I've been mistaken for a man
Crazy Ex-Girlfriend is a sexist term, and deconstructing it is the name of the game for a show named Crazy Ex-Girlfriend, a dark comedy/drama you can watch on The CW and Netflix, among other places. … More What is “Crazy Ex-Girlfriend”?
One of the great things about Crazy Ex-Girlfriend is how it surprises you, setting you up for one thing and then giving you the ol’ shim-sham, beginning with the title. You have a character like Valencia, who you might think you’ll hate or have to hate, and that’s proven false over the course of the season. Furthering the greatness then is how the surprises don’t stop at hello. Valencia continues to reveal compelling layers and do unexpected, hilarious things, and somewhere in the back of our minds we think, she’s supposed to be the bad guy. The vain yoga instructor. … More Valencia: The Other Woman | Crazy Ex-Girlfriend Analysis
Crazy Ex-Girlfriend’s first season was perfect, as television. Now in the context of season 2, it seems, perhaps, not fully realized as Crazy Ex-Girlfriend, but merely prelude. Season 2 is a more direct approach to the same story and mission, with explicit indictment of the funny bad stuff we had grown to love in spite of ourselves. In weighing both instances of the show, which is better? And do they point toward an identity for season 3? … More Crazy Ex-Girlfriend: Season 2 Recap
I love Crazy Ex-Girlfriend, it’s my favorite American TV show since The Wire, at least, but it’s also important to me for a number of reasons. I used to do a podcast that more and more talked about the better tomorrow, and one of the driving takeaways was this notion that media and entertainment was our intermediary from here to, let’s say, utopia. Because if we want utopia, or an egalitarian society, a matriarchal empire, however you want to call it, we need to first imagine it. Put it on paper so we can cross things out and circle things and demystify. That’s what media does, even broadly, it facilitates our imagination. A lot of that work goes on in science-fiction, which was the subject of that podcast. But to my surprise and delight, I found that work going on elsewhere. … More In Defense of Nathaniel | Crazy Ex-Girlfriend Analysis
The linkage between these two songs is immediately felt: they bounce. Wikipedia might classify “Taste” as pop/dance, and I can abide that, though it’s generic enough to be applied to all of the Red variety songs. It may be afield to say, but I’d almost hazard the application of “R&B” here. Both songs flow through with again, a bouncing rhythm, but are also laidback enough to eschew the frenzied energy or melancholic touch of other tracks. This is a specific zone. … More K-Pop Pick of the Day: “About Love”/”Taste”
With genre storytelling especially, there’s a useful distinction between episodes of a film series and those of a television show. The production gap is certainly greater in film, even over television seasons, but with it comes a broader sense of returning. When tuned right, this feeling can be profound, even melancholy or nostalgic: a reflection of life itself, ever churning forward in episodes of our own. So it is, too — profound — with Zeiram 2, a movie where sometimes characters teleport, and sometimes they don’t. This 1994 follow-up to our first Terminator-style alien mash captures the joy of sequels, being as excited in its presentation as I am watching it. It’s been three years since Iria, Teppei, Kamiya, and Bob escaped the Zone, and our reacclimation to their lives brings gentle revelations. Ever the aliens themselves, Teppei and Kamiya have not been ranting and raving about outer dimensions, discredited as quacks like Dr. Ian Malcolm between Jurassic Park and The Lost World. However, their friendship is feeling the slight strain of age, and this is first among the subtle departures Zeiram 2 takes from the original. I suppose what they have is indeed a friendship, and that also extends to Iria. With so much of their character left undefined as a result of their habitual strangeness, I never thought to apply a term like that. As soon as it materializes, it’s at stake. … More Back in the Zone | Zeiram 2 (1994) Review
Call me a romantic if you must, but I’m one of those people who believes in the one. If you find yourself at a loss out in the dating circle, take heart: there is a perfect match for everyone. I know that because I found Ghost in the Shell, and I hope you can be even half as happy as we are. For me, Ghost in the Shell is electric to the touch. The premise of the world, and the perspectives through which we engage in that world make for the most stimulating meditations on human nature, on existence itself, building toward spectacular releases in mind-bending action. This is thought-provoking science-fiction, one of the quintessential anime, period. The arrival of any new installment in this media franchise which has spanned manga, film, television, books, and video games means that so much is again possible as we return to such a richly-imagined world. But it’s also a moment where I reflect on what makes a good Ghost in the Shell? What are the fundamentals that I’d like to see reembodied each time, so to speak? Now ideally, a top five listicle like what follows is more of a celebration than a list of demands, but I think outlining what I most appreciate and look for in Ghost in the Shell will help me evaluate what comes next. … More Ghost in the Shell | 5 Essential Elements
Zeiram is a film of details. Necessarily so; the big picture is murky, with its strange plot and stranger circumstances. The mystery of Iria: Zeiram the Animation, or at least, the mystery of its awkward title, terminates here, in a live-action Japanese science-fiction film from 1991. It’s directed by Keita Amemiya, and I’ve long wondered the how and why of this man. What market granted passage to the wellspring of his imagination? It remains a mystery to me even after watching the film, which offers no clear rationale for its existence and yet exists so loudly. All of its details, whether protagonist Iria’s braids which have cultural meaning or every gun and piece of armor that’s associated with a proper noun, seem to be shouting a franchise into being. On closer inspection however, these details are also shouting in a strange, wonderful language, and this might be its downfall. In total, there are two Zeiram features, a six-episode OVA (the Animation), and a PlayStation video game. As soon as it arrived, it was gone, and all follow-up questions went with the solar wind. … More Alien Bounty Hunter Lady | Zeiram (1991) Review
You ever go on a date with someone fun and you’re, like, a 95% match, but then they say something that grinds the conversation to a halt, and it throws the integrity of the match into question and also possibly the premise of matchmaking itself, that there are no true matches, only fish in an endless sea broiling with riptide and Bermuda Triangles? Well, I didn’t actually go on a date with director Jung Byung-gil, but him and I are that 95% match, and his 2017 film The Villainess is my Bermuda Triangle. It is a siren’s song; it is my doom. … More Point of Endless Return | The Villainess (2017) Review
This is where it began with Apink and I, and what a perfectly succinct introduction to this group’s bubblegum and surprisingly sexualized style. My frame of reference being Red Velvet, I do find Apink videos to be much calmer and still, willing to let the girls spend time with a single activity (in this case, baking cakes?) rather than run them through several at lightning speed (baking cakes, getting lost in the woods, stepping on cakes, breaking things, finding ants in cakes). That reduction in variety doesn’t also reduce the character: there’s still plenty of big smiles and goofing around. What could be cuter than Eunji poking Naeun with a cupcake? … More K-Pop Pick of the Day: “NoNoNo”
With Eyes East 