Hydra

It would be a cliché if it were true, that action movies always start off with a bang. In the opening scene of Hydra, a peeing man is attacked and dragged into a stall – piss spraying everywhere – to be stabbed repeatedly. It’s fast and brutal and that not-insignificant urinatological detail recalls Japanese shockers like Ichi the Killer. It also sets the wrong tone, quickly giving way to a moody, synth-infused credits sequence tracking a long drive home and deflating the excitement. It’s unfortunate, and this review is the worst kind to write. Hydra should be a success story on the order of The Raid or John Wick, and it follows that formula: the talent showcase. This is the directorial debut of Kensuke Sonomura, whose work you may have seen floating around the Internet accompanied by “holy shit, what,” in the form of a high-speed fistfight with, say, Chris Redfield or maybe Raiden and a U.S. senator. Without knowing it, I’ve been enjoying Sonomura’s work as an action director for decades, since Godzilla: Final Wars and through Hard Revenge Milly to Gantz: 0. I’d always assumed this frenetic, anti-gravity action choreography was a broader cultural product – “so Japanese” – when in fact, it’s the brainchild of one twisted genius. … More Hydra