The Beach Episode | Sonatine (1993) Review

It’s rare for a film to give the sense that we, the audience, are seeing the world through the director’s eyes. Typically, great direction serves the story, but in this case, the director may be the story, doubling as the lead actor. As his character Murakawa, Takeshi Kitano observes. Along with countless static shots of people standing by, sitting still, waiting, we look at a lot of Murakawa looking. More than that, Sonatine, like Kitano’s earlier film Boiling Point, moves to its own rhythm. Proceeding without a lot of dialogue, it establishes a unique language with what we see and when we see it. Often, what we see is a shocking instance of violence. For my money, Sonatine has the most effective jump scare in any non-horror movie. I practically leapt out of my seat. And yet, it’s also irreverent and tender, melancholy and affecting. It’s phenomenal. … More The Beach Episode | Sonatine (1993) Review

Remember, No Guns | Bad City (2022) Review

The year is 2022, and we’ve had decades of action movie innovation. The bare minimum has to be: “What hasn’t been done yet?” which must be how you get “megaphone as melee weapon.” In Bad City, a white-haired badass squares off against a group of thugs disguised as a baseball team, and after shouting at them through the megaphone at point-blank range, beats them with it to the peculiar rhythms of director Kensuke Sonomura’s light-speed fight choreography. After clobbering several bad guys, he tries to use the megaphone again as intended and finds it’s broken. Already, this is a marked improvement on Sonomura’s previous film, the bewildering Hydra. Inexplicably presented, that movie would’ve benefited from a simpler script guided by cliché, and so it was, initially, a relief that Bad City acquits itself with a police investigation, corrupt politicians, and evidence stored on a USB stick. … More Remember, No Guns | Bad City (2022) Review