Tag: K-Pop

Thrice | KPop Demon Hunters (2025) Review

July 6, 2025

I have a friend who’s a bit of a troll. She wanted to watch KPop Demon Hunters and wanted more, perhaps, for me to watch it. Her logic was sound: “You like K-pop!” to which I noted I also like movies, and that doesn’t mean I’m rushing out to watch F1 this weekend. Nor for that matter, Elio, live-action Lilo & Stitch, or live-action How to Train Your Dragon – really, guys? Three at the same time? Anyway, my logic here is sounder: those movies are for babies. Of course, I’ve enjoyed movies for babies, especially when I was a baby, as well as movies empty of thought or weight. One doesn’t need to approach a work of art or entertainment in the exact same way each time, and we understand this implicitly, setting different expectations based on genre, content rating, and so on. Still, a lot of the criticisms I have for KPop Demon Hunters can be brushed aside with “It’s a kids’ movie,” leaving me in the impossible situation of having watched a movie I wasn’t meant to watch. … More Thrice | KPop Demon Hunters (2025) Review

New Sluggie

March 10, 2025

It’s Seulgi Day, which is typically cause for celebration around these parts. Unfortunately, her lead single “Baby, Not Baby” arrives at the conjunction of two emerging threads: one, my own gradual realization that Red Velvet members don’t really make Red Velvet music when pursuing solo work (made clear by Irene, who does), and two, the promotional build-up to Seulgi’s solo album being kind of a bummer. The very album title, Accidentally On Purpose, makes me a little nauseous. … More New Sluggie

The ’94 Line

September 28, 2024

Something’s happening in the K-pop world. Something big. Or at least, in a tiny pocket of the K-pop world. As I’ve spoken about before, one of my favorite aspects of idoldom is the relationships between idols, both inside and outside their respective groups. … More The ’94 Line

Through the Solar System

July 15, 2024

My initial reaction to Cosmic should’ve been a bellwether. I don’t know if it’s just how I respond to music generally or if it’s something about Red Velvet specifically, but upon each of their new releases, I tend to have relatively neutral feelings at first. This has led to the observation of a sociological phenomenon – localized entirely in myself – where I think, “Academically, I recognize that this song is good, but it hasn’t hit me yet,” and I know it will soon. That’s finally happened with Cosmic. I’d been able to recognize that it was solid, but now I can see it’s a 10/10. It’s the best Red Velvet album. … More Through the Solar System

Red Velvet at Ten

June 27, 2024

And my Red Velvet fandom at five! Earlier this week, their new album released, Cosmic. As far as the promotional tour goes, they did the usual: a live countdown, live performances, a few interviews, video of the recording sessions. I don’t know, I was kind of expecting something really big, but they did just do an international tour and a season of Level Up Project. The fact is, I shouldn’t have been expecting anything, as a K-pop group at ten is fairly uncharted territory, although it’s happening more and more. Apink’s tenth anniversary was years ago, and Red Velvet debuted alongside Mamamoo. Next year, it’ll be Twice, Oh My Girl, others I’m sure. … More Red Velvet at Ten

‘Hallyu! The Korean Wave’ at the Boston Museum of Fine Arts

April 28, 2024

Today, my mom and I made the perilous trek into the city to visit the hallyu exhibit at the Boston Museum of Fine Arts. From the official website, “Today, South Korea is a cultural superpower—a global trendsetter producing award-winning films like Parasite, riveting dramas like Squid Game, and chart-topping music by K-pop groups such as BTS and BLACKPINK. But behind the country’s meteoric rise to the world stage—a phenomenon known as the Korean Wave, or hallyu—is the story of remarkable resilience and innovation.” … More ‘Hallyu! The Korean Wave’ at the Boston Museum of Fine Arts

Redefining What It Is to Be a Wendy

March 14, 2024

Last time we spoke of Wendy’s solo outing, it was her debut, 2021’s Like Water. That title track remains memorable, especially as a snapshot of a tumultuous time in Red Velvet history. Of course, I’m glad they went in a different direction with this one, “Wish You Hell” being more pop-punk — a soft Paramore, let’s say. Though for Mother Wenresa, that marks a stylistic departure (and a really good song). … More Redefining What It Is to Be a Wendy

DO NOT POST: “Chill Kill” Thoughts

November 21, 2023

First of all, I want to establish that there are no stakes here, and I am in no way disappointed or upset. Red Velvet is so far past the point of “they don’t have to do anything,” nearing a decade and having released a masterpiece in the after-years. They’ve given me everything; I don’t get to be disappointed or upset. Red Velvet doesn’t have to do anything, and so anything they do is a bonus – for which I’m grateful. Their latest album has been occasion for behind-the-scenes footage, and that’s always fantastic. The album itself? I haven’t finished it. I tapped out after four songs. Of those four, the title track “Chill Kill” was the best, where the others are shockingly low-key mood pieces. … More DO NOT POST: “Chill Kill” Thoughts

K-Drama Report: Doona! (2023)

October 29, 2023

Beautifully directed and powerfully acted, in a roundabout way, this ultimately inconclusive series proves to me that K-drama storytelling is storytelling. Now, a phrase like that is always gonna sound defensive, but I’ve had reason to doubt the form ever since annyeong. I mean, we all sort of agree that “K-dramas” are a single thing, which is the opposite of how we talk about anime. There is no “Belladonna of Sadness to Clannad” range to the K-drama, and its assessment requires a different language. It isn’t “That first kiss was so formulaic,” but “How good was The First Kiss?” However, The First Kiss isn’t just two people kissing, nor is a K-drama just a series of sympathetic faces and crying and swooning. … More K-Drama Report: Doona! (2023)