Those American Godzilla Movies: X Marks the Spot

It’s almost fascinating, the experience of being a fan of something but not at the moment. I don’t even know how to describe it. I’m a Godzilla fan, but his American movies have done me nothing but harm. In keeping tabs on the Japanese side, I’m inundated by news and updates about the Legendary MonsterVerse. How do I explain it to my poor mother, who asks me, “Are you gonna see that?” in response to a TV spot for Godzilla X Kong: The New Empire, and I bark, “No!” Almost fascinating, and this time, more than usual, because the marketing on-ramp for 2024’s entry coincided with the tsunami aftermath of Godzilla Minus One. The Japanese film was hailed for its sensitivity toward character, its faculty for drama, and of course, its efficient but convincing visual effects. Comparisons were drawn to the original 1954 Godzilla; it was that authentic. What, then, did that make The New Empire, whose trailer debuted two days later? … More Those American Godzilla Movies: X Marks the Spot

What Would ‘Ghost in the Shell 3’ Have Looked Like?

Meat Loaf once said that two out of three ain’t bad, but he obviously never saw Ghost in the Shell. Two volumes of the original manga – and then an interquel – two original movies and two seasons of the television show, and when that television show finally got a sequel almost 20 years later, it ran for two seasons. Now, each of these examples feels incomplete because the trilogy is such a natural expression of “beginning, middle and end,” and also, because Ghost in the Shell is really good, and fans always want more. I mean, for the most part. The experimental, almost anthological nature of the series means there are misses along with the hits, including an ill-advised Hollywood rendition and the franchise’s latest, a Netflix anime in 3D CG. Only until recently, on the occasion of its 20th anniversary, Ghost in the Shell 2: Innocence could arguably be counted among them, having never generated the same enthusiasm as the original 1995 classic. Of course, even if left disappointed by Batou’s adventure, I bet fans still wonder about the follow-up that never was. … More What Would ‘Ghost in the Shell 3’ Have Looked Like?

The Revelation of ‘My Undead Yokai Girlfriend’

As a man with an interesting life, one who pursues many hobbies, it’s only natural I’ve had occasion to add anthropology to the list. Sometimes I simply want to understand people who fascinate and repulse. For example, what kind of sicko watches a show called My Undead Yokai Girlfriend? This, friends, is how I came to watch the Amazon original from March of this year. It was purely academic. I swear. … More The Revelation of ‘My Undead Yokai Girlfriend’

K-Drama Report: Love is for Suckers, Part III

I cannot imagine that, upon finishing the finale of Love is for Suckers, one doesn’t immediately go back and rewatch the very first scene. Not because it’s a twist-movie “now it all makes sense,” but because the show opens with a flash-forward tease that doesn’t come back in the end. For those who didn’t be-kind-rewind, the first episode opens with our heroine Goo Yeo-reum taking a van to the Kingdom of Love house. She scrolls through articles on her phone about a wedding between contestants after a controversial season. On the set, she first speaks with Sang-woo, who says it’s been a long time. The contestants are gathered nearby, dressed up like brides and grooms. Han Ji-yeon excitedly calls out to Yeo-reum – which, like, whoa. This makes Jae-hoon turn, and the lovebirds lock eyes. Sang-woo corrals everyone for pictures, and then Jae-hoon and Yeo-reum make eyes again. The clock winds backwards, taking us into the show… … More K-Drama Report: Love is for Suckers, Part III

K-Drama Report: Love is for Suckers, Part II

Something I’ve long found interesting in media studies is why people decide to watch what they watch. What goes into the decision, if a decision ever comes from the endless browsing across multiple platforms? In this most academic pursuit, I’ve been privileged with a curious, compelling subject – myself – and every now and again, he baffles me. At the moment, I’ve got at least two shows running: Love is for Suckers, and season two of The Shield. That follows. It’s season two because I watched the first way back in college, during the great mania around prestige television. Unfortunately, it vanished off streaming, and I’ve only returned to it ten years later. It’s good. It’s probably the best police procedural I’ve ever seen (if The Wire and Mindhunter are just stage-left of procedural), in part because it’s honest and seems to have a mission. In its exploration of police corruption, we see the grisly effects but we also understand the very logical cause. The bad guy’s gonna get away with it, so we want Vic Mackey to step in with his extrajudicial methods. Why wouldn’t that impulse exist in the real world, and is the system strong enough to resist it? … More K-Drama Report: Love is for Suckers, Part II

