsters to superheroes, and Kamen Rider is a quintessential Japanese superhero, up there with Astro Boy. Shin Kamen Rider is the 50th anniversary project (adjusted for COVID), and as alluded to, the third in anime maestro Hideaki Anno’s weird revival movies, beginning with the masterpiece Shin Godzilla. … More Home Movies | Shin Kamen Rider (2023) Review

Ten Directors Challenge

This morning, a friend messaged me his list of ten favorite directors as part of a Twitter challenge, appending a note of concern that his picks were too bro-y. In retrospect, I’m not sure if that meant genre-wise or that they were all men. There are lists out there of female directors and I’ve certainly enjoyed many female-directed movies, but my own list is the same kind of bro-y. In no particular order (and because I’m not on Twitter) … More Ten Directors Challenge

American Kung Fu Primer [PODCAST]

This month, Donovan Morgan Grant returns to provide an overview of the American kung fu movie, which is also the story of the evolution of the action scene and the United States’ cultural perception of China, Hong Kong, and Japan. We start at prehistory, before the advent of martial arts styles, and move through the watershed year of 1973 — challenge the conventional wisdom that that was the beginning — and continue onto the Golden Age and the resulting Doldrums, both pivoting around the rise and fall of The Matrix. Throughout, we introduce the careers of the action icons like Chuck Norris and Jean-Claude Van Damme, and whittle down a list of recommendations. … More American Kung Fu Primer [PODCAST]

Gianna Jun | The Last Vampire vs. Ashin of the North

Like all those books with straightforward titles like How to Learn JavaScript, I’ll note in this introduction that “This is not a book on how to learn JavaScript,” and in this case, I won’t be summarizing Gianna Jun’s career between the films Blood: The Last Vampire and Kingdom: Ashin of the North — not exactly. But I chose these two movies because together, they suggest something about how stars are made. … More Gianna Jun | The Last Vampire vs. Ashin of the North