K-Drama Report: Ms. Incognito (2025)

Oh, this show is delicious. Intrigue, secrets, betrayals; all the ingredients of a howling melodrama, but arranged neatly in an understated package. Ms. Incognito is a rare sort of genre mash-up: the cozy thriller? Even before we move to the idyllic small town, where a mountain range sits in each kitchen window like a painting, there’s such a comfortable atmosphere that pulls ever so gently inward. Even the old abrasive favorites like a deadbeat mom and flashbacks to an abusive father only pause the warm feelings. It’s the product of at least two things: the lush, cinematic style, and the story premise, which is just about my favorite thing in the world – a badass woman who’s pretending to not be a badass. She carries the aura of violence, an unheeded threat or even an invitation to instant karma. … More K-Drama Report: Ms. Incognito (2025)

K-Drama Report: Bon Appétit, Your Majesty, Part III

My girl almost got away with it, too. I know, you can’t have everything. Or can you? This is the funny thing about K-dramas, that the endings are so critical, it adds an extra layer of tension to the viewing. “Please don’t screw it all up!” It makes sense, though. Because K-dramas are, by default, limited to one season, there’s an actual expectation of a narrative conclusion, unlike in American television (where shows are either canceled prematurely or go on so long they drift off into incoherence). Thematically, there’s also an aspect of wish fulfillment. A show like Bon Appétit, Your Majesty is a romantic fantasy following the template of countless fantasies before it. We know all the beats – and we anticipate them – so laid down and preserved for their dramatic potential. Without a doubt, one of those beats is the officiation of the romance, however that takes shape (I don’t even have the term for it). The audience proxy, in this case Royal Chef Ji-yeong, lives this fantasy of winning over the palace one-by-one with her masterful cooking skills, including the scary-sexy King Yi Heon, with whom she eventually falls in love. Why shouldn’t she be able to hold onto that love, too? … More K-Drama Report: Bon Appétit, Your Majesty, Part III

K-Drama Report: Bon Appétit, Your Majesty, Part II

In its second act, Bon Appétit, Your Majesty levels up from good to great to excellent at blistering speed, centered around the latest challenge for royal chef Ji-yeong: a competition against legendary Chinese cooks to decide Joseon’s fate with the Ming dynasty. At the start, I worried the show would adopt a “dish of the week” structure, with Ji-yeong making food for King Yi Heon alone until they eventually fell in love. How would they make that interesting each time? Instead, we have this latest contest which animates the entire palace, setting conspiracies into motion and raising the stakes to the level of national consequence. The Ming envoy, Director Yu Kun, walks with the authority of his emperor, turning each exchange with the Joseon king into a careful game of feints and doublespeak. The contest itself occupies two episodes – contained almost entirely to one location – with two additional episodes of build-up. It’s remarkable, and I’ll just say now that I can’t remember the last time a K-drama made me cry like Bon Appétit’s ninth episode, with the contest’s surprising climax. … More K-Drama Report: Bon Appétit, Your Majesty, Part II

The Revelation of ‘My Undead Yokai Girlfriend’

As a man with an interesting life, one who pursues many hobbies, it’s only natural I’ve had occasion to add anthropology to the list. Sometimes I simply want to understand people who fascinate and repulse. For example, what kind of sicko watches a show called My Undead Yokai Girlfriend? This, friends, is how I came to watch the Amazon original from March of this year. It was purely academic. I swear. … More The Revelation of ‘My Undead Yokai Girlfriend’

K-Drama Report: Love is for Suckers, Part III

I cannot imagine that, upon finishing the finale of Love is for Suckers, one doesn’t immediately go back and rewatch the very first scene. Not because it’s a twist-movie “now it all makes sense,” but because the show opens with a flash-forward tease that doesn’t come back in the end. For those who didn’t be-kind-rewind, the first episode opens with our heroine Goo Yeo-reum taking a van to the Kingdom of Love house. She scrolls through articles on her phone about a wedding between contestants after a controversial season. On the set, she first speaks with Sang-woo, who says it’s been a long time. The contestants are gathered nearby, dressed up like brides and grooms. Han Ji-yeon excitedly calls out to Yeo-reum – which, like, whoa. This makes Jae-hoon turn, and the lovebirds lock eyes. Sang-woo corrals everyone for pictures, and then Jae-hoon and Yeo-reum make eyes again. The clock winds backwards, taking us into the show… … More K-Drama Report: Love is for Suckers, Part III

