Human Vapor | Monster Movie Perfection

As the first part of this post is a recommendation, like “I give Human Vapor two thumbs up!” I ought to try for a hook. Perhaps a description of the gory opening scene, a live broadcast where our journalist heroine Kyoko Kono watches her interviewee lifts in the air, smoke swirling into his nose and mouth, and explode. A sensational set piece punctuated by Kyoko splattered with blood, it was not, however, my introduction to the show. Once again, I’m honor-bound to acknowledge the algorithm. Scrolling on whichever one it was, I recognized the term “Human Vapor” as the title of an old Toho movie, and my curiosity about the prospect of its reimagining for Netflix was piqued by a neat-looking teaser trailer. Hazmat suits and journalists and the military in secret labs and boardrooms and underground mines, it was so much of what I love about Japanese monster movies. A dash of gooey body horror with the vapor transformation, and the only piece missing was the loud, brassy score doubtlessly inspired by the work of Akira Ifukube (the trailer was auto-playing on mute). Altogether, it looked like an exciting, rare new series, with surprising implications behind the scenes. … More Human Vapor | Monster Movie Perfection

Flower Power Tower | Mechanical Violator Hakaider (1995) Review

Over the years, I’ve attempted to watch Mechanical Violator Hakaider three or four times, and only on the third or fourth attempt did I make it to the credits – not intact. I’d fallen asleep every time, so it was just a matter of picking up where I’d left off or deciding it had been too long and starting over. And I’d think, “How is this happening?” One of the strands running through this (strand-type) blog is the film’s director Keita Amemiya, whose career serves the hyper-specific, me-shaped niche of “non-kaiju tokusatsu and also R-rated violence,” with the bonus of an appreciation for action heroines (usually played by one actress, Yuko Moriyama). Hakaider could be the result of the slightest deviation from that formula, but I think its sleep-inducing powers speak to fundamental problems, and ironically may speak to Amemiya’s craft. … More Flower Power Tower | Mechanical Violator Hakaider (1995) Review

Home Movies | Shin Kamen Rider (2023) Review

Chances are, if you’ve heard of Shin Kamen Rider, you’re gonna go see it. For my part, I missed Shin Godzilla in theaters and then missed Shin Ultraman. I was determined not to miss Shin Kamen Rider, despite it being my least favorite of the three properties. My experience with Kamen Rider is mostly bafflement. There’s this explosion of light and color, and suddenly, he’s on a motorcycle. Who? I don’t know. The guy who’s running away from the mutants, and he has to stop SHOCKER. Obviously. The difference between Godzilla, Ultraman, and Kamen Rider is a matter of personal taste. I prefer monsters to superheroes, and Kamen Rider is a quintessential Japanese superhero, up there with Astro Boy. Shin Kamen Rider is the 50th anniversary project (adjusted for COVID), and as alluded to, the third in anime maestro Hideaki Anno’s weird revival movies, beginning with the masterpiece Shin Godzilla. … More Home Movies | Shin Kamen Rider (2023) Review