A Couple of Nobodies

The story of how Bob Odenkirk became an action star begins, of course, with John Wick. The 2014 film was positioned as a comeback for Keanu Reeves, whose star had been tarnished by invisible indies and outright failures like 2008’s The Day the Earth Stood Still remake and an expensive fantasy take on the 47 ronin in 2013. A sleeper hit, John Wick owed its success to Reeves’s persuasion with a global audience – soon to become legendary – and a shift behind the scenes with industry-wide implications. Beginning life as a spec script by relative newcomer Derek Kolstad, “Scorn” was reconfigured as Reeves’s “John Wick movie” by directors Chad Stahelski and David Leitch, two veteran stunt coordinators. These were guys from the trenches of the action genre, with Stahelski having doubled Reeves on The Matrix – as well as being Brandon Lee’s stand-in on The Crow – and directing second-unit on blockbusters like Sherlock Holmes: A Game of Shadows and The Hunger Games: Catching Fire. Even after the release of John Wick, he and Leitch returned to their day gig for the set pieces on Captain America: Civil War. A nice paycheck, perhaps, but this old way of doing things was coming to an end. … More A Couple of Nobodies

Swan Lake of Blood | Ballerina (2025) Review

From the World of John Wick: Ballerina is a strong contender for “movie with the worst title of the year,” and incidentally, the subtitle (supertitle?) is both strength and weakness. My question, from the moment the film was announced in 2019, was “Why does this have to be a spin-off?” There’s nothing about a ballerina-turned-assassin that screams John Wick any more than it does La Femme Nikita or 2023’s own Ballerina, though the lead character in that one wasn’t the titular ballerina. In fact, 2025’s Ballerina starts on the most stock-standard note: her father is killed, and she seeks revenge. That’s every action movie! It’s also why the original John Wick was such a breath of fresh air: action movies are bad. … More Swan Lake of Blood | Ballerina (2025) Review

The Streak

When BTS went on hiatus on account of military service, I will admit to worrying about the future of hallyu. Surely, one day, this fever will break, right? Trends never last. It would help, I think, if some of the key players became household names in, say, America, the way they have in other countries. Understandably, Korean names are more difficult to remember and pronounce than, for example, Japanese names. Back in the day, we had the crossover efforts chronicled on this site — “Gianna” Jun in Blood: The Last Vampire, Lee Byung-hun in GI Joe and Red — and they didn’t really go anywhere. Well, they went back to Korea. Remember Choi Min-sik in Lucy? What do you mean no? Jesus, live-action Blood comes up way too often on this website. … More The Streak

From the World of You-Know-Who | Ballerina (2023) Review

I was ready, as soon as I’d seen the trailer last year, to see a review for Ballerina here as part of an ongoing conversation (with myself). In 2020, I’d written about Furie, a female-led Vietnamese action movie addled by flashbacks. Later, it was The Villainess, a Korean action movie with at least two set pieces now canonical to the genre, but which didn’t fully believe in its female lead. It’s now 2024, and in the time since, I’ve actually avoided a lot of the female-led action movies that seem to be a natural byproduct of the genre’s current renaissance (if everyone’s making action movies, some of them are gonna star women). I mean, ten years earlier, I would’ve given a limb to see “Mary Elizabeth Winstead the action star” in something like Kate, but alas. It could be option paralysis, because there are a lot of these movies, but I also wonder if the many, varied disappointments over the years have burrowed into my subconscious, impacting whatever impulse it is that I hit play instead of browsing on. Furie and The Villainess especially seemed to follow the formula nearly perfectly, nearly, and Ballerina is very much the next example in that sequence. … More From the World of You-Know-Who | Ballerina (2023) Review

Bulletproof Suit | John Wick: Chapter 4 (2023) Review

In a way, John Wick: Chapter 4 is a needless sequel. Rewind to 2019, with about 45 minutes to go in John Wick: Chapter 3 – Parabellum, around when the plot seems to whisper “actually, this is not the grand finale.” A confrontation with the ultimate bad guys is averted, and we’re left on a cliffhanger. What’s funny about the world of John Wick as it’s expressed in Chapter 3 and Chapter 4 is – where’s the mob? Who are these assassins killing when they’re not killing each other? This felt like less of a “problem” in Chapter 3, where John Wick was facing the consequences for the assassination of a non-assassin character. Cue the assassins, and that’s fine. In Chapter 4, we have the same consequence, again. Now it isn’t John Wick versus New York City, it’s John Wick versus… well, that’s a long story. … More Bulletproof Suit | John Wick: Chapter 4 (2023) Review