Emmys 2022

For the most part, I think it was a pretty crowd-pleasing Emmy nomination announcement today, between Abbott Elementary, Yellowjackets, and of course, Squid Game. Does the first-ever nominated Korean show have a chance to repeat the success of Parasite three years ago? Seems unlikely. I have to agree with the Washington Post assessment, because between perennial favorite Succession and two big departures, the smart pick here is Better Call Saul. I’m pretty sure Breaking Bad won only one Outstanding Drama award, and that was for its last season. The Academy, or whatever it is, sure loves pulling that stunt. … More Emmys 2022

58th Baeksang Arts Awards

I’m such an idiot. See, a major awards ceremony in Korean entertainment and an Asian movie blog unfairly preoccupied by Korean entertainment should go together like peanut butter and bread, but I see Yoona and Seohyun and just think, “My, isn’t that lovely? I love them.” … More 58th Baeksang Arts Awards

Best of the Year: 2021

An annual tradition five or seven years strong is the Year End Review, in which, via podcast, I recount the ten best movies or TV shows I saw for the first time that year. Originally hosted on The Battle Beyond Planet X, it’s since migrated to Questions: We Don’t Have Answers. The three-part podcast with cohost Donovan Morgan Grant and special guest Stella Bowman is now up. The following is my individual top ten list, with Worst of the Year and Honorable Mentions thrown in for flavor. What were your picks of the year? Let me know in the comments! For once, I actually mean that. … More Best of the Year: 2021

Three More the Korean Way: Wow, Cool Capitalist Critique!

One of the stranger experiences I have on Twitter is witnessing non-Koreans speak in defense of Korean pop culture against the clutches of Hollywood, as it’s both heartening to witness and not something I completely agree with. The assertion is that America doesn’t understand what made these originals so great, that X factor unique to the culture. Admittedly, we have a proven track record, from The Uninvited to Oldboy, to still easternmore scars like Death Note and Ghost in the Shell. And yet, we say that a film like Parasite is distinctly Korean but universally understood. Train to Busan is better without a remake despite that remakes are a cornerstone of the zombie subgenre. And then there’s our Squid Game, and if you must take what little remains, hey, The Running Man is good! Believe me, I get the concern that American adaptations won’t capture what the originals are saying — but what are they saying? … More Three More the Korean Way: Wow, Cool Capitalist Critique!