Those American Godzilla Movies: X Marks the Spot

It’s almost fascinating, the experience of being a fan of something but not at the moment. I don’t even know how to describe it. I’m a Godzilla fan, but his American movies have done me nothing but harm. In keeping tabs on the Japanese side, I’m inundated by news and updates about the Legendary MonsterVerse. How do I explain it to my poor mother, who asks me, “Are you gonna see that?” in response to a TV spot for Godzilla X Kong: The New Empire, and I bark, “No!” Almost fascinating, and this time, more than usual, because the marketing on-ramp for 2024’s entry coincided with the tsunami aftermath of Godzilla Minus One. The Japanese film was hailed for its sensitivity toward character, its faculty for drama, and of course, its efficient but convincing visual effects. Comparisons were drawn to the original 1954 Godzilla; it was that authentic. What, then, did that make The New Empire, whose trailer debuted two days later? … More Those American Godzilla Movies: X Marks the Spot

Those American Godzilla Movies [Podcast]

In this first or possibly third episode of an untitled podcast, we’re taking a look at four American kaiju flicks: Reptilian, Godzilla (1998), Godzilla (2014), and Godzilla vs. Kong. What begins as a series of reviews devolves into a screed against modern Hollywood moviemaking. … More Those American Godzilla Movies [Podcast]

Those American Godzilla Movies Strike Again

Who would’ve thought we’d make it to the year 2021? More that such a number could ever be real than those of us who’ve survived ought to ask this question. Because aside from the considerable turmoil of history in a perpetual state of climax, that number alone is the stuff of science-fiction. Blade Runner took place two years ago. Johnny Mnemonic takes place this year. I know that millions of Americans quit their jobs over the summer, including myself. I returned home to New England after six years in Los Angeles. A natural arc, we might say, but to me, 2021 is an afterlife. It’s too many years after the logical terminating point. We stopped seeing each other, stopped making physical contact; we have to process the world through literal filtration. It’s a world of screens and constant mediation. Even the movies don’t feel real. … More Those American Godzilla Movies Strike Again