You ever go on a date with someone fun and you’re, like, a 95% match, but then they say something that grinds the conversation to a halt, and it throws the integrity of the match into question and also possibly the premise of matchmaking itself, that there are no true matches, only fish in an endless sea broiling with riptide and Bermuda Triangles? Well, I didn’t actually go on a date with director Jung Byung-gil, but him and I are that 95% match, and his 2017 film The Villainess is my Bermuda Triangle. It is a siren’s song; it is my doom. … More Point of Endless Return | The Villainess (2017) Review