K-Drama Report: Hello, My Twenties! (2016)

A couple of years ago, I started seeing clips online for a K-drama entitled Work Later, Drink Now, starring Eunji from Apink, and I was frustrated because it never showed up on any legal streaming platforms. I really liked the idea of a show that centered on a group of women, in a more casual setting than the workplaces of, say, Search: WWW. And somehow this led me to Hello, My Twenties!, but I think it was probably just that clip of Ryu Hwa-young planting one on Han Seung-yeon, and I’ve got both shows mixed up in my head. But when it came time to choose which one to watch first, the occasion of my 30th birthday made the decision easy: I will start watching the show called Hello, My Twenties! … More K-Drama Report: Hello, My Twenties! (2016)

08/12/2023 – Pop-Pop the Champagne

It’s been With Eyes East tradition on August 12th to celebrate the birthday of Bomi from Apink, but this year, I actually wanted to pivot a bit – not too far – from Apink to Red Velvet. From what I can tell, their 2022 release “Birthday” is considered one of their lesser singles, and it is indeed an oddity like “Zimzalabim” or “RBB.” The video is a total-war assault of bizarreness, without the slightest threat of context for the events or landscapes or creatures. We have a cyclops guy like a Tohl Narita Ultraman monster, a yeti guy from, you know, yetis, and the Gingerbread Man but as a king? It’s like a weird, terrible remix of things that we can sort of place, as if assembled by AI or sheer accident. This is what the K-pop channel looks like within the Videodrome signal. … More 08/12/2023 – Pop-Pop the Champagne

Two Gods

It’s news to me that a Godzilla movie is releasing this year. Now, typically, this has been cause for indigestion, being no fan of the Legendary MonsterVerse. Granted, that new movie bears the title Godzilla X Kong: The New Empire, which is just goofily sincere enough. Not for me to see, but for something. No, a Godzilla movie is coming down from Toho Studios as well, and it’s entitled Godzilla Minus One. Sounds a lot like the proposed title for the third Jaws movie (Jaws 3, People 0), but there’s a weight behind it. Taking place immediately after World War II, we find Japan at “zero,” and Godzilla’s arrival will bump them down to the negative. I’m not 100% certain, but I believe this is the first Godzilla period piece, and that’s already exciting. … More Two Gods

Selfish, by YooA

There are two hurdles for me and music, and maybe K-pop in particular: repetition, and “cool.” I may need to explain the latter. I don’t know if it was just the environment I grew up in, but I felt like the only thing worse than being uncool was trying to be cool. Even today, nothing is worse than cringe; nobody likes Elon Musk. For me, Blackpink skews too western, and while I respect their artistry – I love Jisoo’s voice – there can be something uncanny about the style. It’s like when anime music has too much broken English. Remember Black Lagoon? … More Selfish, by YooA

The Barber of Jeonju

You’ve read right! The most precious duo in K-pop debuted as a unit yesterday, and props for taking on the fandom name. I can’t explain “Iseul” for Irene and Seulgi, who have been known in English-speaking circles as “Seulrene” forever, other than Irene is the senior and her name must come first. The music video for Chobom’s song “Copycat” is live, and it’s delightful. It’s more bubblegum than Apink’s been trending lately, with an easygoing style. I was wondering how this subunit would work musically, given how Apink music usually works, where Bomi plays off of Eunji and Namjoo, I feel like. … More The Barber of Jeonju

Queendom of the Gods

First and foremost, congratulations to WJSN for winning Queendom 2, though the real winner of course was Taeyeon, filling in for Lee Da-hee. I got into Girls’ Generation a bit sideways, so I’m only now reconciling with the scope of Taeyeon’s celebrity. For anyone else who doesn’t fully understand, Taeyeon is an idol for idols. I’ve seen a number of other idols talk about how cool it would be to one day meet Taeyeon, and I saw Bomi all nervous before being in the same room with her. That’s one thing I’d love to really get, the X factor of knowledge that might come from growing up with all that pop culture. The implicit things like Taeyeon’s godliness or what do Koreans reference in their day-to-day? I’ve picked up on some of it, like references to White Tower or The World of the Married? Anyway, speaking of K-dramas, what was interesting about Queendom 2 for me was Bona’s return of the king, where she joined her group after having missed more than half the show due to Twenty-Five Twenty-One. … More Queendom of the Gods

Mid-Year Report 2022

You guessed it! Time for lil’ ol’ me to give a tally on the year so far, in the form of a Top 5 and Worst 3, anticipating our annual QNA Year End Review. How much will things change before we hit December? And of course, these are not all 2022 releases, just things I’ve seen this year. We’ll have more later, but a listen-back to “Twenty-Five Twenty-One” by Jaurim calls me here. That song obliterates me. … More Mid-Year Report 2022