My Year in K-Pop: 2025 – Oh My Girl Special

Once again, we’ve come to the year-end K-pop recap. To supplement the episode, I’ll be zeroing in on Oh My Girl as a kind of tribute for helping me get through the year. Mentioned briefly in the previous installment, one year ago, I really got hooked in 2025. Oh, and I forgot to mention, as far as the number one song goes: how could you not love the lyrics “cheombeong cheombeong,” or as I’ve come to think of it, “chumba chumba”? … More My Year in K-Pop: 2025 – Oh My Girl Special

Mimi

Back by popular demand, “My Year in K-Pop: 2025” has actually been tricky to piece together. Damn that demand! Because I was anchored in this difficult year by Oh My Girl, I wanted to focus on their music in a special edition of the (theoretically) annual episode — a celebration, a thank-you. The plan was to count down their top five songs and, in between, introduce each member. The problem was twofold: one, a personal dissatisfaction with how I discuss idols, an issue I haven’t been able to resolve in six years in part because my enthusiasm had me barreling through any self-doubt. I may be reaching an age where other factors are competing with the enthusiasm, but whatever the case may be, I certainly can’t resolve this in the next few days, this episode being due before year’s end. Second, Oh My Girl is more complicated than I thought. I had two options: try to reconcile a celebratory episode with criticism, or do what I always do and ignore the problems. … More Mimi

The ‘94 Line: War Stories

Mijoo. I have to hand it to Mijoo. Seulgi couldn’t get it done, nor Youngji or Hyojung. Well, they did so partially. As covered last time, Seulgi hosted Youngji and Mijoo on her Hi Seulgi YouTube channel, but Hyojung couldn’t make it. Since then, Youngji had Seulgi and Hyojung on her channel but no Mijoo (and no subtitles). At some point, Hyojung managed to gather everyone, but barely filmed it. Now, believe me, I understand. These are highly in-demand people, and the whole thing here is their friendship. When I hang out with my friends (let’s say I have them), I’m not gonna think to record it. Perhaps it takes a special occasion, like a birthday, and who else’s but Mijoo’s? As it turns out, she was responsible for the entire ‘94 Line to begin with. As Youngji puts it in the resulting video on Mijoo’s channel, linked above, she was too lazy to keep meeting up with everyone individually, and had them all get together as a group. And this includes Moonbyul now, as they rechristen the group: 9294*, with the asterisk a reference to “byul” which means “star.” How lovely! … More The ‘94 Line: War Stories

Thrice | KPop Demon Hunters (2025) Review

I have a friend who’s a bit of a troll. She wanted to watch KPop Demon Hunters and wanted more, perhaps, for me to watch it. Her logic was sound: “You like K-pop!” to which I noted I also like movies, and that doesn’t mean I’m rushing out to watch F1 this weekend. Nor for that matter, Elio, live-action Lilo & Stitch, or live-action How to Train Your Dragon – really, guys? Three at the same time? Anyway, my logic here is sounder: those movies are for babies. Of course, I’ve enjoyed movies for babies, especially when I was a baby, as well as movies empty of thought or weight. One doesn’t need to approach a work of art or entertainment in the exact same way each time, and we understand this implicitly, setting different expectations based on genre, content rating, and so on. Still, a lot of the criticisms I have for KPop Demon Hunters can be brushed aside with “It’s a kids’ movie,” leaving me in the impossible situation of having watched a movie I wasn’t meant to watch. … More Thrice | KPop Demon Hunters (2025) Review

New Sluggie

It’s Seulgi Day, which is typically cause for celebration around these parts. Unfortunately, her lead single “Baby, Not Baby” arrives at the conjunction of two emerging threads: one, my own gradual realization that Red Velvet members don’t really make Red Velvet music when pursuing solo work (made clear by Irene, who does), and two, the promotional build-up to Seulgi’s solo album being kind of a bummer. The very album title, Accidentally On Purpose, makes me a little nauseous. … More New Sluggie

The ’94 Line

Something’s happening in the K-pop world. Something big. Or at least, in a tiny pocket of the K-pop world. As I’ve spoken about before, one of my favorite aspects of idoldom is the relationships between idols, both inside and outside their respective groups. … More The ’94 Line

Through the Solar System

My initial reaction to Cosmic should’ve been a bellwether. I don’t know if it’s just how I respond to music generally or if it’s something about Red Velvet specifically, but upon each of their new releases, I tend to have relatively neutral feelings at first. This has led to the observation of a sociological phenomenon – localized entirely in myself – where I think, “Academically, I recognize that this song is good, but it hasn’t hit me yet,” and I know it will soon. That’s finally happened with Cosmic. I’d been able to recognize that it was solid, but now I can see it’s a 10/10. It’s the best Red Velvet album. … More Through the Solar System

Red Velvet at Ten

And my Red Velvet fandom at five! Earlier this week, their new album released, Cosmic. As far as the promotional tour goes, they did the usual: a live countdown, live performances, a few interviews, video of the recording sessions. I don’t know, I was kind of expecting something really big, but they did just do an international tour and a season of Level Up Project. The fact is, I shouldn’t have been expecting anything, as a K-pop group at ten is fairly uncharted territory, although it’s happening more and more. Apink’s tenth anniversary was years ago, and Red Velvet debuted alongside Mamamoo. Next year, it’ll be Twice, Oh My Girl, others I’m sure. … More Red Velvet at Ten

‘Hallyu! The Korean Wave’ at the Boston Museum of Fine Arts

Today, my mom and I made the perilous trek into the city to visit the hallyu exhibit at the Boston Museum of Fine Arts. From the official website, “Today, South Korea is a cultural superpower—a global trendsetter producing award-winning films like Parasite, riveting dramas like Squid Game, and chart-topping music by K-pop groups such as BTS and BLACKPINK. But behind the country’s meteoric rise to the world stage—a phenomenon known as the Korean Wave, or hallyu—is the story of remarkable resilience and innovation.” … More ‘Hallyu! The Korean Wave’ at the Boston Museum of Fine Arts