A Couple of Nobodies

The story of how Bob Odenkirk became an action star begins, of course, with John Wick. The 2014 film was positioned as a comeback for Keanu Reeves, whose star had been tarnished by invisible indies and outright failures like 2008’s The Day the Earth Stood Still remake and an expensive fantasy take on the 47 ronin in 2013. A sleeper hit, John Wick owed its success to Reeves’s persuasion with a global audience – soon to become legendary – and a shift behind the scenes with industry-wide implications. Beginning life as a spec script by relative newcomer Derek Kolstad, “Scorn” was reconfigured as Reeves’s “John Wick movie” by directors Chad Stahelski and David Leitch, two veteran stunt coordinators. These were guys from the trenches of the action genre, with Stahelski having doubled Reeves on The Matrix – as well as being Brandon Lee’s stand-in on The Crow – and directing second-unit on blockbusters like Sherlock Holmes: A Game of Shadows and The Hunger Games: Catching Fire. Even after the release of John Wick, he and Leitch returned to their day gig for the set pieces on Captain America: Civil War. A nice paycheck, perhaps, but this old way of doing things was coming to an end. … More A Couple of Nobodies

Mouthguard Recommended | The Shadow Strays (2024) Review

Timo Tjahjanto is a filmmaker with the intuitive understanding that, in human nature, we’re at our angriest when we’ve taken a blade to the shoulder in a fight to the death. I don’t know how he knows this, but it does make sense, and in his latest film, it comes up a lot. For reference, The Shadow Strays could be described as a sequel to 2018’s The Night Comes for Us, though in spirit, it’s more like a prequel to that film’s own – tragically unmade – sequel, Night of the Operator, which would’ve spun off Julie Estelle’s assassin character. I was so stricken dumb by the “bones tearing through flesh” style of The Night Comes for Us that I didn’t realize how much I loved it until subsequent, wide-eyed viewings. I’ve watched Julie Estelle’s big fight scene so many times that I know every beat by heart. And so, the experience of The Shadow Strays is relatively unique for this movie-goer. Tjahjanto said, “Want more?” and I said, “I-I didn’t even know that was an option.” … More Mouthguard Recommended | The Shadow Strays (2024) Review

What’s New and Notable in 2024, Cue-Fore

It’s been a rolley-coaster year, between the highs of Dune: Part Two and high-profile bombs like Borderlands, with plenty of interesting stuff in between. Now the summer is nearly over and we’re headed into spooky season, which then gives way to awards season (groan). Hollywood might not be fully back yet, but there’s plenty to look forward to! Shall we review some examples? … More What’s New and Notable in 2024, Cue-Fore

Train to Busan Remake

The reviews are in! First of all, before mentioning the personnel involved in the Train to Busan remake — I hate this, and it broke wide yesterday. Now, I understand the sentiment, because Hollywood has had a bad track record remaking Korean movies, from The Lake House to Oldboy, but I have to emphasize that this example is different. The director is Timo Tjahjanto, a horror filmmaker in the clique with Ti West and Gareth Evans (in that they’ve all contributed shorts to the V/H/S series) who also happened to direct The Night Comes for Us. This is an Indonesian guy, and he was hired by James Wan — neither are Korean, fine, but it’s not the usual Wonderbread cash grab. … More Train to Busan Remake