In Defense of Mass Effect Combat

One of the last games I was playing was the original Mass Effect, this time on PS3. I played the trilogy on the Xbox 360, and Mass Effect 2 multiple times, bought them all again on PS3 and played up to the quarian homeworld in Mass Effect 3, gave the original a shot on PC once, and started the original once more on PS3. I’d gotten to Noveria when I stopped, probably because other, more pressing things than a game I play constantly, had gotten in the way. And yet, as I write this, I’m paused on Noveria, about to speak with the shopkeeper jellyfish on the Mass Effect Legendary Edition for PS4. If I can get through these three in time, I’ll finally give Mass Effect: Andromeda another shot, though technically that should come between Mass Effect 2 and Mass Effect 3, right? Anyway, this was another characteristically boring introduction to our first segment, on the combat in Mass Effect. … More In Defense of Mass Effect Combat

Police Dad

The ongoing saga of cop shows in the age of “copaganda” furthers its absurdity at the NCIS front, a show itself mired in absurdity. After having left my job over the summer like so many Americans, I eventually went crawling back and now watch CBS procedurals again. But much has changed in these scant months. I come back to NCIS and Gibbs is gone! The man himself, Mark Harmon, is no longer pressing clipped sentences through his teeth and firing a gun. Who’s gonna take his place, I hear you shout, let it all out, because for some reason the show doesn’t end with his exit. The show never ends. … More Police Dad

Search: WWW | Recommended Korean Drama

“Give me Cha Hyeon,” Ga-kyeong says, and as the scene whips between reaction shots and the music swells, I’m bouncing the iPad on my knees, making a positively indescribable noise. Search: WWW often shocked me like this, inducing so much excitement and even dread, then clocking me square in the stupid grin. It was urgent somehow, to even process my experience with it — but I couldn’t. Perhaps it left me feeling so much that my thoughts were annihilated. I’d like to recommend it, but where do I even start? … More Search: WWW | Recommended Korean Drama

“Warrior” Couldn’t Be More Relevant in 2021

Just as some believe anti-violence in film can be achieved by sickening the audience with ultraviolence, any cinematic depiction of racism necessarily traffics in the imagery and narratives of racism. And necessary they may be in turn, all the brutal historical dramas which bring atrocities to vivid life beg the question: isn’t there another way? Perhaps there have been or could be movies about racism that forgo such descriptions as “confrontational.” Instead, we could have two strangers from opposite sides of the track building a new and honest relationship with nary a slur slipping out. Sometimes you want that, and that’d be nice. But sometimes, you want to see a racist guy kicked through a wall. … More “Warrior” Couldn’t Be More Relevant in 2021

You Are the Product, You Feeling Discomfort

In the inarguable blog post for With Eyes East — a feature I’m hoping will equate to semiregular content on this, you know, blog site — I got some problems. Number one being the sexual confusion I experience while watching Steven Seagal movies, but that’ll be our last item because it’s horrifying. First, and only appropriately so, Irene’s movie Double Patty came out (at the domestic box office), and no, netizens are not over “the Irene thing.” Via email alert, I was greeted by this happy headline the other day: “K-pop idols, such as Red Velvet’s Irene, are bombing at the box office as they seek big film careers,” over on the South China Morning Post (or Korea Times?). The article cites a number of idols trying their hands at acting, apparently poorly, but I only recognize Irene here, and as previous posts on this site have well-established, on this I get a little touchy. … More You Are the Product, You Feeling Discomfort