K-Drama Report: The Judge from Hell (2024)

The IMDb logline for The Judge from Hell reads as follows: “Kang Bit Na, an elite judge with a beautiful appearance, is a demon whose mission is to punish those who have wronged others and send them to Hell. However, the righteous Detective Han Da On is determined to change her ways.” You know what? That sounds really good. I’ve been dying for a show where Park Shin-hye plays against type and, ironically, into her public persona as a bigger-than-life celebrity who everyone loves. At the very least, her biggest roles have been characters easily described as “nice” or “shy” or even “do-gooder”? I feel like she’s been slapped in the face so many times, though she did give it to Kim Ji-won – the Queen of Tears herself – in The Heirs. But no more. Now she’s playing a demon! … More K-Drama Report: The Judge from Hell (2024)

My Year in K-Pop: 2024

You probably noticed there’s something missing between “My Year in K-Pop: 2022” and “My Year in K-Pop: 2024.” That’s what we call “pattern recognition.” The truth is, 2023 was an off-year for myself and hallyu. Whatever I had going on, I missed out on a lot which I’ll have to chronicle in this episode… … More My Year in K-Pop: 2024

K-Drama Report: Love Next Door, Part III

Here at the end of Love Next Door, I’m revisiting a question from early on. These Reports frequently reference back to the small clutch of K-dramas I’ve seen, and a few get more attention than others: Twenty-Five Twenty-One, of course, while I almost never mention Madam Antoine, despite really liking it. Both Doona! and Love is for Suckers come up because they had obvious or interesting flaws to measure against. Now I’m wondering how often I’ll cite Love Next Door in the future, because it bears almost no distinguishing hallmarks. I think it’s a great show, ultimately, but it’s the K-drama you’d get from the K-drama wishing well. Appealing leads? Check. Beautiful setting? Check. Cozy atmosphere? Romance? Happy ending? Check, check, check. Then you’re standing there, looking at your cup of vanilla ice cream, full of grave self-doubt. … More K-Drama Report: Love Next Door, Part III

K-Drama Report: Love Next Door, Part II

Love Next Door kicks off its second half by hitting the Big Red Button. In my experience, a good K-drama will take its time to develop the characters and their conflicts, nurturing these story fundamentals like a gentle gardener, while other K-dramas will decide at some point to lob a grenade in there and blow up all the flowers. Someone will die, or end up in the hospital, or get hit by a fucking car, or a bus. Love is for Suckers kept introducing extreme situations for the characters to suddenly deal with as the climax to existing, unrelated issues. In retrospect, was this a commentary on the sensationalism of reality TV? In Love Next Door, we know that something happened in Seok-ryu’s past; she took a year off from work and broke things off with her fiancé, and perhaps these two things are related. During a taste test of her cooking attended by both Seung-hyo and ex-fiancé Song Hyeon-jun, she collapses, clutching her stomach, and elects for Hyeon-jun to take her to the hospital. … More K-Drama Report: Love Next Door, Part II

K-Drama Report: Love Next Door (2024)

“You can never go home again,” according to so many movies and TV shows. Within its first half at least, the K-drama Love Next Door asks the other, rarer question: “But what if you could?” Our heroine is Bae Seok-ryu, a Korean who’s been living and working in the U.S. for the last ten years, homebound after leaving her big tech job and even a fiancé. Her mother Na Mi-sook has a habit of bragging to her friends about Seok-ryu’s grand successes overseas, if only to match her frenemy Seo Hye-sook’s equally aggressive bragging about her son Choi Seung-hyo, an award-winning architect and co-CEO of a new firm. This is the world waiting for our heroine when she lands in Korea, and it’s a world of hurt – literally. Finally breaking the news to her mother, Seok-ryu is beaten, though she expected nothing less. … More K-Drama Report: Love Next Door (2024)

The ’94 Line

Something’s happening in the K-pop world. Something big. Or at least, in a tiny pocket of the K-pop world. As I’ve spoken about before, one of my favorite aspects of idoldom is the relationships between idols, both inside and outside their respective groups. … More The ’94 Line

Through the Solar System

My initial reaction to Cosmic should’ve been a bellwether. I don’t know if it’s just how I respond to music generally or if it’s something about Red Velvet specifically, but upon each of their new releases, I tend to have relatively neutral feelings at first. This has led to the observation of a sociological phenomenon – localized entirely in myself – where I think, “Academically, I recognize that this song is good, but it hasn’t hit me yet,” and I know it will soon. That’s finally happened with Cosmic. I’d been able to recognize that it was solid, but now I can see it’s a 10/10. It’s the best Red Velvet album. … More Through the Solar System

Red Velvet at Ten

And my Red Velvet fandom at five! Earlier this week, their new album released, Cosmic. As far as the promotional tour goes, they did the usual: a live countdown, live performances, a few interviews, video of the recording sessions. I don’t know, I was kind of expecting something really big, but they did just do an international tour and a season of Level Up Project. The fact is, I shouldn’t have been expecting anything, as a K-pop group at ten is fairly uncharted territory, although it’s happening more and more. Apink’s tenth anniversary was years ago, and Red Velvet debuted alongside Mamamoo. Next year, it’ll be Twice, Oh My Girl, others I’m sure. … More Red Velvet at Ten

‘Hallyu! The Korean Wave’ at the Boston Museum of Fine Arts

Today, my mom and I made the perilous trek into the city to visit the hallyu exhibit at the Boston Museum of Fine Arts. From the official website, “Today, South Korea is a cultural superpower—a global trendsetter producing award-winning films like Parasite, riveting dramas like Squid Game, and chart-topping music by K-pop groups such as BTS and BLACKPINK. But behind the country’s meteoric rise to the world stage—a phenomenon known as the Korean Wave, or hallyu—is the story of remarkable resilience and innovation.” … More ‘Hallyu! The Korean Wave’ at the Boston Museum of Fine Arts

K-Drama Report: Love is for Suckers, Part III

I cannot imagine that, upon finishing the finale of Love is for Suckers, one doesn’t immediately go back and rewatch the very first scene. Not because it’s a twist-movie “now it all makes sense,” but because the show opens with a flash-forward tease that doesn’t come back in the end. For those who didn’t be-kind-rewind, the first episode opens with our heroine Goo Yeo-reum taking a van to the Kingdom of Love house. She scrolls through articles on her phone about a wedding between contestants after a controversial season. On the set, she first speaks with Sang-woo, who says it’s been a long time. The contestants are gathered nearby, dressed up like brides and grooms. Han Ji-yeon excitedly calls out to Yeo-reum – which, like, whoa. This makes Jae-hoon turn, and the lovebirds lock eyes. Sang-woo corrals everyone for pictures, and then Jae-hoon and Yeo-reum make eyes again. The clock winds backwards, taking us into the show… … More K-Drama Report: Love is for Suckers, Part III