I feel like I wait months for any sort of news, or spend years buoyed by rumors and fan hopes (“Bring back Level Up Project!”), so when the big announcements come, I’m caught completely off-guard. In short, 2022 keeps on giving. … More September Round-Up: A Sudden Attack
By the third viewing, I’m beginning to see what they’re doing with “Feel My Rhythm” and perhaps The ReVe Festival 2022 altogether, as this video feels like a spiritual remix of the three lead singles from the Festival trilogy, “Umpah Umpah,” “Psycho,” and maybe especially “Zimzalabim.” I’m seeing some of the key dance moves, the costumes, similar camera work and visual motifs. … More speechless.
I can’t focus, so let me share something real quick. There are certain Korean words I’ve picked up listening to K-pop, watching K-dramas, and mostly, watching and rewatching the same Red Velvet videos (Level Up Project, behind-the-scenes, V-Lives, fan edits, you name it), and while it isn’t enough to call a starting point, I’m surprised every time I recognize anything. Some words are so specific to the people who said them that they’re indelible, like how Seulgi says “Bashta” about a beer, or Eunji with (I think) “그래” in a scene from Cheer Up, and Yeri the same in a V-Live. Wendy says “Yorubun” a very particular way at some point, but I don’t remember the context. … More Kamjagiya
I realize I hadn’t done even a brief write-up on Joy’s solo debut as I had Wendy’s, but that’s partly because it dropped at a busy time. See, I’d been preparing to move from Los Angeles back home, as the dream is over or what have you. The video for Joy’s “Hello” is a sweet and surprisingly emotional piece, trading the CG dreamscapes of Red Velvet past for an indie-movie feel — the earthy color palette and road trip narrative. Joy, overcoming a Wendy-approved breakup, packs up for vacation and encounters a little girl trying to get home. Here we have very human moments like the dad squeezing his daughter in the end, which is a different kind of special effect, to be terrible. “Hello” is a really big song and Joy bursts with soaring energy. However, it’s an interesting approach to a Joy debut, not only being an album of cover songs, but I thought her whole thing was “sexy dynamite.” I expected it to be closer to something like Namjoo’s “Bird,” at least in terms of visuals. So it’s a nice surprise, and very Red Velvet — refreshing, like a summer breeze. … More 07/20/2021 – Summer Red Velvet Maybe
Mamamoo’s 2018 single “Wind Flower” is one of the best songs I’ve ever heard, and its corresponding video is a nice surprise, a Hong Kong-set mood piece with echoes of Wong Kar-wai. Although, my second thought watching the video was, “Is that true, or is it just the blue fluorescent in the noodle shop?” Maybe for Hong Kongers, Wong doesn’t solely define the city, but nevertheless, the four members of this group do their part in staring sadly across wide spaces and dancing in private. As this is the first real mention of Mamamoo on this site, I’ll introduce each member as they come and try to give you a sense of the group. … More My Favorite Shots from “Wind Flower”
There’s just something about Seulgi. She is, to me, the first K-pop idol — the one who first fascinated, with her bonkers off-stage persona and friendly, appealing demeanor. These, of course, are surface details, so what struck me with time was not only her deeper talents, but how much those talents clashed with the surface details. This is a bubbly idol girl and a woman who communicated to me that dance is an artform. You watch any given Red Velvet music video or see her on stage touring the world, and she’s so fierce and confident, and the second she steps off that stage she becomes clumsy, bubbly “Ddeulgi,” as the fans have called her. It’s something that still fascinates me, and I’d like to attempt to replicate it here, in images. … More Seulgi: Dichotomy
This is a tough one. For me, Red Velvet has an almost spotless discography, a blunting effect on my critical thinking, because it’s always “Wow, this song is amazing,” and “Wow, this song is amazing.” Not only that, I haven’t thought about them in terms of albums, unlike other musical acts. Best Paramore album? Easy. Pound for pound, it’s Brand New Eyes. I think it’s just the time in my life I experienced these groups. As a kid, I was getting into music (late) while CDs were being phased out for MP3s, but I still had CDs, and I’m still burning CDs today because the aux jack in my car doesn’t work anymore. I only started listening to Red Velvet in 2019, and I use Apple Music, so from my perspective, Red Velvet is just a mass of songs which I discovered bit by bit and sorted into various playlists. This had the strange consequence of “headcanon,” where songs with no real relation to one another have a strong connection in my mind, like the sequence of “Ice Cream Cake,” “Russian Roulette,” and “Peek-a-Boo.” For whatever reason, that’s how that trilogy goes, despite that “Peek-a-Boo” predates “Russian Roulette.” … More The Best Red Velvet Album?
I have mixed feelings about “Monster.” I know — who asked me, right? Who am I? Well, how about Seulgi’s number one fan? That’s right. Now don’t you look silly. It’s got a certain earworm quality, and it is growing on me, maybe more like a parasite than what I’m used to. Even before you see the video, the cynic in me feels like they’re playing it safe for the new subunit, double-dipping into that “Psycho” bucket. And look, I love “Psycho,” but it’s a belter. “Monster” is far more low-key, as if “sexy” necessarily comes at the expense of “energy.” With a growing understanding of other groups, the label that most characterizes Red Velvet to me — in music and personality — is weird. These girls are some of the weirdest people I’ve ever beheld, with that conversation in Vietnam about crushing crickets to feed to the baby chicken ripped straight out of A Scanner Darkly*. Undoubtedly, that’s part of the charm, and that’s what’s reflected in the eclectic music. … More K-Pop Pick of the Day: “Jelly”