Jang Eun-sil Report – Physical: Asia

We’re on the precipice of the season finale of Physical: Asia, but have already witnessed bracing human drama through punishing feats of endurance. Robyn almost drowned, James put 110 pounds on his back, and Alexandra pushed herself farther than anyone I’ve ever seen. It’s the signature appeal of its mothership series, Physical: 100, though this wasn’t obvious to me at first. Jang Ho-gi’s Netflix reality show premiered in January 2023, a self-proclaimed search for the “perfect physique” between one-hundred South Korean contestants – athletes, soldiers, bodybuilders – in challenges like “how long can you hang on this metal bar?” and “how far can you carry these sandbags?” Even as the set pieces scaled up to elaborate excess, the challenges felt oddly accessible, deferring spectacle to the contestants’ performances (even when they appeared to be static). And while often incredible, the contestants were additionally impressive for being so unlike the archetypal reality show character. They were polite and friendly with each other, and so interested in proving themselves that they’d rather compound an obstacle than weasel around it. Of course, none of this would’ve been enough to entice ol’ Harrison “gives up on movies and TV shows after mere minutes” Chute. No, the last essential ingredient of Physical: 100’s freshman season was Jang Eun-sil. … More Jang Eun-sil Report – Physical: Asia

K-Drama Report: Ms. Incognito (2025)

Oh, this show is delicious. Intrigue, secrets, betrayals; all the ingredients of a howling melodrama, but arranged neatly in an understated package. Ms. Incognito is a rare sort of genre mash-up: the cozy thriller? Even before we move to the idyllic small town, where a mountain range sits in each kitchen window like a painting, there’s such a comfortable atmosphere that pulls ever so gently inward. Even the old abrasive favorites like a deadbeat mom and flashbacks to an abusive father only pause the warm feelings. It’s the product of at least two things: the lush, cinematic style, and the story premise, which is just about my favorite thing in the world – a badass woman who’s pretending to not be a badass. She carries the aura of violence, an unheeded threat or even an invitation to instant karma. … More K-Drama Report: Ms. Incognito (2025)

K-Drama Report: Bon Appétit, Your Majesty, Part III

My girl almost got away with it, too. I know, you can’t have everything. Or can you? This is the funny thing about K-dramas, that the endings are so critical, it adds an extra layer of tension to the viewing. “Please don’t screw it all up!” It makes sense, though. Because K-dramas are, by default, limited to one season, there’s an actual expectation of a narrative conclusion, unlike in American television (where shows are either canceled prematurely or go on so long they drift off into incoherence). Thematically, there’s also an aspect of wish fulfillment. A show like Bon Appétit, Your Majesty is a romantic fantasy following the template of countless fantasies before it. We know all the beats – and we anticipate them – so laid down and preserved for their dramatic potential. Without a doubt, one of those beats is the officiation of the romance, however that takes shape (I don’t even have the term for it). The audience proxy, in this case Royal Chef Ji-yeong, lives this fantasy of winning over the palace one-by-one with her masterful cooking skills, including the scary-sexy King Yi Heon, with whom she eventually falls in love. Why shouldn’t she be able to hold onto that love, too? … More K-Drama Report: Bon Appétit, Your Majesty, Part III

K-Drama Report: Bon Appétit, Your Majesty, Part II

In its second act, Bon Appétit, Your Majesty levels up from good to great to excellent at blistering speed, centered around the latest challenge for royal chef Ji-yeong: a competition against legendary Chinese cooks to decide Joseon’s fate with the Ming dynasty. At the start, I worried the show would adopt a “dish of the week” structure, with Ji-yeong making food for King Yi Heon alone until they eventually fell in love. How would they make that interesting each time? Instead, we have this latest contest which animates the entire palace, setting conspiracies into motion and raising the stakes to the level of national consequence. The Ming envoy, Director Yu Kun, walks with the authority of his emperor, turning each exchange with the Joseon king into a careful game of feints and doublespeak. The contest itself occupies two episodes – contained almost entirely to one location – with two additional episodes of build-up. It’s remarkable, and I’ll just say now that I can’t remember the last time a K-drama made me cry like Bon Appétit’s ninth episode, with the contest’s surprising climax. … More K-Drama Report: Bon Appétit, Your Majesty, Part II

K-Drama Report: Bon Appétit, Your Majesty (2025)

Finally. You know, Yoona’s an interesting case. I’ve previously discussed how she’s this deific figure in hallyu but often plays the most mundane characters in K-dramas (faring a bit better in film, by all appearances). She takes us behind the scenes of these shows on her YouTube channel and she’s so enthusiastic, and I wish I could be, too. I really do. Unfortunately, it’s gotten to the point where Yoona’s not a selling point anymore. On one hand, she’s drawn to these safe, relatively unchallenging roles, but on the other, I don’t know if I’d be comfortable with her unsafe, thrown into the deep end of Korean movies and TV. Take Lim Ji-yeon, for example, who’s had a five-star career and now everyone knows she’s a brilliant actress, but Christ, does she get her ass kicked. She plays an abused wife in Lies Hidden in My Garden and a runaway slave in The Tale of Lady Ok. Award-nominated performances, but it’s too much for me to handle. The price of being a badass, really. A badass woman, mind you; no price for guys. Oh, I’m so nervous for my sweet baby Shasha in Project Y. I’d much rather watch Yoona in a reality show like Hyori’s Homestay or any old Girls’ Generation content, where we also see her actual, though still guarded, personality. … More K-Drama Report: Bon Appétit, Your Majesty (2025)

