The Ghost in the Shell | Episode 2

The first weeklong wait between episodes was brutal. I watched the first episode about three times, as well as the first two episodes of Stand Alone Complex, and if it wasn’t for Human Vapor (another Japanese procedural with a twist), I’d be in nonstop Ghost mode. So, was the second episode, “Super Spartan ii + Junk Jungle i,” worth all the teeth-gnashing? This one’s tricky, and surely trickier than the satisfying premiere, laying bare the broader shortcomings with this particular adaptation project. One couldn’t be blamed for assuming that each chapter of the manga might translate to an episode of the anime, but possibly because of the “Prologue” being a short but crucial chapter, everything is bumped forward a bit. For example, episode two opens with the final pages of the “Super Spartan” chapter, meaning it properly concludes the first episode before beginning the “Junk Jungle” chapter after the opening credits, itself left unfinished pending episode three. Perhaps a future short chapter evens things out, but in the meantime, this awkward timing ensures that “Super Spartan ii + Junk Jungle i” doesn’t feel like an episode of television, just “the next part of the story,” and it isn’t even clear what the story is yet. … More The Ghost in the Shell | Episode 2

The Ghost in the Shell | Episode 1

The Ghost in the Shell is so much. For reasons within and without, it feels precious and rare like a gemstone in every second, every frame. It is true there hasn’t been a recent installment, the latest now six years old, but it’s also an example of anime, a craft initially defined by limited movement in comparison to Western animation, and yet Science Saru adapts Masamune Shirow’s kinetic manga with buttery-smooth animation, an active camera, and generous colors. The only visual element withheld is the gore, the opening body explosion covered in a digital mosaic – which somehow makes it more obscene – leading to the splat of a bloody stick-figure against the wall. Where traditional adaptations pare back the farcical, even manic quality of the source material, opting instead for deadly serious meditations which, honestly, better fit the subject matter, The Ghost in the Shell is paced with a punchline rhythm, and is altogether a carousel of great faces. One of the small joys of the manga is the candid glimpses of characters in repose, where Batou might be wearing an enormous grin or otherwise be looking silly (or pervy). This is practically the animating philosophy at the heart of 2026’s Ghost in the Shell, if the first episode is any indication. … More The Ghost in the Shell | Episode 1

The Worst Television of the Year

I watch bad TV for a living, and I don’t mean the fun, “so bad it’s good” sort of material, but the hours and hours of mundane CBS procedurals and sitcoms that aren’t designed for one’s full attention – “brain-melting” content, which serves a purpose, sure, however encroached upon by TikTok. I say this because it takes a lot to shock me these days, and for whatever reason, 2025 was generous with truly terrible, offensively bad TV. Discussing the worst TV shows of a given year has not been a regular feature here, nor will it be – with any luck – but I had to make something of the experience of watching this dreck. … More The Worst Television of the Year

Physical: Asia, Part I [PODCAST]

Our favorite stress inducer returns, the latest in Netflix’s expanding Physical saga, Physical: Asia. Representatives from eight countries (not six, as I keep saying) gather to fiercely compete in the old games of sand and crate. In addition to a superstar like Manny Pacquiao and new favorites like Australia’s Eddie Williams and Japan’s Nonoka Ozaki, South Korea’s put up a dream team including season two’s winner Amotti and our forever captain, Jang Eun-sil. Donovan and I discuss how the old rewards of the show filter through a somewhat tricky new lens, and balance anxieties of what’s to come with the excitement for breakout players and their respective cultures. … More Physical: Asia, Part I [PODCAST]

Physical: 100 Season 2 Part I [PODCAST]

Don’t forget to turtle up! This week, Donovan and I discuss the first four episodes of Physical: 100 Season 2 — Underground, the triumphant return of the greatest show on TV. Despite loving the first season, we definitely had issues with the production and the ambitious but inevitably uncomfortable mission statement as it pertains to gender. Did they listen? … More Physical: 100 Season 2 Part I [PODCAST]

Made It

It’s March now, so we’re nearing the end of the first quarter of our entertainment year, which is exactly how entertainment is measured. I have to say, of the titles I previewed in this earlier post, not one that I’ve seen has been good. I like Gyeongsong Creature, but it’s so deeply flawed that the flaws become its very substance, for one’s acceptance or rejection — I don’t think it cares either way. I found Echo to be empty, and True Detective: Night Country uneventful. One show I did not list was FX/Hulu’s Shogun, something I’d seen in snippets last year for my job and assumed, when it made landfall, it would be brushed off as hoary-old white-savior nonsense. Wow, how wrong I was. … More Made It

Notes on The Dropout

After a phenomenal debut with one of the best seasons of television in the 21st century, the American Crime Story anthology slowly drifted off my radar. I got partway into the second season, The Assassination of Gianni Versace, but it didn’t grab me the same way as the original. Season three (or possibly two) was supposed to be about Hurricane Katrina, and that was delayed before being reworked into this year’s Five Days at Memorial. Finally, we have Impeachment: American Crime Story, and I haven’t seen it yet. In the meantime, I have The Dropout. … More Notes on The Dropout

New K-Drama Alert! “Our Blues”

This looks really great, and it’s special for a number of reasons. But first, especially after Twenty-Five Twenty-One, I appreciate an “older” cast. Older than 19, which is what Ji-woong was, by the way. Our Blues reunites Shin Min-a and Lee Byung-hun, two of Korea’s biggest stars who co-starred in A Bittersweet Life as well as a show called Beautiful Days, possibly as siblings. Also starring is Kim Woo-bin, who’s dating Shin Min-a in realidad. It’s like a big happy reunion, with at least one more notable name — Noh Hee-kyung. … More New K-Drama Alert! “Our Blues”