K-Drama Report: Twenty-Five Twenty-One

By traditional logic, Twenty-Five Twenty-One has a lot to live up to. Its writer/director team is Kwon Do-eun and Jung Ji-hyun, whose previous collaboration was 2019’s Search: WWW, which blew me away. This, of course, is K-drama, where I’ve had to rethink all the rules of everything. In this case, what drew me to Search: WWW was the actress Lee Da-hee and the promise – fulfilled – of her badass character. I came for Scarlett and stayed for the simmering romance and the slowly-unfolding tragedy. This is like the difference between being a fan of a movie franchise and being a fan of a director. If Production IG were to announce a new Ghost in the Shell the same day that Mamoru Oshii announced a new movie, I know which one I’d watch first. Sure, the Oshii movie might be better (guy’s so experimental it’s kind of a toss-up), but Ghost in the Shell has Scarlett, so to speak. So to speak. So when the makers of Search: WWW roll out a new K-drama, I can reasonably predict the same level of simmering romance and slowly-unfolding tragedy. Being that it’s about a high school girl who wants to be a real good fencer, it doesn’t speak to me the same way as the imagery of Lee Da-hee stomping on people or sliding over a car hood. … More K-Drama Report: Twenty-Five Twenty-One

South Korea Takes a Big Step [Podcast]

This month, I’m joined by regular QNA cohost Donovan Morgan Grant for a spoiler-filled and plot-summary-free discussion about recent Netflix release Love and Leashes, our own private movie event of the year. Which of us blinks first and discloses their sexual proclivities? Given that the shock of this movie is its novelty as K-drama, is it actually a major step forward for fictional women in the workplace/bedroom? And if so, can we say that it’s then a step forward for even non-fictional women? … More South Korea Takes a Big Step [Podcast]

Don’t Say No | Love and Leashes (2022) Review

Two office workers in South Korea enter a secret sadomasochistic relationship with the woman as the dominant and the man as the submissive. There’s a lot of intriguing words in this or any given logline for Love and Leashes, an ostensible romantic comedy clocking in at an epic two hours of whipping and bondage and the occasional hijink. What do you want from a movie like this? If you want a big, mainstream Korean movie about BDSM – in essence, The Korean BDSM Movie – it’s a no-brainer and you’ll likely be as satisfied as I was by the accordant trappings. If you want a solid rom-com with all those respective trappings, my recommendation will be longer and more convoluted. With the visual affect of a typical sun-drenched K-drama, shot with concern for beautiful faces and spurred by an eagerly open heart, Love and Leashes presents a strange case where everything absolutely works, except for the script – the bedrock. It’s beautiful and ambitious and something of a mess. Never frustrating, but imperfect nonetheless. … More Don’t Say No | Love and Leashes (2022) Review

Love and Leashes Preview

So there’s two thoughts running concurrently when it comes to the upcoming Love and Leashes, that A) it’s probably not gonna check all the right boxes and B) but just enjoy it, please? No matter what happens, it doesn’t really matter, but it’s kind of like when whenever a new movie has a [minority identity] lead for the first time. I guess like Love, Simon, the all-too recent first Hollywood movie to be about a gay romance. Critics were bracing themselves, to the point where a common sentiment online was “let gay people have a crappy Hollywood romcom, too.” … More Love and Leashes Preview

Naeun’s Turn

I don’t know when you can consider yourself a fan of something, especially for things with prominent fan culture, like K-pop. For some, I imagine, being a fan is like taking on an identity. I certainly remember what it was like being a groupie, following the cast of a TV show around Hollywood for events and shows and things. It was pretty weird. I made some good friends, though. One of them so good, that when I was leaving Los Angeles last summer, he suggested we hang out and do a double feature of The Raid 2 and The Night Comes for Us, rather than go out to a bar — which I hate doing. Not a socialite, but I did sense that I was developing as a social creature with this new group, because barring my fellow Indonesian kung fu enthusiast, it was made up entirely of women. I’d had a single woman friend before – a token, but for a time she was also my only friend – but this was a new experience. Essentially, I had to learn how to talk to them, to make sure I was doing my part to maintain a good space. The show we were fans of was all about a diverse, inclusive world, so it would have been weird to not replicate it ourselves. For the most part, there was no drama, nothing weird happened, and unlike all my prior friend groups, there was no competition of any sort. No rivalries, no gatekeeping. … More Naeun’s Turn

