Tag: Action

Who You Callin’ Stupid?

June 18, 2026

I posted a review for The Furious one week ago, and haven’t been able to stop thinking about it – not the movie but the review. And not just because it was a brilliant piece of film criticism, but because the apparent dichotomy between its near-perfect star rating and the more negative text of the review indeed represents a confusion I’m still processing. To go back, it wasn’t too long before my learning about The Furious and hearing the swell of excited reactions out of the festivals. This was the next Raid, and unlike the other Raid-likes over the years, it was coming to U.S. theaters. That had to mean something. Then the trailer releases online and, in addition to being phenomenal, is filled with enthusiastic, superlative sound bites. “One of the best action films of the decade” (in a decade which includes RRR, John Wick 4, and for me, Baby Assassins 3). I click around on Reddit and read similar opinions, though one person comments that the trailer pretty much gives everything away. “How could that be possible?” I huff. Well, one punch at a time, and I think this was a huge part of my reaction. … More Who You Callin’ Stupid?

No-Brainer | The Furious (2025) Review

June 11, 2026

We’ve got to talk about Joe Taslim and Kensuke Sonomura and Jeeja Yanin and all the With Eyes East favorites who’ve assembled for this action movie Super Bowl, but the story of The Furious might begin with a different name: Bill Kong. The last (and first) time producer Bill Kong came up on this site, it was in the comparison between live-action Blood: The Last Vampire – which he produced as a vehicle for Gianna Jun – and Kingdom: Ashin of the North, the homegrown Korean product which more successfully showed off Jun Ji-hyun to the world. If there’s one thing Bill Kong likes, it’s an American audience, as he also helped foster such crossover hits as Crouching Tiger, Hidden Dragon and the Disney live-action Mulan. He may have found a fellow traveler in director Kenji Tanigaki, the Japanese action coordinator who cut his teeth on Hong Kong productions like SPL, Flash Point, and Twilight of the Warriors: Walled In (not to mention odds and ends like Blade II and Takashi Yamazaki’s Always: Sunset on Third Street). Together, they’ve brought The Furious to the international market, starting with the Toronto International Film Festival, up to and including American screens the same day as the latest Spielberg release. That’s confidence. … More No-Brainer | The Furious (2025) Review

I Will Be So Sad if This is Bad

May 28, 2026

Mark your calendars, folks, for a new Ghost in the Shell on July 7th! “Ghost in the Shell?!” I hear you erupt, indignant, “You mean the Japanese cyberpunk media franchise which hasn’t been good in over ten years, being generous?” “Ah,” I say, with scholarly poise, “Japanese postcyberpunk media franchise.” How clever indeed. The plan was to totally play it cool and wait to write about Science Saru’s The Ghost in the Shell only upon its release, theoretically doable as I haven’t been trapped in a hype cycle (hype psyop) in what feels like ages. And frankly, the first two teaser trailers weren’t doing much for me, beyond providing excellent music samples – the second like something out of Metroid Prime – and selling the concept of animating the artwork of Masamune Shirow with a budget larger than, say, the Appleseed OVA. So, what happened to turn things around? The third trailer. And so, I want to tell you a story in three trailers, and it’s my favorite one: the story of the Major. … More I Will Be So Sad if This is Bad

Kitana Wins

May 7, 2026

I’ve just gotten back from Mortal Kombat II, with a couple of hours to post this and prove that I saw it extra nerd early on Thursday rather than on Friday. I suppose I could show you the ticket, which I’d wanted to anyway because it was for 6:30, but then on the door, it said 6:45. And when I looked at Fandango today to see if anybody was gonna be sitting next to me, it also said 6:45, but there’s no way to prove that now. So, take my word that I thought to myself, “How can it be a 6:30 showing and a 6:45 showing at the same time?” Like a practiced modern moviegoer, I arrived at the theater at 6:30 sharp, budgeting enough time for all the pre-movie rituals, including waiting at the concession stand wherein the group in front of me appeared to be buying tickets? Growing surprisingly anxious, I finally made it to the premium-format theater and my seat and proceeded to sit there like a dope through, like, ten minutes of ads for insurance and cars. … More Kitana Wins

Feels Great! | Second Life (2024) Review

March 22, 2026

This is the rare case where my memory of a film, “edited” into snatches of images by whatever neurological sorcery, just about matches the film itself. When you hit play on Second Life, also known as Son of a Punch, you’d better not take a second to close an app on your phone or fiddle with a bag of – what do the kids like these days? – Fritos. It doesn’t even clear one minute, including studio logos, before something insane happens. A gang boss busts in on a police funeral and starts talking when all of a sudden he’s silenced forever by the flying kick of the widow, Lao Liang. Pregnant and now imprisoned, Liang establishes herself as top dog by defeating the treacherous Sister Hong in a fast, prop-heavy battle scored with music out of an old King Hu epic. The lighthearted tone and broad comedy are established here, as well as a relentless pace. The moment Hong is put down, she becomes a lifelong ally and friend, jumping to Liang’s aid when her water breaks only moments later. And in the next few moments, we jump ahead thirty years and meet Gui, an enforcer for gang boss Chang Meng who shoots up the ranks after protecting him from a dozen guys in a shirtless blaze. … More Feels Great! | Second Life (2024) Review

