Tomorrow I’ll be booting up an old favorite, Resident Evil 5, to play with a friend over online co-op. This game has remained significant to me for two reasons: one, it was probably the last title from my golden age of video games, back when it was couch co-op. My buddy and I had done … More I Need a Herb
One of the stranger experiences I have on Twitter is witnessing non-Koreans speak in defense of Korean pop culture against the clutches of Hollywood, as it’s both heartening to witness and not something I completely agree with. The assertion is that America doesn’t understand what made these originals so great, that X factor unique to the culture. Admittedly, we have a proven track record, from The Uninvited to Oldboy, to still easternmore scars like Death Note and Ghost in the Shell. And yet, we say that a film like Parasite is distinctly Korean but universally understood. Train to Busan is better without a remake despite that remakes are a cornerstone of the zombie subgenre. And then there’s our Squid Game, and if you must take what little remains, hey, The Running Man is good! Believe me, I get the concern that American adaptations won’t capture what the originals are saying — but what are they saying? … More Three More the Korean Way: Wow, Cool Capitalist Critique!
The reviews are in! First of all, before mentioning the personnel involved in the Train to Busan remake — I hate this, and it broke wide yesterday. Now, I understand the sentiment, because Hollywood has had a bad track record remaking Korean movies, from The Lake House to Oldboy, but I have to emphasize that this example is different. The director is Timo Tjahjanto, a horror filmmaker in the clique with Ti West and Gareth Evans (in that they’ve all contributed shorts to the V/H/S series) who also happened to direct The Night Comes for Us. This is an Indonesian guy, and he was hired by James Wan — neither are Korean, fine, but it’s not the usual Wonderbread cash grab. … More 08/29/2021 – Train to Busan Remake
Zombie movies stopped being weird a long, long time ago. And I don’t mean “millions of Milla Jovovich clones” weird — though before I fall into this visible trap for genre snobbery, is that any better or worse than Return of the Living Dead III’s zombie power loaders? To my mind, still, there’s a difference between Paul W.S. Anderson and Brian Yuzna. There’s a difference between in-groups and out-groups, the names made in the heyday — teeth cut, conventions defined, practical effects — who attach to a classic like Re-Animator, itself apiece with Evil Dead 2 and Dead Alive and the original Return of the Living Dead — the good ones. Whenever a zombie movie passes before my eyes — or I watch a zombie movie, whatever — all of this history trots out again for parade, all this embittered narrative and stolen history, borderline appropriation / vandalism of our darkest realms, us — genre champions — for coercion into the mainstream. What you call perhaps the last bastion against genre monopoly by superheroes I call… the rape of the natural world! … More #Alive