K-Drama Report: Love is for Suckers

Another K-drama, another shock — to me and my imagination so constrained by the conventions of story. In countless instances before, I’ve shrieked, “You can’t do that!” upon narrative shortcuts like coincidence or melodrama. Here, Love is for Suckers plays out for four episodes and only begins on the fifth — and it’s brilliant. Clued in by a flash-forward cold open, we know that this will be about a romance between the producer of a Bachelor-style reality show and one of the contestants. But before that reality show even begins filming, we watch entire relationships come together and fall apart. Jobs are lost. There are medical emergencies. We learn about pasts enough for people from those pasts to reemerge. It may just be table-setting, but it feels like an entire show — with the commensurate emotional weight. … More K-Drama Report: Love is for Suckers

K-Drama Report: Doona! (2023)

Beautifully directed and powerfully acted, in a roundabout way, this ultimately inconclusive series proves to me that K-drama storytelling is storytelling. Now, a phrase like that is always gonna sound defensive, but I’ve had reason to doubt the form ever since annyeong. I mean, we all sort of agree that “K-dramas” are a single thing, which is the opposite of how we talk about anime. There is no “Belladonna of Sadness to Clannad” range to the K-drama, and its assessment requires a different language. It isn’t “That first kiss was so formulaic,” but “How good was The First Kiss?” However, The First Kiss isn’t just two people kissing, nor is a K-drama just a series of sympathetic faces and crying and swooning. … More K-Drama Report: Doona! (2023)

K-Drama Report: Hello, My Twenties! Part II

I’d also recommend Hello, My Twenties! but I can’t yet because we have the rare second season to contend with. So to cap off the first, I want to start with something a little bit different, which is to review the show’s character dynamics. It’s an assertion on my part that they’re the heart of the series, but that may or may not be true. In the meantime, they at least set parameters for my expectations going forward. (Because I love them so much!) … More K-Drama Report: Hello, My Twenties! Part II

K-Drama Report: Hello, My Twenties! (2016)

A couple of years ago, I started seeing clips online for a K-drama entitled Work Later, Drink Now, starring Eunji from Apink, and I was frustrated because it never showed up on any legal streaming platforms. I really liked the idea of a show that centered on a group of women, in a more casual setting than the workplaces of, say, Search: WWW. And somehow this led me to Hello, My Twenties!, but I think it was probably just that clip of Ryu Hwa-young planting one on Han Seung-yeon, and I’ve got both shows mixed up in my head. But when it came time to choose which one to watch first, the occasion of my 30th birthday made the decision easy: I will start watching the show called Hello, My Twenties! … More K-Drama Report: Hello, My Twenties! (2016)

Casual vs. Stressful Viewing

Today is The Glory Day, everyone, which I’ve been excited about for at least a month. I watched the first new episode this morning, and wow, was it scary. I’ve been meaning to write something more substantive about Lim Ji-yeon, because she was so impressive in Part 1, but now having seen her play a kind-hearted character — a doofus, even — in Welcome 2 Life, her transformation here is astonishing. She’s so evil, I just want to sing her praises all day. … More Casual vs. Stressful Viewing

Costume Drama, Hold the Costume | The Treacherous (2015) Review

This movie is brutal. Like, tremendously, exceptionally disturbing. Chronicling the last days of a mad king, director Min Kyu-dong apparently wants you to feel that madness, to leave the film a wide-eyed, gibbering mess, soaked in blood and stabbing at pigs. My understanding of Korean cinema – which I’m trying to advance past – is that there are the early export arthouse films like Oldboy and Memories of Murder, and then the movies indistinguishable from K-dramas like My Wife is a Gangster 3. The Treacherous leans more toward the latter in terms of visuals and direction, but has the unflinching violence and sex of the former. It’s a mostly discordant mix, all set against the constant soundtrack of screaming and moaning. … More Costume Drama, Hold the Costume | The Treacherous (2015) Review

K-Drama Report: Inspector Koo

Little by little, I’m getting a sense for the geography of South Korea. Of course, there’s metropolitan Seoul and Busan. You land in Incheon, a major city to the east. Jeju is a popular vacation spot. Irene and her accent come from Daegu. Now we have the setting for K-drama Inspector Koo, Tongyeong, a destination on the southern coast which CNN praises for its “fresh seafood, picturesque seascapes and quaint fishing village charm.” After only two episodes, I desperately wanted to visit. Who knew a murder mystery could be so flattering for a city, but every chase scene, every surveillance detail is another opportunity for a wide shot or roving camera showcasing the mountains or festivals or public gardens. This is a regular feature of the genre as I’ve witnessed it, that K-dramas are always selling something, and in total present the shiny artifice of a country at its best. How is it that every male lead is at least six feet tall and every female lead is five-foot four? And take a look at this black bean noodle – doesn’t sound appetizing, but it looks amazing. How about that sunset on the skyline? There’s a beach in everyone’s backyard here, but you fall in love on the bridge over the river. … More K-Drama Report: Inspector Koo