There Are No Female Jedi

I’m currently embroiled in one of those arguments where the stakes are not even and things could get messy. Podcast guest host Stella took exception to a recent comment I made on QNA about the venerable Star Wars series, how I was uncomfortable as a kid watching the Prequel Trilogy because so many of the Jedi were men. It was only with Rey in The Force Awakens that I felt “Maybe this could be a universe for me, too.” Stella, a far more ardent Star Wars ardherent, with a trove-like knowledge of the Expanded Universe beyond my reckoning and a more intense investment in female representation in fiction (as a female in non-fiction), countered that there are, in fact, Jedi who are non-men. … More There Are No Female Jedi

Three More the Korean Way: Wow, Cool Capitalist Critique!

One of the stranger experiences I have on Twitter is witnessing non-Koreans speak in defense of Korean pop culture against the clutches of Hollywood, as it’s both heartening to witness and not something I completely agree with. The assertion is that America doesn’t understand what made these originals so great, that X factor unique to the culture. Admittedly, we have a proven track record, from The Uninvited to Oldboy, to still easternmore scars like Death Note and Ghost in the Shell. And yet, we say that a film like Parasite is distinctly Korean but universally understood. Train to Busan is better without a remake despite that remakes are a cornerstone of the zombie subgenre. And then there’s our Squid Game, and if you must take what little remains, hey, The Running Man is good! Believe me, I get the concern that American adaptations won’t capture what the originals are saying — but what are they saying? … More Three More the Korean Way: Wow, Cool Capitalist Critique!

08/29/2021 – Train to Busan Remake

The reviews are in! First of all, before mentioning the personnel involved in the Train to Busan remake — I hate this, and it broke wide yesterday. Now, I understand the sentiment, because Hollywood has had a bad track record remaking Korean movies, from The Lake House to Oldboy, but I have to emphasize that this example is different. The director is Timo Tjahjanto, a horror filmmaker in the clique with Ti West and Gareth Evans (in that they’ve all contributed shorts to the V/H/S series) who also happened to direct The Night Comes for Us. This is an Indonesian guy, and he was hired by James Wan — neither are Korean, fine, but it’s not the usual Wonderbread cash grab. … More 08/29/2021 – Train to Busan Remake