The Ghost in the Shell | Episode 2

The first weeklong wait between episodes was brutal. I watched the first episode about three times, as well as the first two episodes of Stand Alone Complex, and if it wasn’t for Human Vapor (another Japanese procedural with a twist), I’d be in nonstop Ghost mode. So, was the second episode, “Super Spartan ii + Junk Jungle i,” worth all the teeth-gnashing? This one’s tricky, and surely trickier than the satisfying premiere, laying bare the broader shortcomings with this particular adaptation project. One couldn’t be blamed for assuming that each chapter of the manga might translate to an episode of the anime, but possibly because of the “Prologue” being a short but crucial chapter, everything is bumped forward a bit. For example, episode two opens with the final pages of the “Super Spartan” chapter, meaning it properly concludes the first episode before beginning the “Junk Jungle” chapter after the opening credits, itself left unfinished pending episode three. Perhaps a future short chapter evens things out, but in the meantime, this awkward timing ensures that “Super Spartan ii + Junk Jungle i” doesn’t feel like an episode of television, just “the next part of the story,” and it isn’t even clear what the story is yet. … More The Ghost in the Shell | Episode 2

The Ghost in the Shell | Episode 1

The Ghost in the Shell is so much. For reasons within and without, it feels precious and rare like a gemstone in every second, every frame. It is true there hasn’t been a recent installment, the latest now six years old, but it’s also an example of anime, a craft initially defined by limited movement in comparison to Western animation, and yet Science Saru adapts Masamune Shirow’s kinetic manga with buttery-smooth animation, an active camera, and generous colors. The only visual element withheld is the gore, the opening body explosion covered in a digital mosaic – which somehow makes it more obscene – leading to the splat of a bloody stick-figure against the wall. Where traditional adaptations pare back the farcical, even manic quality of the source material, opting instead for deadly serious meditations which, honestly, better fit the subject matter, The Ghost in the Shell is paced with a punchline rhythm, and is altogether a carousel of great faces. One of the small joys of the manga is the candid glimpses of characters in repose, where Batou might be wearing an enormous grin or otherwise be looking silly (or pervy). This is practically the animating philosophy at the heart of 2026’s Ghost in the Shell, if the first episode is any indication. … More The Ghost in the Shell | Episode 1

I Will Be So Sad if This is Bad

Mark your calendars, folks, for a new Ghost in the Shell on July 7th! “Ghost in the Shell?!” I hear you erupt, indignant, “You mean the Japanese cyberpunk media franchise which hasn’t been good in over ten years, being generous?” “Ah,” I say, with scholarly poise, “Japanese postcyberpunk media franchise.” How clever indeed. The plan was to totally play it cool and wait to write about Science Saru’s The Ghost in the Shell only upon its release, theoretically doable as I haven’t been trapped in a hype cycle (hype psyop) in what feels like ages. And frankly, the first two teaser trailers weren’t doing much for me, beyond providing excellent music samples – the second like something out of Metroid Prime – and selling the concept of animating the artwork of Masamune Shirow with a budget larger than, say, the Appleseed OVA. So, what happened to turn things around? The third trailer. And so, I want to tell you a story in three trailers, and it’s my favorite one: the story of the Major. … More I Will Be So Sad if This is Bad

Flexo! Shoot Flexo! | The One (2001) Review

Partway on the timeline between Demolition Man and Everything Everywhere All at Once, behold The One, a blend of science fiction and martial arts to suitably harebrained ends. Far from an expert on all things Jet Li, this first-time viewing was spurred on by its relatively recent coverage on The Greatest Movie Ever! Podcast, in which shameful secrets were revealed about past fondness for musical acts like Drowning Pool and Papa Roach (believe me, I understand). Indeed, this movie is from the year 2001 the way that people from Boston are from Boston, and as I’m currently reading/listening to two examples of popular literature from the mid-1980s, I’ve had occasion to reflect on how often not timeless movies and television are. Those books, Blood Meridian and Stephen King’s It, are both set in the past. By contrast, it’s the rare genre film from the 1980s that doesn’t feel Totally ‘80s! and thus subject to modern nostalgia-driven filmmaking. Will we have a cultural resurgence one day of movies like The One and XXX and The Scorpion King? No. … More Flexo! Shoot Flexo! | The One (2001) Review

Automatic Arsenal | Battle Girl (1991) Review

It’s true that the movie fully entitled Battle Girl: The Living Dead in Tokyo Bay has a very low budget. As much as I’d prefer to be an enlightened critic who doesn’t discriminate on such bases, in this case I’m interested in how the miniscule production influences the viewing experience. For reference, we can plot this one somewhere between, say, Nemesis and Screamers? The former is so raggedy that it’s sometimes incoherent, not only in the big picture but in the micro, where the camera and editing have to be so judicious, so careful not to show the edges of the set, so to speak. Battle Girl has a little bit of that, though its setting – the zombie post-apocalypse – is easier to render than other sci-fi worlds, where “scatter some trash in the corner” is actually workable. … More Automatic Arsenal | Battle Girl (1991) Review

