The ‘94 Line: War Stories

Mijoo. I have to hand it to Mijoo. Seulgi couldn’t get it done, nor Youngji or Hyojung. Well, they did so partially. As covered last time, Seulgi hosted Youngji and Mijoo on her Hi Seulgi YouTube channel, but Hyojung couldn’t make it. Since then, Youngji had Seulgi and Hyojung on her channel but no Mijoo (and no subtitles). At some point, Hyojung managed to gather everyone, but barely filmed it. Now, believe me, I understand. These are highly in-demand people, and the whole thing here is their friendship. When I hang out with my friends (let’s say I have them), I’m not gonna think to record it. Perhaps it takes a special occasion, like a birthday, and who else’s but Mijoo’s? As it turns out, she was responsible for the entire ‘94 Line to begin with. As Youngji puts it in the resulting video on Mijoo’s channel, linked above, she was too lazy to keep meeting up with everyone individually, and had them all get together as a group. And this includes Moonbyul now, as they rechristen the group: 9294*, with the asterisk a reference to “byul” which means “star.” How lovely! … More The ‘94 Line: War Stories

When Stars Align

It happened. Friend, it finally happened. For a while, I’ve been meaning to write at least two blog segments (these posts are supposed to come in threes), one about Irene & Seulgi’s new release Tilt and the other about issues facing international fans of K-pop, so this new development would’ve completed the match-three puzzle and into this world a blog post’d be born. But I’m afraid I can’t do that. This one stands alone. Last July, I’d mentioned that Gyuri of Kara opened a YouTube channel seemingly with the express purpose of one day inviting on her idol Seulgi of Red Velvet. As she’d express how much she’s been a longtime fan, I’d watch Seulgi hang out with countless other idols – including Gyuri’s own groupmate Youngji. What a traitor! I know how hard it is for such in-demand people to coordinate their schedules, but finally, the stars aligned – Seulgi has a new album to promote, and it’s Gyuri’s birthday. … More When Stars Align

New Sluggie

It’s Seulgi Day, which is typically cause for celebration around these parts. Unfortunately, her lead single “Baby, Not Baby” arrives at the conjunction of two emerging threads: one, my own gradual realization that Red Velvet members don’t really make Red Velvet music when pursuing solo work (made clear by Irene, who does), and two, the promotional build-up to Seulgi’s solo album being kind of a bummer. The very album title, Accidentally On Purpose, makes me a little nauseous. … More New Sluggie

The ’94 Line

Something’s happening in the K-pop world. Something big. Or at least, in a tiny pocket of the K-pop world. As I’ve spoken about before, one of my favorite aspects of idoldom is the relationships between idols, both inside and outside their respective groups. … More The ’94 Line

Through the Solar System

My initial reaction to Cosmic should’ve been a bellwether. I don’t know if it’s just how I respond to music generally or if it’s something about Red Velvet specifically, but upon each of their new releases, I tend to have relatively neutral feelings at first. This has led to the observation of a sociological phenomenon – localized entirely in myself – where I think, “Academically, I recognize that this song is good, but it hasn’t hit me yet,” and I know it will soon. That’s finally happened with Cosmic. I’d been able to recognize that it was solid, but now I can see it’s a 10/10. It’s the best Red Velvet album. … More Through the Solar System

Redefining What It Is to Be a Wendy

Last time we spoke of Wendy’s solo outing, it was her debut, 2021’s Like Water. That title track remains memorable, especially as a snapshot of a tumultuous time in Red Velvet history. Of course, I’m glad they went in a different direction with this one, “Wish You Hell” being more pop-punk — a soft Paramore, let’s say. Though for Mother Wenresa, that marks a stylistic departure (and a really good song). … More Redefining What It Is to Be a Wendy

speechless.

By the third viewing, I’m beginning to see what they’re doing with “Feel My Rhythm” and perhaps The ReVe Festival 2022 altogether, as this video feels like a spiritual remix of the three lead singles from the Festival trilogy, “Umpah Umpah,” “Psycho,” and maybe especially “Zimzalabim.” I’m seeing some of the key dance moves, the costumes, similar camera work and visual motifs. … More speechless.

Kamjagiya

I can’t focus, so let me share something real quick. There are certain Korean words I’ve picked up listening to K-pop, watching K-dramas, and mostly, watching and rewatching the same Red Velvet videos (Level Up Project, behind-the-scenes, V-Lives, fan edits, you name it), and while it isn’t enough to call a starting point, I’m surprised every time I recognize anything. Some words are so specific to the people who said them that they’re indelible, like how Seulgi says “Bashta” about a beer, or Eunji with (I think) “그래” in a scene from Cheer Up, and Yeri the same in a V-Live. Wendy says “Yorubun” a very particular way at some point, but I don’t remember the context. … More Kamjagiya

Summer Red Velvet Maybe

I realize I hadn’t done even a brief write-up on Joy’s solo debut as I had Wendy’s, but that’s partly because it dropped at a busy time. See, I’d been preparing to move from Los Angeles back home, as the dream is over or what have you. The video for Joy’s “Hello” is a sweet and surprisingly emotional piece, trading the CG dreamscapes of Red Velvet past for an indie-movie feel — the earthy color palette and road trip narrative. Joy, overcoming a Wendy-approved breakup, packs up for vacation and encounters a little girl trying to get home. Here we have very human moments like the dad squeezing his daughter in the end, which is a different kind of special effect, to be terrible. “Hello” is a really big song and Joy bursts with soaring energy. However, it’s an interesting approach to a Joy debut, not only being an album of cover songs, but I thought her whole thing was “sexy dynamite.” I expected it to be closer to something like Namjoo’s “Bird,” at least in terms of visuals. So it’s a nice surprise, and very Red Velvet — refreshing, like a summer breeze. … More Summer Red Velvet Maybe