K-Drama Report: Love is for Suckers

Another K-drama, another shock — to me and my imagination so constrained by the conventions of story. In countless instances before, I’ve shrieked, “You can’t do that!” upon narrative shortcuts like coincidence or melodrama. Here, Love is for Suckers plays out for four episodes and only begins on the fifth — and it’s brilliant. Clued in by a flash-forward cold open, we know that this will be about a romance between the producer of a Bachelor-style reality show and one of the contestants. But before that reality show even begins filming, we watch entire relationships come together and fall apart. Jobs are lost. There are medical emergencies. We learn about pasts enough for people from those pasts to reemerge. It may just be table-setting, but it feels like an entire show — with the commensurate emotional weight. … More K-Drama Report: Love is for Suckers

K-Drama Report: Doona! (2023)

Beautifully directed and powerfully acted, in a roundabout way, this ultimately inconclusive series proves to me that K-drama storytelling is storytelling. Now, a phrase like that is always gonna sound defensive, but I’ve had reason to doubt the form ever since annyeong. I mean, we all sort of agree that “K-dramas” are a single thing, which is the opposite of how we talk about anime. There is no “Belladonna of Sadness to Clannad” range to the K-drama, and its assessment requires a different language. It isn’t “That first kiss was so formulaic,” but “How good was The First Kiss?” However, The First Kiss isn’t just two people kissing, nor is a K-drama just a series of sympathetic faces and crying and swooning. … More K-Drama Report: Doona! (2023)

K-Drama Report: Hello, My Twenties! Part II

I’d also recommend Hello, My Twenties! but I can’t yet because we have the rare second season to contend with. So to cap off the first, I want to start with something a little bit different, which is to review the show’s character dynamics. It’s an assertion on my part that they’re the heart of the series, but that may or may not be true. In the meantime, they at least set parameters for my expectations going forward. (Because I love them so much!) … More K-Drama Report: Hello, My Twenties! Part II

K-Drama Report: Hello, My Twenties! (2016)

A couple of years ago, I started seeing clips online for a K-drama entitled Work Later, Drink Now, starring Eunji from Apink, and I was frustrated because it never showed up on any legal streaming platforms. I really liked the idea of a show that centered on a group of women, in a more casual setting than the workplaces of, say, Search: WWW. And somehow this led me to Hello, My Twenties!, but I think it was probably just that clip of Ryu Hwa-young planting one on Han Seung-yeon, and I’ve got both shows mixed up in my head. But when it came time to choose which one to watch first, the occasion of my 30th birthday made the decision easy: I will start watching the show called Hello, My Twenties! … More K-Drama Report: Hello, My Twenties! (2016)

The Oldboy and I | A Comedy on Purpose

Oldboy is one of the key titles from a time in my life when I watched movies a lot. Not a breadth of movies, but a small selection over and over again. I was studying to be a moviemaker myself, so I was doing a lot of director commentaries, and I doubt I was absorbing much. Actually, there’s this lesson you learn early in film studies, that anything substantive can be gleaned from watching bad movies. False! Sure, it’s a kind of deconstruction, and it’s easy to see the mistakes. “I won’t make a mistake like that,” you say, and then dream about what you’d do instead. But it’s harder to visualize what you’d do, especially once you’re in it, suddenly realizing that this successful execution of a payoff doesn’t make for an actual scene, as that’s an entirely different step. First you set everything up inside the broader structure, and then you have to ask, “What might be cool?” It’s a process of construction, and this is a separate discipline. … More The Oldboy and I | A Comedy on Purpose