K-Drama Report: Bon Appétit, Your Majesty, Part III

My girl almost got away with it, too. I know, you can’t have everything. Or can you? This is the funny thing about K-dramas, that the endings are so critical, it adds an extra layer of tension to the viewing. “Please don’t screw it all up!” It makes sense, though. Because K-dramas are, by default, limited to one season, there’s an actual expectation of a narrative conclusion, unlike in American television (where shows are either canceled prematurely or go on so long they drift off into incoherence). Thematically, there’s also an aspect of wish fulfillment. A show like Bon Appétit, Your Majesty is a romantic fantasy following the template of countless fantasies before it. We know all the beats – and we anticipate them – so laid down and preserved for their dramatic potential. Without a doubt, one of those beats is the officiation of the romance, however that takes shape (I don’t even have the term for it). The audience proxy, in this case Royal Chef Ji-yeong, lives this fantasy of winning over the palace one-by-one with her masterful cooking skills, including the scary-sexy King Yi Heon, with whom she eventually falls in love. Why shouldn’t she be able to hold onto that love, too? … More K-Drama Report: Bon Appétit, Your Majesty, Part III

K-Drama Report: Bon Appétit, Your Majesty, Part II

In its second act, Bon Appétit, Your Majesty levels up from good to great to excellent at blistering speed, centered around the latest challenge for royal chef Ji-yeong: a competition against legendary Chinese cooks to decide Joseon’s fate with the Ming dynasty. At the start, I worried the show would adopt a “dish of the week” structure, with Ji-yeong making food for King Yi Heon alone until they eventually fell in love. How would they make that interesting each time? Instead, we have this latest contest which animates the entire palace, setting conspiracies into motion and raising the stakes to the level of national consequence. The Ming envoy, Director Yu Kun, walks with the authority of his emperor, turning each exchange with the Joseon king into a careful game of feints and doublespeak. The contest itself occupies two episodes – contained almost entirely to one location – with two additional episodes of build-up. It’s remarkable, and I’ll just say now that I can’t remember the last time a K-drama made me cry like Bon Appétit’s ninth episode, with the contest’s surprising climax. … More K-Drama Report: Bon Appétit, Your Majesty, Part II

K-Drama Report: Bon Appétit, Your Majesty (2025)

Finally. You know, Yoona’s an interesting case. I’ve previously discussed how she’s this deific figure in hallyu but often plays the most mundane characters in K-dramas (faring a bit better in film, by all appearances). She takes us behind the scenes of these shows on her YouTube channel and she’s so enthusiastic, and I wish I could be, too. I really do. Unfortunately, it’s gotten to the point where Yoona’s not a selling point anymore. On one hand, she’s drawn to these safe, relatively unchallenging roles, but on the other, I don’t know if I’d be comfortable with her unsafe, thrown into the deep end of Korean movies and TV. Take Lim Ji-yeon, for example, who’s had a five-star career and now everyone knows she’s a brilliant actress, but Christ, does she get her ass kicked. She plays an abused wife in Lies Hidden in My Garden and a runaway slave in The Tale of Lady Ok. Award-nominated performances, but it’s too much for me to handle. The price of being a badass, really. A badass woman, mind you; no price for guys. Oh, I’m so nervous for my sweet baby Shasha in Project Y. I’d much rather watch Yoona in a reality show like Hyori’s Homestay or any old Girls’ Generation content, where we also see her actual, though still guarded, personality. … More K-Drama Report: Bon Appétit, Your Majesty (2025)