Rip and Tear | The Forbidden City (2025) Review

March 20, 2026

Whoa! You know, it wouldn’t take much for an Italian kung fu movie to be the best Italian kung fu movie, so why set the bar so high? I don’t think anybody else is coming. First of all, I’d be happy to address any reservations one might have, as I did, based on the title. Despite its somewhat foggy thematic resonance, The Forbidden City is “Chinese restaurant name” generic and may resurface unpleasant memories of The Forbidden Kingdom, the Jet Li versus Jackie Chan anticlimax which happened to be the Hollywood debut of Liu Yifei, who’d go on to play Disney’s Mulan in 2020, doubled by stuntwoman Yaxi Liu, the star of The Forbidden City. Capisce? As we find, “Forbidden City” is the name of a Chinese restaurant in the movie, but it could also refer to its primary setting of Rome, upon which Liu’s wayward character Xiao Mei eats, prays, and lays a heavy beating, and that’s only barely a joke. Fair warning (or invitation): the spice level here is “Korean.” We’re not talking CG blood and the weightlessness of mild American fare nor the horror-hewn sadism of Indonesia. It’s roughly comparable, I’d say, to The Man from Nowhere. Guys, do not fight in a Chinese kitchen, where there’s grills and frying oil and – oh, God – cheese graters. There’s a bone break so severe I yowled. Mei is hardcore, animated by rage and, to borrow a useful term, too angry to die. … More Rip and Tear | The Forbidden City (2025) Review

Envision Turbulence | The Fate of Lee Khan (1973) Review

January 29, 2026

A King Hu wuxia film is a precious thing, there being so few. I’d taken a circular route from the canonical works at the start of his career – Come Drink with Me, Dragon Inn, A Touch of Zen – straight to the Mountain duology of 1979, skipping over The Fate of Lee Khan and The Valiant Ones. Either way, I’m running out, though I was mightily defeated by Legend of the Mountain and left it unfinished. And so, there was something bittersweet about finally sitting down and watching The Fate of Lee Khan, or “The Turbulence at Yingchun Pavilion,” here at the beginning of the year, when the kung fu mood usually strikes. And ironically or not, the film is a pastiche, taking little bits from across the catalogue. It’s the tavern setting of Dragon Inn, the caper premise of Raining in the Mountain, and the cast of A Touch of Zen. Here, Hsu Feng plays a villainous Mongolian princess, sister to the titular antagonist, while the villain of A Touch of Zen, Han Ying-chieh, is a resistance member disguised as a drunk, and Roy Chiao, the Buddhist monk, is undercover as the henchman at Lee Khan’s right hand. By the way, is it technically yellowface for these Chinese actors to play Mongolians? You’re not fooling me, man, no matter how much additional facial hair. … More Envision Turbulence | The Fate of Lee Khan (1973) Review

Flexo! Shoot Flexo! | The One (2001) Review

December 5, 2025

Partway on the timeline between Demolition Man and Everything Everywhere All at Once, behold The One, a blend of science fiction and martial arts to suitably harebrained ends. Far from an expert on all things Jet Li, this first-time viewing was spurred on by its relatively recent coverage on The Greatest Movie Ever! Podcast, in which shameful secrets were revealed about past fondness for musical acts like Drowning Pool and Papa Roach (believe me, I understand). Indeed, this movie is from the year 2001 the way that people from Boston are from Boston, and as I’m currently reading/listening to two examples of popular literature from the mid-1980s, I’ve had occasion to reflect on how often not timeless movies and television are. Those books, Blood Meridian and Stephen King’s It, are both set in the past. By contrast, it’s the rare genre film from the 1980s that doesn’t feel Totally ‘80s! and thus subject to modern nostalgia-driven filmmaking. Will we have a cultural resurgence one day of movies like The One and XXX and The Scorpion King? No. … More Flexo! Shoot Flexo! | The One (2001) Review

IT’S HERE (again)

October 26, 2025

Donovan, my Baby Assassins partner-in-crime (the Miyauchi to my Tasaka, if you will, though maybe there’s a better duo to be), informed me a few days ago that the TV show, Baby Assassins: Everyday!, was eminently streamable on Hulu and HBO Max, and has been since October 16th. I was late. How could I not have known sooner? Where was the YouTube trailer? Where are the outlets meant to warn me? So, I’m here now to pass it along, realizing that perhaps I am one of those outlets. Not really, but seriously, what the hell happened? … More IT’S HERE (again)

Palace-Minded Man | Uprising (2024) Review

September 12, 2025

The 2024 historical epic Uprising is about two things: the Japanese killing Koreans, and Koreans killing Koreans. This is literally the experience in an early sequence of two cross-cut battles, when Toyotomi Hideyoshi’s samurai advance beyond the Han River in the first invasion of the Imjin War, and the hungry Joseon masses turn on the fleeing King Seonjo (who Wikipedia notes shouldn’t be confused with Sejong the Great). Fans of the recent Shogun will remember Hideyoshi as the taiko whose death incites the feudal struggle for power, briefly embodied as “Nakamura Hidetoshi” by my man Yukijirô Hotaru, of Zeiram (and not actually featured in Uprising). Apparently, this guy was trying to take Korea all the way till his consequential death in 1598. And fans of Netflix’s Kingdom will remember the Imjin War, the historical backdrop to that tragically short-lived zombie masterpiece. Well, rejoice for now, as Uprising shares the same brutal world of beheadings, cannibals, and funny hats – stopping short at zombies, of course, but not before outrageous political corruption. It’s a timely tale of ancient revolution against a cruel aristocracy. … More Palace-Minded Man | Uprising (2024) Review