Feels Great! | Second Life (2024) Review

This is the rare case where my memory of a film, “edited” into snatches of images by whatever neurological sorcery, just about matches the film itself. When you hit play on Second Life, also known as Son of a Punch, you’d better not take a second to close an app on your phone or fiddle with a bag of – what do the kids like these days? – Fritos. It doesn’t even clear one minute, including studio logos, before something insane happens. A gang boss busts in on a police funeral and starts talking when all of a sudden he’s silenced forever by the flying kick of the widow, Lao Liang. Pregnant and now imprisoned, Liang establishes herself as top dog by defeating the treacherous Sister Hong in a fast, prop-heavy battle scored with music out of an old King Hu epic. The lighthearted tone and broad comedy are established here, as well as a relentless pace. The moment Hong is put down, she becomes a lifelong ally and friend, jumping to Liang’s aid when her water breaks only moments later. And in the next few moments, we jump ahead thirty years and meet Gui, an enforcer for gang boss Chang Meng who shoots up the ranks after protecting him from a dozen guys in a shirtless blaze. … More Feels Great! | Second Life (2024) Review

Rip and Tear | The Forbidden City (2025) Review

Whoa! You know, it wouldn’t take much for an Italian kung fu movie to be the best Italian kung fu movie, so why set the bar so high? I don’t think anybody else is coming. First of all, I’d be happy to address any reservations one might have, as I did, based on the title. Despite its somewhat foggy thematic resonance, The Forbidden City is “Chinese restaurant name” generic and may resurface unpleasant memories of The Forbidden Kingdom, the Jet Li versus Jackie Chan anticlimax which happened to be the Hollywood debut of Liu Yifei, who’d go on to play Disney’s Mulan in 2020, doubled by stuntwoman Yaxi Liu, the star of The Forbidden City. Capisce? As we find, “Forbidden City” is the name of a Chinese restaurant in the movie, but it could also refer to its primary setting of Rome, upon which Liu’s wayward character Xiao Mei eats, prays, and lays a heavy beating, and that’s only barely a joke. Fair warning (or invitation): the spice level here is “Korean.” We’re not talking CG blood and the weightlessness of mild American fare nor the horror-hewn sadism of Indonesia. It’s roughly comparable, I’d say, to The Man from Nowhere. Guys, do not fight in a Chinese kitchen, where there’s grills and frying oil and – oh, God – cheese graters. There’s a bone break so severe I yowled. Mei is hardcore, animated by rage and, to borrow a useful term, too angry to die. … More Rip and Tear | The Forbidden City (2025) Review