Category: Korea

What-If Question | Past Lives (2023) Review

December 10, 2023

A critic shouldn’t be saying things like this, but I do want to establish or reestablish that a negative movie review isn’t necessarily me saying a movie is “bad.” Past Lives is very well acted, and it’s beautiful – notably shot on film – but my experience with it was minimal, and the subsequent evaluation remains confused. I don’t know what the writer/director was going for, though the later discovery that it’s semi-autobiographical surely explains a lot. The film opens on the climactic scene, in a New York bar at 4:00 a.m., as an Asian woman sits between an Asian guy and a white guy, with disembodied voices trying to guess at the nature of their relationship. We then rewind to 24 years earlier, when children Na-young and Hae-sung are friends in Korea, with the former moving to Toronto. Fast-forward 12 years, and they reconnect over social media but remain in different time zones. … More What-If Question | Past Lives (2023) Review

DO NOT POST: “Chill Kill” Thoughts

November 21, 2023

First of all, I want to establish that there are no stakes here, and I am in no way disappointed or upset. Red Velvet is so far past the point of “they don’t have to do anything,” nearing a decade and having released a masterpiece in the after-years. They’ve given me everything; I don’t get to be disappointed or upset. Red Velvet doesn’t have to do anything, and so anything they do is a bonus – for which I’m grateful. Their latest album has been occasion for behind-the-scenes footage, and that’s always fantastic. The album itself? I haven’t finished it. I tapped out after four songs. Of those four, the title track “Chill Kill” was the best, where the others are shockingly low-key mood pieces. … More DO NOT POST: “Chill Kill” Thoughts

K-Drama Report: Doona! (2023)

October 29, 2023

Beautifully directed and powerfully acted, in a roundabout way, this ultimately inconclusive series proves to me that K-drama storytelling is storytelling. Now, a phrase like that is always gonna sound defensive, but I’ve had reason to doubt the form ever since annyeong. I mean, we all sort of agree that “K-dramas” are a single thing, which is the opposite of how we talk about anime. There is no “Belladonna of Sadness to Clannad” range to the K-drama, and its assessment requires a different language. It isn’t “That first kiss was so formulaic,” but “How good was The First Kiss?” However, The First Kiss isn’t just two people kissing, nor is a K-drama just a series of sympathetic faces and crying and swooning. … More K-Drama Report: Doona! (2023)

The Big Fat Chill Kill

October 21, 2023

Red Velvet’s latest album is on its way, born into controversy as befitting any high-profile K-pop group – I suppose! With turmoil at the top of SM and a group lifespan nearing ten years, I figured Red Velvet was in the midst of an exit strategy, promoting solo acts and mixing members into other groups. This is how they always manage to surprise me. But I first heard about “the new album” from the opposite perspective: fans apparently angry that Red Velvet hasn’t released an album since 2017. Now, if you’re like me, you’re thinking, “What are you talking about?! They put out an album every year! They work themselves to death!” If anything, 2023 ought to be an exception, given they’ve been touring all over the eastern hemisphere. Guys, you know, the “globe” in “global tour” also includes America. … More The Big Fat Chill Kill

K-Drama Report: Hello, My Twenties! Part II

August 25, 2023

I’d also recommend Hello, My Twenties! but I can’t yet because we have the rare second season to contend with. So to cap off the first, I want to start with something a little bit different, which is to review the show’s character dynamics. It’s an assertion on my part that they’re the heart of the series, but that may or may not be true. In the meantime, they at least set parameters for my expectations going forward. (Because I love them so much!) … More K-Drama Report: Hello, My Twenties! Part II

K-Drama Report: Hello, My Twenties! (2016)

August 19, 2023

A couple of years ago, I started seeing clips online for a K-drama entitled Work Later, Drink Now, starring Eunji from Apink, and I was frustrated because it never showed up on any legal streaming platforms. I really liked the idea of a show that centered on a group of women, in a more casual setting than the workplaces of, say, Search: WWW. And somehow this led me to Hello, My Twenties!, but I think it was probably just that clip of Ryu Hwa-young planting one on Han Seung-yeon, and I’ve got both shows mixed up in my head. But when it came time to choose which one to watch first, the occasion of my 30th birthday made the decision easy: I will start watching the show called Hello, My Twenties! … More K-Drama Report: Hello, My Twenties! (2016)

The Oldboy and I | A Comedy on Purpose

August 19, 2023

Oldboy is one of the key titles from a time in my life when I watched movies a lot. Not a breadth of movies, but a small selection over and over again. I was studying to be a moviemaker myself, so I was doing a lot of director commentaries, and I doubt I was absorbing much. Actually, there’s this lesson you learn early in film studies, that anything substantive can be gleaned from watching bad movies. False! Sure, it’s a kind of deconstruction, and it’s easy to see the mistakes. “I won’t make a mistake like that,” you say, and then dream about what you’d do instead. But it’s harder to visualize what you’d do, especially once you’re in it, suddenly realizing that this successful execution of a payoff doesn’t make for an actual scene, as that’s an entirely different step. First you set everything up inside the broader structure, and then you have to ask, “What might be cool?” It’s a process of construction, and this is a separate discipline. … More The Oldboy and I | A Comedy on Purpose

08/12/2023 – Pop-Pop the Champagne

August 12, 2023

It’s been With Eyes East tradition on August 12th to celebrate the birthday of Bomi from Apink, but this year, I actually wanted to pivot a bit – not too far – from Apink to Red Velvet. From what I can tell, their 2022 release “Birthday” is considered one of their lesser singles, and it is indeed an oddity like “Zimzalabim” or “RBB.” The video is a total-war assault of bizarreness, without the slightest threat of context for the events or landscapes or creatures. We have a cyclops guy like a Tohl Narita Ultraman monster, a yeti guy from, you know, yetis, and the Gingerbread Man but as a king? It’s like a weird, terrible remix of things that we can sort of place, as if assembled by AI or sheer accident. This is what the K-pop channel looks like within the Videodrome signal. … More 08/12/2023 – Pop-Pop the Champagne

Two Gods

July 16, 2023

It’s news to me that a Godzilla movie is releasing this year. Now, typically, this has been cause for indigestion, being no fan of the Legendary MonsterVerse. Granted, that new movie bears the title Godzilla X Kong: The New Empire, which is just goofily sincere enough. Not for me to see, but for something. No, a Godzilla movie is coming down from Toho Studios as well, and it’s entitled Godzilla Minus One. Sounds a lot like the proposed title for the third Jaws movie (Jaws 3, People 0), but there’s a weight behind it. Taking place immediately after World War II, we find Japan at “zero,” and Godzilla’s arrival will bump them down to the negative. I’m not 100% certain, but I believe this is the first Godzilla period piece, and that’s already exciting. … More Two Gods

Siren: Survive the Island – Final Report

June 12, 2023

Boy, that Physical: 100 finale must have left scars on all of us. In the back of my mind, there was such a sense of “contestants vs. producers” throughout that, in the end, it was easy to blame everything on the anonymous, unseen puppet masters doubtlessly manipulating every frame of this so-called “reality” programming to whichever nefarious ends. By the time I’m writing about its spiritual sequel Siren – hoping to give it any kind of boost – proper accreditation never enters my mind. The contestants, sure. Those ladies are badass and I love them. But the bloodsucking producers? No! And I find myself now winding toward an apology not just because the creator of Siren is also a woman, though that certainly helps. Her name is Lee Eun-kyung, and with Siren: Survive the Island, I think she’s done something really great. … More Siren: Survive the Island – Final Report