That’s Messed Up, Seohyun

Yeah, so this is a movie, and it’ll be out in a month. How I’ll be able to wait that long is anyone’s guess. I opened the Instagram app while the Yellowjackets season finale was paused and what was there to greet me? Seohyun’s latest post, this poster. It’s been over two hours now and I’m still shaking. That part at the end of the episode with Shauna and Jackie might be playing a part, also the incredible cold here in New England, but this is gonna distract me for a good long while. … More That’s Messed Up, Seohyun

New K-Drama Alert! Twenty Five Twenty One

As you can see, this is headlined by Kim Tae-ri, who I know from The Handmaiden but is also famous for Mr. Sunshine. In fact, the only thing I know about Mr. Sunshine is that image of her with a period rifle. Lookin’ good! But this is the first time it’s the behind-the-scenes personnel that’s claimed my attention, specifically the writer Kwon Do-eun, whose previous (and first) K-drama was Search: WWW, which I won’t shut up about and have more to talk about later. … More New K-Drama Alert! Twenty Five Twenty One

I Really Wanted to Love This

So, in the world of K-pop, SM Entertainment recently put together a supergroup made up of members of Girls’ Generation, Red Velvet, and Aespa, all led by the Queen of K-pop BoA (as if they weren’t busy enough?). With the rush of the holidays, I barely had time to even process this, because it’s an unreal lineup: you have the superstar vocals of Taeyeon and Wendy, the crazy dance talent of Hyoyeon and Seulgi. It’s also an opportunity to educate myself, as I’m not studied enough to be able to tell BoA from newcomer Winter. I know, it’s shameful, I’m sorry. Karina is easily identifiable because she’s the one who looks like Taeyeon. I mean, it’s uncanny. And the group is called Girls on Top, a BoA callback that’s only too appropriate given the star power. They debuted their first song at SM Town Live 2022 over New Years, and, uh, I don’t know. I don’t even want to say it for fear of turning into a pillar of salt, but it’s bad. … More I Really Wanted to Love This

That’s Messed Up, Yuri

Unless you’re a stranger ’round this way, you know that we at With Eyes East are big fan of Yuri. I’d say “fans,” but that’s a half-hearted ruse I can’t sustain for even one sentence. Born Kwon Yu-ri and famous for her membership in Girls’ Generation, Yuri quickly became one of my favorite idols for her charm and friendly demeanor. Unfortunately, we’re all subject to the old maxim: never meet your heroes, or contemporarily, never scroll through headlines. Had you not, you might’ve dodged this winner: “Girls’ Generation’s Yuri Under Fire For Eliminating A Contestant On “My Teenage Girl” For Her Visuals” from Koreaboo, with the brilliantly deadpan subheading: “She was criticized.” … More That’s Messed Up, Yuri

K-Drama Report: My Name (2021) Follow-Up

Funny story with this one; I’d checked to see, “Hey, when’s that new Korean cool girl show out?” and it was that day, Oct. 16. Two thoughts seized me, then: “Yay!” and “I should write about this.” See, I’ve been on kind of an SEO tear lately, which is partly why the last several posts have skewed entirely Korean. That seems to be the country of the week, and I’m glad there’s a country of the week at all. I just happened to see the SNL Squid Game parody, and that’s how you know you’ve made it, aside from the massive revenue. The recent post I did about Squid Game, in fact, was a cynical product, and even a bit rushed as a result — a hastily-thought-out premise effecting a strange contrarian opinion. But once I read that review of Parasite, I couldn’t let it go. And then comes My Name, yet another Netflix K-drama, and this one — unlike Squid Game — actually appealed directly to my sensibilities (which probably makes for a less compelling post, because I tend to say the same, uncomfortable thing). But because I’d checked, I had the opportunity to post something that very premiere day. … More K-Drama Report: My Name (2021) Follow-Up