Jang Eun-sil Report – Physical: 100 Episode #2

Well, there won’t be much to report on Jang Eun-sil here. See, one hundred is a big number. It makes sense that the first actual challenge will remove half. But in the meantime, managing the titular one hundred affects the show’s pacing, so we’re in for a multi-parter to cover the event. Unfortunately, that means Jang does not perform in this entire episode. So, what happened with our cliffhanger, the hanging challenge? Well, it was the soldier who won, and in doing so, gains an advantage for the upcoming game. But before we get there, we have to watch the other fifty do the same challenge. Come on, guys. Notable here is that the cheerleader drops second, alongside the huge dudes. Overall, the women didn’t do as well in this group, with the top scorer taking 16th place. … More Jang Eun-sil Report – Physical: 100 Episode #2

Jang Eun-sil Report – Physical: 100 Episode #1

One of the biggest lessons about writing that I have practically no use for came from a book entitled Rise of the Warrior Cop by Radley Balko. Highly recommended anyway, I noticed that each chapter in this larger account of police militarization in America chose a perspective – a main character. It wasn’t just “here are the facts,” it was “here are how the facts impacted this guy.” Framing history with subjectivity is what I tried to do with the feature about Mulan and more recently on Collider about a lost film, identifying H. R. Giger as the protagonist of that story. Clearly, I haven’t got it down, but that’s why I write opinion pieces, not history. And if you’ll indulge further meta, I had no idea how I was gonna approach writing about Physical: 100, so I’ve chosen Jang Eun-sil as the protagonist because it’s simply the most honest choice. … More Jang Eun-sil Report – Physical: 100 Episode #1

Costume Drama, Hold the Costume | The Treacherous (2015) Review

This movie is brutal. Like, tremendously, exceptionally disturbing. Chronicling the last days of a mad king, director Min Kyu-dong apparently wants you to feel that madness, to leave the film a wide-eyed, gibbering mess, soaked in blood and stabbing at pigs. My understanding of Korean cinema – which I’m trying to advance past – is that there are the early export arthouse films like Oldboy and Memories of Murder, and then the movies indistinguishable from K-dramas like My Wife is a Gangster 3. The Treacherous leans more toward the latter in terms of visuals and direction, but has the unflinching violence and sex of the former. It’s a mostly discordant mix, all set against the constant soundtrack of screaming and moaning. … More Costume Drama, Hold the Costume | The Treacherous (2015) Review

Selfish, by YooA

There are two hurdles for me and music, and maybe K-pop in particular: repetition, and “cool.” I may need to explain the latter. I don’t know if it was just the environment I grew up in, but I felt like the only thing worse than being uncool was trying to be cool. Even today, nothing is worse than cringe; nobody likes Elon Musk. For me, Blackpink skews too western, and while I respect their artistry – I love Jisoo’s voice – there can be something uncanny about the style. It’s like when anime music has too much broken English. Remember Black Lagoon? … More Selfish, by YooA

Give Me My Turtle Back! | Decision to Leave (2022) Review

Decision to Leave is South Korea’s submission for the American Oscars, and it is, in no way, an Oscar contender. It is not an event film, it is not an issues movie, it’s not based on a book. And yet, Park won Best Director at Cannes, and I can see why. His actors, Tang Wei and Park Hae-il, are electric and lived-in, respectively. His touch with film language is delicate but precise. The way he plays with time and space can only be described as “masterful,” in the sense that he becomes like a god of time and space. We see the flash of an image, and moments later, that image is contextualized, shepherding us through the story with a proper disorientation. In fact, we’re being oriented toward puzzle-solving. You could put a crumpled paper bag in front of Park Chan-wook, and he’d shoot it the one way that would make you feel something. If one of his films happens to be emotionally bereft, more fascinated by than curious about human nature, it must have been a choice. … More Give Me My Turtle Back! | Decision to Leave (2022) Review

Happy Birthday 2022

It’s extraordinary, how quickly one ages. My appreciation of time itself has been warped lately, but think about it. We’ve decided that “your prime” is your 20s. If you’re fortunate (or bamboozled) enough to go to college, you graduate at, what, 21? A little delayed, time to celebrate? No, time to get a job. I hope you majored in web programming or graphic design, or have the connections to try business or law or film. You have four years to figure it out. … More Happy Birthday 2022