The Worst Titles of the Year 2022

I really had to come around on this. While better than “Predator: Skulls,” which was floating around for a while, “Prey” is way too common a title. Even in one medium – video games – it’s contentious, with a 2006 Prey and a completely unrelated 2017 Prey that had the title foisted upon it. It’s also a movie about lions and a Michael Crichton book about deadly nanoparticles. … More The Worst Titles of the Year 2022

November Round-Up: A Very Good Month in K-Pop

Wow! Where to begin? Maybe with a group I’ve yet to properly explore — KARA. Or Kara, because I just cannot with the all-caps. Sorry, BLACKPINK. This is a 2nd-gen girl group which debuted in 2007, the same year as Girls’ Generation. … More November Round-Up: A Very Good Month in K-Pop

Selfish, by YooA

There are two hurdles for me and music, and maybe K-pop in particular: repetition, and “cool.” I may need to explain the latter. I don’t know if it was just the environment I grew up in, but I felt like the only thing worse than being uncool was trying to be cool. Even today, nothing is worse than cringe; nobody likes Elon Musk. For me, Blackpink skews too western, and while I respect their artistry – I love Jisoo’s voice – there can be something uncanny about the style. It’s like when anime music has too much broken English. Remember Black Lagoon? … More Selfish, by YooA

Notes on The Dropout

After a phenomenal debut with one of the best seasons of television in the 21st century, the American Crime Story anthology slowly drifted off my radar. I got partway into the second season, The Assassination of Gianni Versace, but it didn’t grab me the same way as the original. Season three (or possibly two) was supposed to be about Hurricane Katrina, and that was delayed before being reworked into this year’s Five Days at Memorial. Finally, we have Impeachment: American Crime Story, and I haven’t seen it yet. In the meantime, I have The Dropout. … More Notes on The Dropout

Ten Directors Challenge

This morning, a friend messaged me his list of ten favorite directors as part of a Twitter challenge, appending a note of concern that his picks were too bro-y. In retrospect, I’m not sure if that meant genre-wise or that they were all men. There are lists out there of female directors and I’ve certainly enjoyed many female-directed movies, but my own list is the same kind of bro-y. In no particular order (and because I’m not on Twitter) … More Ten Directors Challenge

Happy Birthday 2022

It’s extraordinary, how quickly one ages. My appreciation of time itself has been warped lately, but think about it. We’ve decided that “your prime” is your 20s. If you’re fortunate (or bamboozled) enough to go to college, you graduate at, what, 21? A little delayed, time to celebrate? No, time to get a job. I hope you majored in web programming or graphic design, or have the connections to try business or law or film. You have four years to figure it out. … More Happy Birthday 2022

Koreatown NYC 2022

I recently visited New York City, and by “recently” I mean, like, three months ago. I was typing up this post as a kind of travelogue because it’s a special occasion — I really don’t travel anywhere — and then forgot about it. Apparently, I need to set the record straight, after Stella’s account of events, which make me out to be quite the fool! … More Koreatown NYC 2022

The Barber of Jeonju

You’ve read right! The most precious duo in K-pop debuted as a unit yesterday, and props for taking on the fandom name. I can’t explain “Iseul” for Irene and Seulgi, who have been known in English-speaking circles as “Seulrene” forever, other than Irene is the senior and her name must come first. The music video for Chobom’s song “Copycat” is live, and it’s delightful. It’s more bubblegum than Apink’s been trending lately, with an easygoing style. I was wondering how this subunit would work musically, given how Apink music usually works, where Bomi plays off of Eunji and Namjoo, I feel like. … More The Barber of Jeonju