Automatic Arsenal | Battle Girl (1991) Review

It’s true that the movie fully entitled Battle Girl: The Living Dead in Tokyo Bay has a very low budget. As much as I’d prefer to be an enlightened critic who doesn’t discriminate on such bases, in this case I’m interested in how the miniscule production influences the viewing experience. For reference, we can plot this one somewhere between, say, Nemesis and Screamers? The former is so raggedy that it’s sometimes incoherent, not only in the big picture but in the micro, where the camera and editing have to be so judicious, so careful not to show the edges of the set, so to speak. Battle Girl has a little bit of that, though its setting – the zombie post-apocalypse – is easier to render than other sci-fi worlds, where “scatter some trash in the corner” is actually workable. … More Automatic Arsenal | Battle Girl (1991) Review

Lessons from Television

My memory of the movie Ghost in the Shell: Solid State Society is that my memory of it is fuzzy. Even for Ghost in the Shell, it’s a little too murky, with less promise of a reward than the similarly complicated Ghost in the Shell 2. Still, it’s an appropriate sendoff for Stand Alone Complex, refocusing the story to the “what” of the Major from the “why.” After having fun playing hacker pirate, she returns to Section 9, though her continued employment is nevertheless a question. It actually frustrated me how indecisive the show was, as if afraid to muss the continuity. One of the things I do remember is mention of Dejima, the island of migrants whose manipulation into declaring itself a nuclear state by a rogue intelligence agency bent on returning Japan to prewar imperialism was the subject of the show’s second season. By the finale, Dejima’s hero Kuze has been executed, with the criminal mastermind behind the manipulation, Gouda, assassinated by the Major – his head a-splode. Where does that leave Dejima? According to Solid State Society: nowhere. The immediate threat is over, but the broader problem remains unresolved. In this case, the indecision is useful. … More Lessons from Television

Japanese Fighting Girl: The New School

So, I got into anime relatively late in life, and it was a lateral move, from an existing interest in science fiction movies. As a big fan of The Matrix, of course my first anime was Ghost in the Shell. And I liked Trinity, but wow, the Major? Now, there was a helicopter-wrangling, tank-wrassling straight shooter – and unlike what I was used to, she wasn’t alone. There’s her cousin Deunan Knute in Appleseed, Priss and the Knight Sabers in Bubblegum Crisis, Nausicaa, Battle Angel Alita, Armitage III, the Dirty Pair, Gall Force, Iria: Zeiram the Animation. It’s an embarrassment of riches. An embarrassment. … More Japanese Fighting Girl: The New School

YouTube is My Best Friend!

Tomorrow, the With Eyes East YouTube channel will roar back to vibrant life with its first upload in, I think, years? WEE-heads already know this history, but this site was founded as a component of the channel, until my interest in making videos buckled under the weight of the logistics. I remember having to reupload that Departed video half a dozen times over the course of a few days, to the point where my roommate asked why our Internet sucked lately. Copyright. The problem was copyright. The solution? I’ll cut down on the use of copyrighted video by filming myself! Already camera shy, this was a difficult proposition. I didn’t know what to do with my hands, how to memorize lines, how to keep the camera batteries charged. Plus, it was the pandemic, and my hair looked bad[der than usual]. I gave that a college go before quitting partway through a video on Shin Godzilla, which ended up being text-only. And everybody cried. … More YouTube is My Best Friend!

Gotta Be Number One at Something

I’ve always meant to dedicate space on this blog to the exploits, the travails, of Michelle Wu, mayor of Boston since 2021. Immediately following her election, I subscribed to the Boston Globe to follow her policies, and opened a couple of Google Docs for notes and scratch thoughts on, say, Mass and Cass. How indeed would she fulfill one of her major campaign promises and solve the city’s homeless problem? Well, as I discovered, the answer was “slowly.” I ended up not writing about Mayor Wu simply because there wasn’t really anything [for me] to write about, and also because this is a blog about Asians, not their scurrilous Western counterparts. So it looks like this blog’s actual introduction to Mayor Wu is gonna come in response to something that happened on The Daily Show. That’s about as much as my brain can output. … More Gotta Be Number One at Something

