A Couple of Nobodies

The story of how Bob Odenkirk became an action star begins, of course, with John Wick. The 2014 film was positioned as a comeback for Keanu Reeves, whose star had been tarnished by invisible indies and outright failures like 2008’s The Day the Earth Stood Still remake and an expensive fantasy take on the 47 ronin in 2013. A sleeper hit, John Wick owed its success to Reeves’s persuasion with a global audience – soon to become legendary – and a shift behind the scenes with industry-wide implications. Beginning life as a spec script by relative newcomer Derek Kolstad, “Scorn” was reconfigured as Reeves’s “John Wick movie” by directors Chad Stahelski and David Leitch, two veteran stunt coordinators. These were guys from the trenches of the action genre, with Stahelski having doubled Reeves on The Matrix – as well as being Brandon Lee’s stand-in on The Crow – and directing second-unit on blockbusters like Sherlock Holmes: A Game of Shadows and The Hunger Games: Catching Fire. Even after the release of John Wick, he and Leitch returned to their day gig for the set pieces on Captain America: Civil War. A nice paycheck, perhaps, but this old way of doing things was coming to an end. … More A Couple of Nobodies

Mouthguard Recommended | The Shadow Strays (2024) Review

Timo Tjahjanto is a filmmaker with the intuitive understanding that, in human nature, we’re at our angriest when we’ve taken a blade to the shoulder in a fight to the death. I don’t know how he knows this, but it does make sense, and in his latest film, it comes up a lot. For reference, The Shadow Strays could be described as a sequel to 2018’s The Night Comes for Us, though in spirit, it’s more like a prequel to that film’s own – tragically unmade – sequel, Night of the Operator, which would’ve spun off Julie Estelle’s assassin character. I was so stricken dumb by the “bones tearing through flesh” style of The Night Comes for Us that I didn’t realize how much I loved it until subsequent, wide-eyed viewings. I’ve watched Julie Estelle’s big fight scene so many times that I know every beat by heart. And so, the experience of The Shadow Strays is relatively unique for this movie-goer. Tjahjanto said, “Want more?” and I said, “I-I didn’t even know that was an option.” … More Mouthguard Recommended | The Shadow Strays (2024) Review

K-Drama Report: My Name (2021)

I’m three episodes into My Name and already desperate to continue. On paper, it’s tailor-made to my sensibilities, those which I’ve struggled to communicate on this blog. My only remotely successful With Eyes East YouTube video is a wild-eyed plea to Hollywood, or Indonesian Hollywood, or anyone with a camera and a gallon of fake blood, to cast Julie Estelle and contribute to her undoubtedly skyward journey. I hardly got this point across in the video, but Estelle represents, to me, a new kind of action star. Where the Hong Kong heroines from the ‘60s through the‘90s were simply working with a different sort of market — less bloodsoaked and crazy, with notable exceptions — and modern actresses dip from time to time into action with mixed results, say Kim Ok-vin or Mary Elizabeth Winstead, the image Julie Estelle has built for herself so far has the potential to stay gory at the intersection of Indonesia’s auteurs and the international market’s appetite. … More K-Drama Report: My Name (2021)

You Are the Product, You Feeling Discomfort

In the inarguable blog post for With Eyes East — a feature I’m hoping will equate to semiregular content on this, you know, blog site — I got some problems. Number one being the sexual confusion I experience while watching Steven Seagal movies, but that’ll be our last item because it’s horrifying. First, and only appropriately so, Irene’s movie Double Patty came out (at the domestic box office), and no, netizens are not over “the Irene thing.” Via email alert, I was greeted by this happy headline the other day: “K-pop idols, such as Red Velvet’s Irene, are bombing at the box office as they seek big film careers,” over on the South China Morning Post (or Korea Times?). The article cites a number of idols trying their hands at acting, apparently poorly, but I only recognize Irene here, and as previous posts on this site have well-established, on this I get a little touchy. … More You Are the Product, You Feeling Discomfort

Julie Estelle | The Future of Action Cinema

If you are a movie producer anywhere in the world and you’re looking to make an action movie, there’s someone I need to make sure you know about: Julie Estelle, an Indonesian actress. Now, like many other American filmgoers, I first saw Julie Estelle in The Raid 2: Berandal, in which she played Hammer Girl. The Raid 2 is great movie, and Hammer Girl was a wonderful addition to the cast. But while she was an important supporting role, there is more to roles than even being extremely interesting. … More Julie Estelle | The Future of Action Cinema