11/07/2021 – Gears of Metroid

Gears of War 2 remains symbolic to me of my very first friendship. My buddy and I grew up together and played co-op games like Bomberman 64: The Second Attack up through the Halo series. He was particularly fond of Gears of War, and while I liked it well enough, I came to admire his fandom — this coming from a guy who was not and likely never would be a self-described “nerd.” I’ll always remember the date Gears of War 2 was released — 11/07/08 — though I had no idea it would be our last game. Nothing tragic happened, we simply parted ways shortly into high school. … More 11/07/2021 – Gears of Metroid

10/23/2021 – The Fall of Reach is a Good Story Never Meant to Be Told

You might find YouTube video of “Halo 3 funny Elite dialogue,” including winners like, “One of us must die!” or “If you gaze at me much longer, we may as well exchange fluids,” and my favorite, the exasperated “We have few enough warriors as it is!” if you shoot an ally to death. If you haven’t played Halo, these lines are being growled by gravelly-voiced aliens, the “Elites.” One of the lines triggers when you, the protagonist Master Chief, melee an Elite ally. He replies, “Is this because of Reach?” The result of a special mode, this is not really “canonical” dialogue, though it’s impressive that even incidental writing was better than the real stuff in later sequels. … More 10/23/2021 – The Fall of Reach is a Good Story Never Meant to Be Told

Farewell, Goddess | Moon Over Tao: Makaraga (1997) Review

This is it. After the Zeiram duology and Mechanical Violator Hakaider, director Keita Amemiya turns in his final live-action feature. Three years later, Yuko Moriyama would retire from film without a word. The end of an era, and it’s bittersweet but satisfying that Moon Over Tao is the swan song. Unlike the adaptations Hakaider and Amemiya’s debut Mirai Ninja, and even the Zeirams which incited a franchise — however modest — Moon Over Tao stands alone. It is purer, and landing at the end of a directing career, it possibly commands a larger budget. Very likely, this will be our most vivid glimpse into an auteur’s mind, to which “purity” is surely the theme. Still, my favorite aspect of the Amemiya mythos is the ship between director and actress. Where usually the director’s relationship or obsession with the lead is uncomfortable (Underworld, Planet Terror, Final Fantasy XIII), Amemiya continues to lens Moriyama with the same low-angled awe as he does the giant animatronic monster. I believe she’s a wholesome muse, and the ship culminates here with three times as many Yuko Moriyamas as usual. … More Farewell, Goddess | Moon Over Tao: Makaraga (1997) Review

Back in the Zone | Zeiram 2 (1994) Review

With genre storytelling especially, there’s a useful distinction between episodes of a film series and those of a television show. The production gap is certainly greater in film, even over television seasons, but with it comes a broader sense of returning. When tuned right, this feeling can be profound, even melancholy or nostalgic: a reflection of life itself, ever churning forward in episodes of our own. So it is, too — profound — with Zeiram 2, a movie where sometimes characters teleport, and sometimes they don’t. This 1994 follow-up to our first Terminator-style alien mash captures the joy of sequels, being as excited in its presentation as I am watching it. It’s been three years since Iria, Teppei, Kamiya, and Bob escaped the Zone, and our reacclimation to their lives brings gentle revelations. Ever the aliens themselves, Teppei and Kamiya have not been ranting and raving about outer dimensions, discredited as quacks like Dr. Ian Malcolm between Jurassic Park and The Lost World. However, their friendship is feeling the slight strain of age, and this is first among the subtle departures Zeiram 2 takes from the original. I suppose what they have is indeed a friendship, and that also extends to Iria. With so much of their character left undefined as a result of their habitual strangeness, I never thought to apply a term like that. As soon as it materializes, it’s at stake. … More Back in the Zone | Zeiram 2 (1994) Review

Alien Bounty Hunter Lady | Zeiram (1991) Review

Zeiram is a film of details. Necessarily so; the big picture is murky, with its strange plot and stranger circumstances. The mystery of Iria: Zeiram the Animation, or at least, the mystery of its awkward title, terminates here, in a live-action Japanese science-fiction film from 1991. It’s directed by Keita Amemiya, and I’ve long wondered the how and why of this man. What market granted passage to the wellspring of his imagination? It remains a mystery to me even after watching the film, which offers no clear rationale for its existence and yet exists so loudly. All of its details, whether protagonist Iria’s braids which have cultural meaning or every gun and piece of armor that’s associated with a proper noun, seem to be shouting a franchise into being. On closer inspection however, these details are also shouting in a strange, wonderful language, and this might be its downfall. In total, there are two Zeiram features, a six-episode OVA (the Animation), and a PlayStation video game. As soon as it arrived, it was gone, and all follow-up questions went with the solar wind. … More Alien Bounty Hunter Lady | Zeiram (1991) Review