“Warrior” Couldn’t Be More Relevant in 2021

Just as some believe anti-violence in film can be achieved by sickening the audience with ultraviolence, any cinematic depiction of racism necessarily traffics in the imagery and narratives of racism. And necessary they may be in turn, all the brutal historical dramas which bring atrocities to vivid life beg the question: isn’t there another way? Perhaps there have been or could be movies about racism that forgo such descriptions as “confrontational.” Instead, we could have two strangers from opposite sides of the track building a new and honest relationship with nary a slur slipping out. Sometimes you want that, and that’d be nice. But sometimes, you want to see a racist guy kicked through a wall. … More “Warrior” Couldn’t Be More Relevant in 2021

The Royal Tailor

A lot of the Korean pop culture I’ve witnessed so far eschews context, even before exportation to America. There’s a propulsive energy to movies like Parasite and The Handmaiden, like “Wowzer, where did that come from?” and you’ll see highly-paid and highly-respected Korean celebrities doing absurd things in the name of cinema (or variety shows). A film like The Royal Tailor doesn’t stop to observe its absurdity, doesn’t replicate the audience to lie prostrate before it and be judged, and this allows the earnest deliveries of lines like “I’ll make sure your clothes never see the light of day!” The magic trick, then, is that this line is a gut punch. … More The Royal Tailor