Starship of Fools | Mickey 17 (2025) Review

It’s been a long winter. If I’m getting into my car these days, it’s to go to the grocery store to continue stocking up on canned goods for the coming economic recession or government collapse or whatever it’s gonna be. Tonight, as I waited for the engine to warm, I asked myself: “Do I really want to see this movie?” It was kind of an obligation, for two reasons. One, I’ve been writing a sci-fi story about clones and needed to know if I should stop, and two, Parasite was so good that I owe Director Bong. I’d also managed to avoid all trailers and plot details – even the cast list, beyond Pattinson – so why spoil that now, though it’s probably why I was feeling so neutral. What was there to excite me but the promise of another Bong Joon-ho movie? He’s been a little hit-or-miss, though I’m not sure if it’s just because I vibe so much with his friend and colleague Park Chan-wook. That man can ruin my night any day of the week, and by comparison, Bong’s sillier, more welcoming sensibilities are less appealing. As a sci-fi movie with a funny premise, Mickey 17 seemed to promise the same thrills of The Host or Okja – undoubtedly with that satirical bite. … More Starship of Fools | Mickey 17 (2025) Review

What Would ‘Ghost in the Shell 3’ Have Looked Like?

Meat Loaf once said that two out of three ain’t bad, but he obviously never saw Ghost in the Shell. Two volumes of the original manga – and then an interquel – two original movies and two seasons of the television show, and when that television show finally got a sequel almost 20 years later, it ran for two seasons. Now, each of these examples feels incomplete because the trilogy is such a natural expression of “beginning, middle and end,” and also, because Ghost in the Shell is really good, and fans always want more. I mean, for the most part. The experimental, almost anthological nature of the series means there are misses along with the hits, including an ill-advised Hollywood rendition and the franchise’s latest, a Netflix anime in 3D CG. Only until recently, on the occasion of its 20th anniversary, Ghost in the Shell 2: Innocence could arguably be counted among them, having never generated the same enthusiasm as the original 1995 classic. Of course, even if left disappointed by Batou’s adventure, I bet fans still wonder about the follow-up that never was. … More What Would ‘Ghost in the Shell 3’ Have Looked Like?

Insects of Sea and Space | Godzilla and Mothra: The Battle for Earth (1992) Review

This one is so close. It just needed a little more time in the oven. All the pieces are here, and they mostly fit together, but there’s something missing. Maybe an oomph? Maybe it’s the pieces themselves, each of them chipped in some unique way. Take the characters, for example. I know, this isn’t the place to start with a Godzilla movie, but that would make Godzilla movies an exception. Our protagonist this time, arguably, is Takuya Fujito, an archaeology professor who steals artifacts from tombs. After he’s thrown in jail, he’s visited by government men who want him and the feisty Masako to investigate a meteor on Infant Island. Apparently, this island is in Indonesian territory, making it off-limits to Japan, like an echo of the original Godzilla’s production. Okay, so Takuya is a man of action, unlike the sci-fi writers and journalists of Heisei movies past. He has more immediate personality, but one nevertheless expressed by whining through the bars of his jail cell. Not super appealing. … More Insects of Sea and Space | Godzilla and Mothra: The Battle for Earth (1992) Review

New World Order | Godzilla vs. King Ghidorah (1991) Review

Opening with a tease is almost never a good idea. It always feels so arbitrary, to show a moment from the middle of the story and then say “One Year Earlier.” When we get back to that moment chronologically, it never feels like anything. “Oh, great, so that’s how we know that happened.” It might not even be inherently bad but that its use is so automated, because test screenings find the beginning too slow. Godzilla vs. King Ghidorah opens with maybe the ultimate tease, informing us we’re in the year 2204 before “flashing back” to present-day 1992. That’s not a good sign, and neither is our ostensible lead, Kenichiro Terasawa, being a science fiction writer. Made famous by a book on ESP, he’s hoping to break into more human interest stories, which is a dramatic need that hardly screams “Godzilla movie.” Fortunately for us, his human interest turns out to be a veteran of World War II who believes that dinosaurs still yet live. Then we cut to a classic government conference room where people in suits discuss The Situation, this time involving UFOs. There’s a lot going on already. … More New World Order | Godzilla vs. King Ghidorah (1991) Review

Shiny New Toys | The Return of Godzilla (1984) Review

It was, for me as well, a long-awaited return, as this 1984 film truthfully entitled “Godzilla” didn’t see a home video release in the United States until May 2016. By that time, we’d abandoned the term “home video!” I mean, I waited longer than contemporary audiences had between this film and the previous installment, 1975’s Terror of Mechagodzilla, and as such, had viewed 2016’s Shin Godzilla before this one. I knew that The Return of Godzilla was an attempt to take Godzilla “back to its roots” – that old chestnut – and featured American and Soviet politicians arguing with the Japanese in conference rooms. Sure sounds like the 1980s version of Shin Godzilla, but with a little more cheese and vintage effects. What I got was far closer to the 1954 original, a lumbering near-docudrama – with a little more cheese and vintage effects. … More Shiny New Toys | The Return of Godzilla (1984) Review