K-Drama Report: Love is for Suckers, Part II

Something I’ve long found interesting in media studies is why people decide to watch what they watch. What goes into the decision, if a decision ever comes from the endless browsing across multiple platforms? In this most academic pursuit, I’ve been privileged with a curious, compelling subject – myself – and every now and again, he baffles me. At the moment, I’ve got at least two shows running: Love is for Suckers, and season two of The Shield. That follows. It’s season two because I watched the first way back in college, during the great mania around prestige television. Unfortunately, it vanished off streaming, and I’ve only returned to it ten years later. It’s good. It’s probably the best police procedural I’ve ever seen (if The Wire and Mindhunter are just stage-left of procedural), in part because it’s honest and seems to have a mission. In its exploration of police corruption, we see the grisly effects but we also understand the very logical cause. The bad guy’s gonna get away with it, so we want Vic Mackey to step in with his extrajudicial methods. Why wouldn’t that impulse exist in the real world, and is the system strong enough to resist it? … More K-Drama Report: Love is for Suckers, Part II

K-Drama Report: Love is for Suckers

Another K-drama, another shock — to me and my imagination so constrained by the conventions of story. In countless instances before, I’ve shrieked, “You can’t do that!” upon narrative shortcuts like coincidence or melodrama. Here, Love is for Suckers plays out for four episodes and only begins on the fifth — and it’s brilliant. Clued in by a flash-forward cold open, we know that this will be about a romance between the producer of a Bachelor-style reality show and one of the contestants. But before that reality show even begins filming, we watch entire relationships come together and fall apart. Jobs are lost. There are medical emergencies. We learn about pasts enough for people from those pasts to reemerge. It may just be table-setting, but it feels like an entire show — with the commensurate emotional weight. … More K-Drama Report: Love is for Suckers

What-If Question | Past Lives (2023) Review

A critic shouldn’t be saying things like this, but I do want to establish or reestablish that a negative movie review isn’t necessarily me saying a movie is “bad.” Past Lives is very well acted, and it’s beautiful – notably shot on film – but my experience with it was minimal, and the subsequent evaluation remains confused. I don’t know what the writer/director was going for, though the later discovery that it’s semi-autobiographical surely explains a lot. The film opens on the climactic scene, in a New York bar at 4:00 a.m., as an Asian woman sits between an Asian guy and a white guy, with disembodied voices trying to guess at the nature of their relationship. We then rewind to 24 years earlier, when children Na-young and Hae-sung are friends in Korea, with the former moving to Toronto. Fast-forward 12 years, and they reconnect over social media but remain in different time zones. … More What-If Question | Past Lives (2023) Review

Once Upon a Time in Singapore | Crazy Rich Asians (2018) Review

Despite my best efforts, I was moved by this film. Granted, if you’ve read any of my coverage of Korean dramas, you know I’m a pretty easy mark. Crazy Rich Asians has a rocky start, pitched more toward comedy as we’re guided by a too-cute film language bordering on fourth wall breaks. Like, at any moment, Constance Wu is gonna look into the camera with an ironic “You’re probably wondering how I got here.” I suppose what I’m really thinking of is characters introduced with loud title cards, because they are introduced with voiceover and cutaways, and it’s a toss-up whether it’s an Asian or Asian-American celebrity who’s great or who totally sucks. … More Once Upon a Time in Singapore | Crazy Rich Asians (2018) Review

South Korea Takes a Big Step [Podcast]

This month, I’m joined by regular QNA cohost Donovan Morgan Grant for a spoiler-filled and plot-summary-free discussion about recent Netflix release Love and Leashes, our own private movie event of the year. Which of us blinks first and discloses their sexual proclivities? Given that the shock of this movie is its novelty as K-drama, is it actually a major step forward for fictional women in the workplace/bedroom? And if so, can we say that it’s then a step forward for even non-fictional women? … More South Korea Takes a Big Step [Podcast]