If I get my stuff together and turn this into a feature, I’ll properly revisit this list when I do the 2010s, but in the meantime, I cannot believe I forgot about a number of even personal favorites from the first attempt, including two critical omissions. So this is what the revised list will look like, as of now, forehead sweaty. … More Top 10 Action Movies of the 2000s – Follow-Up
Writing that review for Unleashed, this question really stuck in my head: what were the action movies of the 2000s? It really was a rancorous time, despite being a very solid decade for movies overall. It saw Spirited Away, Children of Men, Lady Vengeance, City of God, No Country for Old Men, the Lord of the Rings trilogy. The Korean New Wave came into its own, David Cronenberg reinvented himself, but action and horror were a way’s off from their own resurgences. We were mired in their episodes of blockbusters and remakes respectively, reinforcing the creative depletion surely at the heart of either. I can’t say there was a truly great “pure” action movie made in the span of 2000 to 2009, between the highs of Hard Boiled, The Matrix, and T2 on one side and The Raid, John Wick, and Inception on the other. … More Top 10 Action Movies of the 2000s
What’s the best Hayao Miyazaki movie? You don’t know how much it drives me crazy that my answer is Spirited Away and not Princess Mononoke. Yes, the one about the little girl who gets a job at the spa, while the fantasy epic about war and gods doesn’t crack my Ghibli top five. How I wish it did! It’s the kind of movie I hope they make every time, but each successive adventure seems to shrink in scale, down to bean level. I’ve seen Princess Mononoke three times now, at different times in my life, and I’ve sat with the same conclusion each time: I just don’t like it that much. Very, very crazy. … More The Princess Mononoke and I
Who would’ve thought we’d make it to the year 2021? More that such a number could ever be real than those of us who’ve survived ought to ask this question. Because aside from the considerable turmoil of history in a perpetual state of climax, that number alone is the stuff of science-fiction. Blade Runner took place two years ago. Johnny Mnemonic takes place this year. I know that millions of Americans quit their jobs over the summer, including myself. I returned home to New England after six years in Los Angeles. A natural arc, we might say, but to me, 2021 is an afterlife. It’s too many years after the logical terminating point. We stopped seeing each other, stopped making physical contact; we have to process the world through literal filtration. It’s a world of screens and constant mediation. Even the movies don’t feel real. … More Those American Godzilla Movies Strike Again
I’m three episodes into My Name and already desperate to continue. On paper, it’s tailor-made to my sensibilities, those which I’ve struggled to communicate on this blog. My only remotely successful With Eyes East YouTube video is a wild-eyed plea to Hollywood, or Indonesian Hollywood, or anyone with a camera and a gallon of fake blood, to cast Julie Estelle and contribute to her undoubtedly skyward journey. I hardly got this point across in the video, but Estelle represents, to me, a new kind of action star. Where the Hong Kong heroines from the ‘60s through the‘90s were simply working with a different sort of market — less bloodsoaked and crazy, with notable exceptions — and modern actresses dip from time to time into action with mixed results, say Kim Ok-vin or Mary Elizabeth Winstead, the image Julie Estelle has built for herself so far has the potential to stay gory at the intersection of Indonesia’s auteurs and the international market’s appetite. … More K-Drama Report: My Name (2021)
One of the stranger experiences I have on Twitter is witnessing non-Koreans speak in defense of Korean pop culture against the clutches of Hollywood, as it’s both heartening to witness and not something I completely agree with. The assertion is that America doesn’t understand what made these originals so great, that X factor unique to the culture. Admittedly, we have a proven track record, from The Uninvited to Oldboy, to still easternmore scars like Death Note and Ghost in the Shell. And yet, we say that a film like Parasite is distinctly Korean but universally understood. Train to Busan is better without a remake despite that remakes are a cornerstone of the zombie subgenre. And then there’s our Squid Game, and if you must take what little remains, hey, The Running Man is good! Believe me, I get the concern that American adaptations won’t capture what the originals are saying — but what are they saying? … More Three More the Korean Way: Wow, Cool Capitalist Critique!
As is customary with the “Recommended K-Drama” feature, I’ll explain my choice, though as always, I’d really rather not. “OMG, actress X” is one thing, but just wait. See, I first heard about Madame Antoine via YouTube, mentioned in a video essay about sexual assault in K-dramas. I’ll be sure to link the video in the future, but not in the context of this post. Specifically, the video discussed female perpetrators, for example the “ajumma” trope, where middle-aged women flock together and harass the young male lead. The problem, the video emphasizes, is that these scenarios are comedic. These women have no compunctions about inappropriate touching, and the usually strong man can’t speak against it because of Korea’s social hierarchy. A cultural thing, but this should ring familiar to anyone well-acquainted with American pop culture, where sexual assault is funny when a lady’s doing it. Accordingly, the video cites a moment from this show Madame Antoine: The Love Therapist, where a girl — a noona, not an ajumma — forcefully kisses a guy under the guise of helping him practice kissing the girl he’s actually attracted to. It’s also a “no becomes yes” scene, for anyone playing trope bingo. Please understand that when I say what I’m about to say, I’m not winking. Sexual assault is always wrong, and that’s a baseline for membership into human civilization. But the truth is, I proceeded to watch Madame Antoine because this scene sparked in me a perverse desire. … More Madame Antoine: The Love Therapist | Recommended Korean Drama
“Give me Cha Hyeon,” Ga-kyeong says, and as the scene whips between reaction shots and the music swells, I’m bouncing the iPad on my knees, making a positively indescribable noise. Search: WWW often shocked me like this, inducing so much excitement and even dread, then clocking me square in the stupid grin. It was urgent somehow, to even process my experience with it — but I couldn’t. Perhaps it left me feeling so much that my thoughts were annihilated. I’d like to recommend it, but where do I even start? … More Search: WWW | Recommended Korean Drama
You know this man. You’ve seen him before. Lucy Liu cut his head off. Chow Yun-fat shot him point-blank. He haunted the Korean countryside and faced down two very, very different Godzillas. It’s a fun and impressive record that, with a glance at contemporary geopolitics, feels almost miraculous. … More Jun Kunimura | A Man About Town
Joe Taslim might be Sub-Zero in the upcoming Mortal Kombat, but a career retrospective might prove he was never Plain-Zero. This is a guy who’s badass now and always has been, so for each role, let’s put on our scientist hats and ask, “How badass?” … More Badass Meter: Joe Taslim
With Eyes East 