Tag: Four Stars

The Dream | Baby Assassins: Nice Days (2024) Review

August 28, 2025

For two movies, Baby Assassins has been a source of unusual joys. They’re charming even in their deficiencies, with scenes lingering on nothingness for so long that it becomes funny and the lack of plot making for unpredictable sketch comedy. With this third outing, the winning non-formula is finally given structure, which might sound unduly disciplinarian for our anarchic duo, but this was the only ingredient missing. I think that sometimes, filmmakers, film critics, and film students can romanticize the subversion of convention, when so much of the artistry and effect of movies is in the exercise of character arcs and stories which resonate with subtextual meaning. And yet, even with a Baby Assassins set to provide usual joys instead, I couldn’t have anticipated such virtual perfection as Nice Days. I was already a fan, guys. You didn’t have to do all this! A proper coming of age, it’s an optimization of every formerly experimental element; a bloodsoaked spectacle with a cathartic, heartfelt finish. … More The Dream | Baby Assassins: Nice Days (2024) Review

The Beach Episode | Sonatine (1993) Review

June 3, 2025

It’s rare for a film to give the sense that we, the audience, are seeing the world through the director’s eyes. Typically, great direction serves the story, but in this case, the director may be the story, doubling as the lead actor. As his character Murakawa, Takeshi Kitano observes. Along with countless static shots of people standing by, sitting still, waiting, we look at a lot of Murakawa looking. More than that, Sonatine, like Kitano’s earlier film Boiling Point, moves to its own rhythm. Proceeding without a lot of dialogue, it establishes a unique language with what we see and when we see it. Often, what we see is a shocking instance of violence. For my money, Sonatine has the most effective jump scare in any non-horror movie. I practically leapt out of my seat. And yet, it’s also irreverent and tender, melancholy and affecting. It’s phenomenal. … More The Beach Episode | Sonatine (1993) Review

Tokyo Story Raids Again | Godzilla Minus One (2023) Review

December 2, 2023

The question isn’t about potentially overstating Godzilla Minus One with hyperbole, but rather which hyperbole to choose from? So far, I have “In terms of improving upon source material, Godzilla Minus One may be the greatest remake of all time,” and “I didn’t expect a Godzilla movie to make me cry, but here we are.” In terms of the first, I’d had the sense that I wanted to go into this one knowing as little as possible. I wasn’t as fixated on the advent of a new Godzilla movie as I had been for, say, a new Predator, because we were just recently gifted with a great installment. So, going in, I knew that Minus One took place directly after World War II – and that was pretty much it! Would this be a remake of the original, down to Serizawa and the Oxygen Destroyer? And most importantly, what would the titular monster mean this time? … More Tokyo Story Raids Again | Godzilla Minus One (2023) Review

Beautiful Violence | Raise the Red Lantern (1991) Review

September 22, 2023

All of the great films I’ve seen this year – John Wick: Chapter 4, Dragon Inn, Ran – left me thrilled or excited or breathless but intact. It’s been a long time that I’ve been this shaken by a movie. The credits rolled and the Blu-ray disc whirred inside the PS4 and I clicked around for a bit, first on the trailer by accident and then on an interview with film historian Tony Raynes. I had no idea what he was saying. I just sat there, responded to a couple of texts, and realized that as much as I’d been planning on writing a review for Raise the Red Lantern – this site would be incomplete without it! – doing so would mean lingering in that head space, and returning to that world. … More Beautiful Violence | Raise the Red Lantern (1991) Review

Thespian Equestrian | Ran (1985) Review

January 30, 2023

The horses and the horse riders are put through the wringer in Ran, the final epic of Akira Kurosawa and perhaps his greatest film. I saw horses struggling through water coming up to their necks, soldiers falling off horses, and horses just about to trample a soldier who fell off his horse. It’s a movie entitled “Chaos,” after all! And, well, that’s about as fresh an angle I can manage for this or any Kurosawa title, the director being so widely studied and appreciated. Of course, I’ve come into this one for the first time nearing the age of 30, long after film school let out. I have nothing to add to the conversation, so take this review on a humble blog as a missive – delivered by horseback – that I’d like the conversation to continue. … More Thespian Equestrian | Ran (1985) Review

Filmmaking Returns | RRR (2022) Review

June 20, 2022

One of the joys of exploring movies from different countries is encountering new cinematic languages. I buckled at the deliberative pacing of K-dramas before giving myself over entirely, and went into Shu Qi-starrer The Assassin assuming it was an action movie before leaving perplexed but intrigued. It’s strange, especially for a critic, to think “I don’t really understand what I’m seeing.” Yes, the image is crystal clear, of an extremely muscled man straining against the bonds of an ensnared tiger and screaming back into its roaring face, but nothing in my career of watching historical dramas has prepared me for this. Am I supposed to be registering some level of irony? Can they do this, even? And of course, subtly suggesting that I myself discovered RRR is a willful misguidance, as it came at the urgent recommendation of my QNA cohost Donovan – our own friendship highly reminiscent of Rama and Bheem’s, complete with underwater Predator handshakes. … More Filmmaking Returns | RRR (2022) Review

All the Wonders | Spirited Away (2001) Review

January 12, 2022

Setting upon the ocean with her mentor Lin, our heroine Chihiro looks back to see No Face stumbling out of the great bathhouse. However much a ghost stumbles, he is dizzy after his recently ejected meal of three people. Chihiro calls out to him, “Over here!” and Lin just says, “We don’t need him.” You know, not “He ate and spat out three people,” which was only part of his earlier rampage. It’s a casual kind of absurdity, one that doesn’t tug at incredulity because it feels earned. In fact, this is a film that gets funnier as it goes on, which is the opposite of how these things usually go – you know, movies that make me cry. You want to start funny to soften up the audience, and then hit them with tragedy, but not this time. Spirited Away understands that half of any joke, same as any wisdom, is the person making it, so its breathtaking fantasy adventure is premise for revealing the depths of people – none of whom are “human.” … More All the Wonders | Spirited Away (2001) Review