New Sluggie

It’s Seulgi Day, which is typically cause for celebration around these parts. Unfortunately, her lead single “Baby, Not Baby” arrives at the conjunction of two emerging threads: one, my own gradual realization that Red Velvet members don’t really make Red Velvet music when pursuing solo work (made clear by Irene, who does), and two, the promotional build-up to Seulgi’s solo album being kind of a bummer. The very album title, Accidentally On Purpose, makes me a little nauseous. … More New Sluggie

Starship of Fools | Mickey 17 (2025) Review

It’s been a long winter. If I’m getting into my car these days, it’s to go to the grocery store to continue stocking up on canned goods for the coming economic recession or government collapse or whatever it’s gonna be. Tonight, as I waited for the engine to warm, I asked myself: “Do I really want to see this movie?” It was kind of an obligation, for two reasons. One, I’ve been writing a sci-fi story about clones and needed to know if I should stop, and two, Parasite was so good that I owe Director Bong. I’d also managed to avoid all trailers and plot details – even the cast list, beyond Pattinson – so why spoil that now, though it’s probably why I was feeling so neutral. What was there to excite me but the promise of another Bong Joon-ho movie? He’s been a little hit-or-miss, though I’m not sure if it’s just because I vibe so much with his friend and colleague Park Chan-wook. That man can ruin my night any day of the week, and by comparison, Bong’s sillier, more welcoming sensibilities are less appealing. As a sci-fi movie with a funny premise, Mickey 17 seemed to promise the same thrills of The Host or Okja – undoubtedly with that satirical bite. … More Starship of Fools | Mickey 17 (2025) Review

Will They Know There Were Good Americans?

I’ve never liked the phrase “Don’t feed the trolls,” because it comes from a place of apathy. Functionally so, as advice from someone on the outside of whichever outrage to the person within it. We’re ankle-deep in 2025 (and drowning), and have likely been thinking about how to navigate the crush of abstract politics with our personal lives, of social media and real relationships, and startling new developments which are also exhaustingly familiar. Will we make the same mistakes as last time? Maybe those “mistakes” were actually stemming the tide of the “worst,” giving us merely “terrible” instead. Here’s why you don’t feed the trolls: if they’re making an argument so infuriatingly stupid, it’s probably because they haven’t thought about it too hard, and that’s probably because they don’t really care. You can’t educate someone like that, because in order to learn something, you first have to care about the subject in question. … More Will They Know There Were Good Americans?

Old Myths, Old Men | Twilight of the Warriors: Walled In (2024) Review

There’s a Wikipedia page for the topic “epic film,” which gets into some of the back-and-forth in film scholarship about whether the term applies exclusively to historical-style movies or to those in other genres as well. If the latter, then 2001 is (as designed) a “sci-fi epic,” and The Lord of the Rings is a fantasy epic, though that’s somewhat obvious. What about the less obvious genres, like comedy? I can only think of It’s a Mad, Mad, Mad, Mad World. And then there’s action, which might be even trickier. This is our punchy genre, often driven by a single hero rather than an ensemble, and inside a contained scenario instead of sprawled out across time and space. I’d actually make the argument for The Night Comes for Us, for its multiple perspectives, its backstory, and the scale of the fights. Consider, too, Twilight of the Warriors: Walled In, running at a touch over two hours and setting its action inside the real-world megastructure Kowloon Walled City. … More Old Myths, Old Men | Twilight of the Warriors: Walled In (2024) Review

Gun Haver | A Janitor (2021) Review

The onset of Ben Affleck sequel The Accountant 2 is occasion to reflect: what is this thing we do? Whether it’s Jason Statham is The Beekeeper or Tom Hiddleston is The Night Manager or Charles Bronson (and Jason Statham) is The Mechanic, these titles are, like, almost a metaphor? It’s more like an unspoken understanding, between the dads who make these movies and the dads who watch them, that this is gonna be about a reserved, quiet guy who’s secretly a badass. Sheds the accountant facade (glasses?) and springs into action, possibly to give a couple of taunting bad guys what-for. “Hey, old man!” they taunt. We can probably add A Janitor to this pantheon, but with asterisks. At one point, the girl character says to/of our titular janitor, “You’re not an ordinary man,” which is true to the form, but then it’s like, I don’t know why he’s a janitor? … More Gun Haver | A Janitor (2021) Review