A Couple of Nobodies

The story of how Bob Odenkirk became an action star begins, of course, with John Wick. The 2014 film was positioned as a comeback for Keanu Reeves, whose star had been tarnished by invisible indies and outright failures like 2008’s The Day the Earth Stood Still remake and an expensive fantasy take on the 47 ronin in 2013. A sleeper hit, John Wick owed its success to Reeves’s persuasion with a global audience – soon to become legendary – and a shift behind the scenes with industry-wide implications. Beginning life as a spec script by relative newcomer Derek Kolstad, “Scorn” was reconfigured as Reeves’s “John Wick movie” by directors Chad Stahelski and David Leitch, two veteran stunt coordinators. These were guys from the trenches of the action genre, with Stahelski having doubled Reeves on The Matrix – as well as being Brandon Lee’s stand-in on The Crow – and directing second-unit on blockbusters like Sherlock Holmes: A Game of Shadows and The Hunger Games: Catching Fire. Even after the release of John Wick, he and Leitch returned to their day gig for the set pieces on Captain America: Civil War. A nice paycheck, perhaps, but this old way of doing things was coming to an end. … More A Couple of Nobodies

K-Drama Report: Queen’s House – Art by Other Means

As is mentioned just about anytime we talk about K-dramas here, the taxonomy of Korean television is complicated, inconsistent, infuriating. I’ve seen some people call Squid Game a K-drama, but to my mind, K-dramas are the romance shows – to which there is no further sufficient term. We’ve seen how these are not like the American soap operas of quantity over quality, all weird frame rates and embarrassing storytelling, were anyone paying attention. No, K-dramas sport high production values and command A-list talent. Like IU! Sure, even the best of them can be emotionally manipulative and turn on plot contrivance, but they’re not trash. They’re not disposable, and how dare you insinuate otherwise? Believe me, if they were, I’d be honest about that. Honesty? It’s the only thing I have left. … More K-Drama Report: Queen’s House – Art by Other Means

Japanese Fighting Girl: The New School

So, I got into anime relatively late in life, and it was a lateral move, from an existing interest in science fiction movies. As a big fan of The Matrix, of course my first anime was Ghost in the Shell. And I liked Trinity, but wow, the Major? Now, there was a helicopter-wrangling, tank-wrassling straight shooter – and unlike what I was used to, she wasn’t alone. There’s her cousin Deunan Knute in Appleseed, Priss and the Knight Sabers in Bubblegum Crisis, Nausicaa, Battle Angel Alita, Armitage III, the Dirty Pair, Gall Force, Iria: Zeiram the Animation. It’s an embarrassment of riches. An embarrassment. … More Japanese Fighting Girl: The New School

K-Drama Report: The Judge from Hell, Part III – God Mode

In the first Report, I said – and I quote – “Shin-hye should be god mode in Grand Theft Auto,” in expressing frustration over her character’s limitations. In the second Report, my wish came true, and I was excited and terrified. Now, in our final Report on The Judge from Hell, I think it’s time to deconstruct this term, “god mode.” While I watched the first five episodes in a matter of days, the next nine took me practically the rest of the month. The first lull came with episode six, right before Kang Bit-na was about to lay her righteous beating on a condemned soul. This actually turned out to be “the elevator scene” I was crowing about. Of course I wanted to see more of Park Shin-hye beating people up; that’s the most amazing thing I can think of. So why couldn’t I hit play (or rather, open Disney+ and hope it didn’t crash or ask me to sign in)? It broke my heart to realize, but I had to admit: I was bored. … More K-Drama Report: The Judge from Hell, Part III – God Mode

K-Drama Report: The Judge from Hell, Part II – Park Shin-hye Beats the Stuffing Out of Everyone

Okay, maybe not everyone, but I’m still satisfied. Previously on the K-Drama Report, I complained that for a show featuring Park Shin-hye as we’ve never seen her, empowered with the infinite power of hell, her character was woefully underwhelming. Add in unpleasant scenes of domestic violence, and I was ready to call it quits. I’ve been had before, and maybe in my old age, I’m too frustrated by failure. Well, it turns out, there’s a reason why the first episode doesn’t end with the cathartic release of Shin-hye’s character Kang Bit-na (or Justitia the demon) beating up the abuser guy for a couple of minutes. No, no, The Judge from Hell had something much greater in mind: twenty minutes. Yes, friend, you read that right. A sustained sequence where she’s just blowing this guy up. … More K-Drama Report: The Judge from Hell, Part II – Park Shin-hye Beats the Stuffing Out of Everyone