Starship of Fools | Mickey 17 (2025) Review

It’s been a long winter. If I’m getting into my car these days, it’s to go to the grocery store to continue stocking up on canned goods for the coming economic recession or government collapse or whatever it’s gonna be. Tonight, as I waited for the engine to warm, I asked myself: “Do I really want to see this movie?” It was kind of an obligation, for two reasons. One, I’ve been writing a sci-fi story about clones and needed to know if I should stop, and two, Parasite was so good that I owe Director Bong. I’d also managed to avoid all trailers and plot details – even the cast list, beyond Pattinson – so why spoil that now, though it’s probably why I was feeling so neutral. What was there to excite me but the promise of another Bong Joon-ho movie? He’s been a little hit-or-miss, though I’m not sure if it’s just because I vibe so much with his friend and colleague Park Chan-wook. That man can ruin my night any day of the week, and by comparison, Bong’s sillier, more welcoming sensibilities are less appealing. As a sci-fi movie with a funny premise, Mickey 17 seemed to promise the same thrills of The Host or Okja – undoubtedly with that satirical bite. … More Starship of Fools | Mickey 17 (2025) Review

Homemade Gyoza Party | Baby Assassins: 2 Babies (2023) Review

I’m so excited that Baby Assassins ballooned into a media franchise, encompassing a trilogy of films, a TV series, a making-of documentary, and a making-of mockumentary, most of which came together in the last two years. Mahiro actress Saori Izawa has been working for a long time, as her action reels on YouTube plainly demonstrate – up to and including slicing a delivery pizza in half with a katana – mostly behind the scenes, even doubling Rina Sawayama in John Wick: Chapter 4. Our dear new franchise, then, is basically her proverbial (if not literal) John Wick moment, and honestly, I wouldn’t be surprised to see her featured more prominently in another American movie soon. It’s weird that American action cinema is currently in a renaissance, but for Japan, movies like Baby Assassins are the exception – kind of. … More Homemade Gyoza Party | Baby Assassins: 2 Babies (2023) Review

A Killing at the Maid Café | Baby Assassins (2021) Review

In action movies, there’s always that moment in the final battle when the bloody-faced hero looks up at their opponent, and the line is something like, “I’m not giving up” or “Is that all you got?” In Baby Assassins, it’s more like, “She didn’t tell me about this strong guy.” That’s it. Just another snippet of an internal monologue that’s sometimes spoken aloud. At the start of the movie, this character Mahiro is introduced as a socially awkward teen doing something painfully relatable: bombing a job interview. Only, she cuts it short by shooting the hiring manager in the head (ideally, that’s less relatable). What follows is a frenetic fight scene choreographed by the modern master Kensuke Sonomura, where assailants lifting Mahiro into the air doesn’t stop her from repeatedly stabbing their shoulders and arms. Spoiler alert: this is most of the movie’s action until the final battle. … More A Killing at the Maid Café | Baby Assassins (2021) Review

In Defense of Mass Effect Combat

One of the last games I was playing was the original Mass Effect, this time on PS3. I played the trilogy on the Xbox 360, and Mass Effect 2 multiple times, bought them all again on PS3 and played up to the quarian homeworld in Mass Effect 3, gave the original a shot on PC once, and started the original once more on PS3. I’d gotten to Noveria when I stopped, probably because other, more pressing things than a game I play constantly, had gotten in the way. And yet, as I write this, I’m paused on Noveria, about to speak with the shopkeeper jellyfish on the Mass Effect Legendary Edition for PS4. If I can get through these three in time, I’ll finally give Mass Effect: Andromeda another shot, though technically that should come between Mass Effect 2 and Mass Effect 3, right? Anyway, this was another characteristically boring introduction to our first segment, on the combat in Mass Effect. … More In Defense of Mass Effect Combat

Battle of the Sexes | My Wife is a Gangster 3 (2006) Review

There’s a tropey thing in movies where the badass hero guy goes big-league, demonstrating killer skills outside his usual environment. Maybe it’s Ray Liotta pistol-whipping the guy in Goodfellas, or Jason Statham beating up the basketball court in The Expendables. We know they deal with bigger threats, so this one’s just for fun — applied badass. I went looking through the Goodfellas listing on TV Tropes and didn’t find anything, though the scene is considered, among others, an example of their trope “All Girls Want Bad Boys.” True enough, in both cases, the badass application makes audience of a woman (“I gotta admit, It turned me on,” says Karen Hill). … More Battle of the Sexes | My Wife is a Gangster 3 (2006) Review