K-Drama Report: Jeongnyeon: The Star Is Born (2024)

Kim Tae-ri is probably the best actor to come out of Korea since Choi Min-sik, and while such hyperbolic language may indicate a simple mind structured, Sith-like, by absolutes, I’m comfortable with the assessment because she’s so quintessentially Korean. Seamlessly toggling between physical comedy and genuine heartbreak, it’s like she was crafted by the gods to inhabit the whiplash tones and extreme scenarios of popular Korean film and television. Specifically, the way she can make me cry and laugh simultaneously is exactly how critics describe Bong Joon-ho’s The Host, and of course, her acting debut was in Park Chan-wook’s celebrated film The Handmaiden. She’d go on to win industry awards with roles in major titles like Mr. Sunshine and Twenty-Five Twenty-One, and managed to close out the first ten years of her career with another canonical entry: Jeongnyeon: The Star is Born – confound that double colon – which netted her the Grand Prize at the APAN Star Awards and Best Actress at the Baeksang Awards (her second), as well as the label “Television Actor of the Year” by Gallup Korea. Where Kim Tae-ri goes, quality is sure to follow, if her taste for sci-fi blockbusters is the only thing suspect about such a jeweled filmography. And so, taking up the titular role in Jeongnyeon, she’s flanked by a murderers row of veterans like Ra Mi-ran and Moon So-ri as well as young, fierce talent like Shin Ye-eun – and of course, the scene-stealing ladykiller, Jung Eun-chae. … More K-Drama Report: Jeongnyeon: The Star Is Born (2024)

K-Drama Report: Anna (2022)

Every now and then, I’m stricken with the pang of something – maybe dread, even embarrassment – over the readability of this blog, and especially its “K-drama reports,” for one simple reason: spoilers. As much as I might decry being spoiled on things myself, I’m never so considerate in turn. Maybe I provide a spoiler warning or suggest that the coverage will be comprehensive, so to speak, but at that point, it’s not a recommendation. It’s like a diary entry, and while I’ve always enjoyed the relaxed, indulgent nature of these posts, again, to whose use are they? Because the element of surprise is important to today’s subject, the 2022 Bae Suzy drama Anna, I will begin with a recommendation section before the report proper, if such a thing can be. And it’s important to the overall discussion because I’m not even sure I was supposed to be surprised by half the reveals, or if the reveals were merely “developments.” Part of my confusion may stem from this show having gone under the radar – translation: it wasn’t on Netflix or Viki – and so, what I knew going in was half-inferred. Amazon Prime’s summary is this: “The story of a woman who ends up living a completely different life due to a petty lie.” That life belongs to Jung Eun-chae’s character, and based on the trailer, I assumed that these two actresses were going to war. Come to think of it, perhaps it’s a spoiler to even raise these questions. … More K-Drama Report: Anna (2022)