The Weight of a Winner

Before I’d seen it for myself, Decision to Leave was my horse in the race for the Palme d’Or. Last year’s Cannes Film Festival was only another opportunity to proclaim my love for Park Chan-wook, a love that hasn’t abated even after a less-than-stellar entry in his catalogue. But I remember reading the list of award winners, and noting that while he won Best Director — and that is one of the best directed films of 2022, for sure — the grand prize went to something called Triangle of Sadness?! Not the best introduction of movie to prospective moviegoer. … More The Weight of a Winner

Genre Evolution [VLOG]

Trying something new — forgoing video essays for something far more specific: Kermode Uncut? Not a flattering comparison for me, but I just like the structure of those videos. I just have to work on cutting down on the chitchat and, you know, video quality.

Comeback Year

This year, long-gestating Tokyo Vice finally came out (though tainted by one very bad actor), we have a new Michelle Yeoh movie that people are flipping out about, Robert Eggers made the best genre flip — horror to action — and I’ve already spoken thousands of words to Kwon Do-eun’s return with Twenty-Five Twenty-One. But even without all these neat TV shows and movies already released, there’s a lot to come for cinema-goers (however you go — I’ve not been to the theater since Birds of Prey). … More Comeback Year