K-Drama Report: The Judge from Hell, Part III – God Mode

In the first Report, I said – and I quote – “Shin-hye should be god mode in Grand Theft Auto,” in expressing frustration over her character’s limitations. In the second Report, my wish came true, and I was excited and terrified. Now, in our final Report on The Judge from Hell, I think it’s time to deconstruct this term, “god mode.” While I watched the first five episodes in a matter of days, the next nine took me practically the rest of the month. The first lull came with episode six, right before Kang Bit-na was about to lay her righteous beating on a condemned soul. This actually turned out to be “the elevator scene” I was crowing about. Of course I wanted to see more of Park Shin-hye beating people up; that’s the most amazing thing I can think of. So why couldn’t I hit play (or rather, open Disney+ and hope it didn’t crash or ask me to sign in)? It broke my heart to realize, but I had to admit: I was bored. … More K-Drama Report: The Judge from Hell, Part III – God Mode

K-Drama Report: The Judge from Hell, Part II – Park Shin-hye Beats the Stuffing Out of Everyone

Okay, maybe not everyone, but I’m still satisfied. Previously on the K-Drama Report, I complained that for a show featuring Park Shin-hye as we’ve never seen her, empowered with the infinite power of hell, her character was woefully underwhelming. Add in unpleasant scenes of domestic violence, and I was ready to call it quits. I’ve been had before, and maybe in my old age, I’m too frustrated by failure. Well, it turns out, there’s a reason why the first episode doesn’t end with the cathartic release of Shin-hye’s character Kang Bit-na (or Justitia the demon) beating up the abuser guy for a couple of minutes. No, no, The Judge from Hell had something much greater in mind: twenty minutes. Yes, friend, you read that right. A sustained sequence where she’s just blowing this guy up. … More K-Drama Report: The Judge from Hell, Part II – Park Shin-hye Beats the Stuffing Out of Everyone

K-Drama Report: The Judge from Hell (2024)

The IMDb logline for The Judge from Hell reads as follows: “Kang Bit Na, an elite judge with a beautiful appearance, is a demon whose mission is to punish those who have wronged others and send them to Hell. However, the righteous Detective Han Da On is determined to change her ways.” You know what? That sounds really good. I’ve been dying for a show where Park Shin-hye plays against type and, ironically, into her public persona as a bigger-than-life celebrity who everyone loves. At the very least, her biggest roles have been characters easily described as “nice” or “shy” or even “do-gooder”? I feel like she’s been slapped in the face so many times, though she did give it to Kim Ji-won – the Queen of Tears herself – in The Heirs. But no more. Now she’s playing a demon! … More K-Drama Report: The Judge from Hell (2024)

What’s New and Notable in 2024, Cue-Fore

It’s been a rolley-coaster year, between the highs of Dune: Part Two and high-profile bombs like Borderlands, with plenty of interesting stuff in between. Now the summer is nearly over and we’re headed into spooky season, which then gives way to awards season (groan). Hollywood might not be fully back yet, but there’s plenty to look forward to! Shall we review some examples? … More What’s New and Notable in 2024, Cue-Fore

Fashion Empire | The Royal Tailor (2014) Review

A lot of the Korean pop culture I’ve witnessed so far eschews context, even before exportation to America. There’s a propulsive energy to movies like Parasite and The Handmaiden, like “Wowzer, where did that come from?” and you’ll see highly-paid and highly-respected Korean celebrities doing absurd things in the name of cinema (or variety shows). A film like The Royal Tailor doesn’t stop to observe its absurdity, doesn’t replicate the audience to lie prostrate before it and be judged, and this allows the earnest deliveries of lines like “I’ll make sure your clothes never see the light of day!” The magic trick, then, is that this line is a gut punch. … More Fashion Empire | The Royal Tailor (2014) Review

Even More Zombies | #Alive (2020) Review

Zombie movies stopped being weird a long, long time ago. And I don’t mean “millions of Milla Jovovich clones” weird — though before I fall into this visible trap for genre snobbery, is that any better or worse than Return of the Living Dead III’s zombie power loaders? To my mind, still, there’s a difference between Paul W.S. Anderson and Brian Yuzna. There’s a difference between in-groups and out-groups, the names made in the heyday — teeth cut, conventions defined, practical effects — who attach to a classic like Re-Animator, itself apiece with Evil Dead 2 and Dead Alive and the original Return of the Living Dead — the good ones. Whenever a zombie movie passes before my eyes — or I watch a zombie movie, whatever — all of this history trots out again for parade, all this embittered narrative and stolen history, borderline appropriation / vandalism of our darkest realms, us — genre champions — for coercion into the mainstream. What you call perhaps the last bastion against genre monopoly by superheroes I call… the rape of the natural world! … More Even More Zombies | #Alive (2020) Review