Kamjagiya

I can’t focus, so let me share something real quick. There are certain Korean words I’ve picked up listening to K-pop, watching K-dramas, and mostly, watching and rewatching the same Red Velvet videos (Level Up Project, behind-the-scenes, V-Lives, fan edits, you name it), and while it isn’t enough to call a starting point, I’m surprised every time I recognize anything. Some words are so specific to the people who said them that they’re indelible, like how Seulgi says “Bashta” about a beer, or Eunji with (I think) “그래” in a scene from Cheer Up, and Yeri the same in a V-Live. Wendy says “Yorubun” a very particular way at some point, but I don’t remember the context. … More Kamjagiya

K-Pop 2021: Top 3

May this come in a little late but find you, nevertheless, well. Only appropriate; this could be the first year I’ve been current with K-pop groups enough that a ranking is even possible. I’m still digging through the archives, but 2021 was a big year for comebacks. Strangely, none of these entries are group efforts. I guess that while the industry is recovering still, they’ve found that solo outings are more manageable? Either way, I heard some great stuff. What were your picks? … More K-Pop 2021: Top 3

South Korea Takes a Big Step [Podcast]

This month, I’m joined by regular QNA cohost Donovan Morgan Grant for a spoiler-filled and plot-summary-free discussion about recent Netflix release Love and Leashes, our own private movie event of the year. Which of us blinks first and discloses their sexual proclivities? Given that the shock of this movie is its novelty as K-drama, is it actually a major step forward for fictional women in the workplace/bedroom? And if so, can we say that it’s then a step forward for even non-fictional women? … More South Korea Takes a Big Step [Podcast]

Love and Leashes Preview

So there’s two thoughts running concurrently when it comes to the upcoming Love and Leashes, that A) it’s probably not gonna check all the right boxes and B) but just enjoy it, please? No matter what happens, it doesn’t really matter, but it’s kind of like when whenever a new movie has a [minority identity] lead for the first time. I guess like Love, Simon, the all-too recent first Hollywood movie to be about a gay romance. Critics were bracing themselves, to the point where a common sentiment online was “let gay people have a crappy Hollywood romcom, too.” … More Love and Leashes Preview

Naeun’s Turn

I don’t know when you can consider yourself a fan of something, especially for things with prominent fan culture, like K-pop. For some, I imagine, being a fan is like taking on an identity. I certainly remember what it was like being a groupie, following the cast of a TV show around Hollywood for events and shows and things. It was pretty weird. I made some good friends, though. One of them so good, that when I was leaving Los Angeles last summer, he suggested we hang out and do a double feature of The Raid 2 and The Night Comes for Us, rather than go out to a bar — which I hate doing. Not a socialite, but I did sense that I was developing as a social creature with this new group, because barring my fellow Indonesian kung fu enthusiast, it was made up entirely of women. I’d had a single woman friend before – a token, but for a time she was also my only friend – but this was a new experience. Essentially, I had to learn how to talk to them, to make sure I was doing my part to maintain a good space. The show we were fans of was all about a diverse, inclusive world, so it would have been weird to not replicate it ourselves. For the most part, there was no drama, nothing weird happened, and unlike all my prior friend groups, there was no competition of any sort. No rivalries, no gatekeeping. … More Naeun’s Turn

I Really Wanted to Love This

So, in the world of K-pop, SM Entertainment recently put together a supergroup made up of members of Girls’ Generation, Red Velvet, and Aespa, all led by the Queen of K-pop BoA (as if they weren’t busy enough?). With the rush of the holidays, I barely had time to even process this, because it’s an unreal lineup: you have the superstar vocals of Taeyeon and Wendy, the crazy dance talent of Hyoyeon and Seulgi. It’s also an opportunity to educate myself, as I’m not studied enough to be able to tell BoA from newcomer Winter. I know, it’s shameful, I’m sorry. Karina is easily identifiable because she’s the one who looks like Taeyeon. I mean, it’s uncanny. And the group is called Girls on Top, a BoA callback that’s only too appropriate given the star power. They debuted their first song at SM Town Live 2022 over New Years, and, uh, I don’t know. I don’t even want to say it for fear of turning into a pillar of salt, but it’s bad. … More I Really Wanted to Love This

That’s Messed Up, Yuri

Unless you’re a stranger ’round this way, you know that we at With Eyes East are big fan of Yuri. I’d say “fans,” but that’s a half-hearted ruse I can’t sustain for even one sentence. Born Kwon Yu-ri and famous for her membership in Girls’ Generation, Yuri quickly became one of my favorite idols for her charm and friendly demeanor. Unfortunately, we’re all subject to the old maxim: never meet your heroes, or contemporarily, never scroll through headlines. Had you not, you might’ve dodged this winner: “Girls’ Generation’s Yuri Under Fire For Eliminating A Contestant On “My Teenage Girl” For Her Visuals” from Koreaboo, with the brilliantly deadpan subheading: “She was criticized.” … More That’s Messed Up, Yuri

Best of the Year: 2021

An annual tradition five or seven years strong is the Year End Review, in which, via podcast, I recount the ten best movies or TV shows I saw for the first time that year. Originally hosted on The Battle Beyond Planet X, it’s since migrated to Questions: We Don’t Have Answers. The three-part podcast with cohost Donovan Morgan Grant and special guest Stella Bowman is now up. The following is my individual top ten list, with Worst of the Year and Honorable Mentions thrown in for flavor. What were your picks of the year? Let me know in the comments! For once, I actually mean that. … More Best of the Year: 2021

The Three Greatest K-Pop Songs?

I know I still have a long way to go on my K-pop journey, and am in no way claiming the authority necessary to even ask this question. But sometimes there’s music so compelling that the only way to express my feelings is with superlative. It’s shortsighted, and I’ve been burned on listicles before (because I live dangerously, apparently), but this is my current thought process. Sometimes I think I know which is number one, but then it changes. I do know better than to ask for input, unless the spiders have opinions, but if you’re reading this sometime in the future, let me know your take, and your top three. And don’t forget to like, comm– oh, right, spiders. … More The Three Greatest K-Pop Songs?

Train to Busan Remake

The reviews are in! First of all, before mentioning the personnel involved in the Train to Busan remake — I hate this, and it broke wide yesterday. Now, I understand the sentiment, because Hollywood has had a bad track record remaking Korean movies, from The Lake House to Oldboy, but I have to emphasize that this example is different. The director is Timo Tjahjanto, a horror filmmaker in the clique with Ti West and Gareth Evans (in that they’ve all contributed shorts to the V/H/S series) who also happened to direct The Night Comes for Us. This is an Indonesian guy, and he was hired by James Wan — neither are Korean, fine, but it’s not the usual Wonderbread cash grab. … More Train to Busan Remake