The Ghost in the Shell | Episode 4

Ghost in the Shell 2! It’s Ghost in the Shell 2! Now, dear readers, how long will I make it into this post without mentioning Ghost in the Shell 2? Oh, I see. Let’s call this the elephant in the forest, because Mamoru Oshii’s 2004 sequel undoubtedly colored my experience with the fourth episode. Both pull from the “Robot Rondo” chapter in the manga, all three dealing with a potential robot uprising, like something out of a pulp sci-fi novel, as Batou notes here. It seems that even in 1989, this was well-trodden territory. And while Ghost in the Shell 2: Innocence retains several key elements, like an attack in an alley (and Batou’s Power Glove), a yakuza connection, and even the doomed shipping inspector, it adds a layer of techno-philosophy derived from the writing of Donna Haraway atop the basic science fiction setup. In the end, we’ll learn that child trafficking victims being “ghost dubbed” into sex robots were sabotaging the machines to lash out and attract police attention, a morally grey solution to yet another instance of systemic child abuse that Masamune Shirow views with distance. Innocence Batou’s chief objection, however, is that the sex robots had ghosts, too, a conclusion which helps him accept the Major’s mysterious, transformative fate. … More The Ghost in the Shell | Episode 4

The Ghost in the Shell | Episode 3

With the promise of next week’s episode being “Robot Rondo” and only that, I’m wondering if episodes two and three are a kind of toll, accidents of format and adaptation that anticipate better later material. The fireball premiere aside, I’m enjoying The Ghost in the Shell about as much as I enjoy the manga, whose darker, serialized final arc appealed more than its, let’s say, standalone episodes. This leaves “Junk Jungle ii + Megatech Machine i + ii” a curious piece of television. Not entirely satisfying on its own, but certainly interesting. As with its predecessor, it features elements which were adapted previously, into Mamoru Oshii’s 1995 film, that gorgeous, thought-provoking classic of science fiction cinema. By contrast, this latest rendition feels like scattered, disorganized notes scrawled by a mad genius concerned with technical detail and the implications of future technology, in need of fastidious cleanup by a different mad genius more concerned with spirituality and the human soul. … More The Ghost in the Shell | Episode 3

The Ghost in the Shell | Episode 2

The first weeklong wait between episodes was brutal. I watched the first episode about three times, as well as the first two episodes of Stand Alone Complex, and if it wasn’t for Human Vapor (another Japanese procedural with a twist), I’d be in nonstop Ghost mode. So, was the second episode, “Super Spartan ii + Junk Jungle i,” worth all the teeth-gnashing? This one’s tricky, and surely trickier than the satisfying premiere, laying bare the broader shortcomings with this particular adaptation project. One couldn’t be blamed for assuming that each chapter of the manga might translate to an episode of the anime, but possibly because of the “Prologue” being a short but crucial chapter, everything is bumped forward a bit. For example, episode two opens with the final pages of the “Super Spartan” chapter, meaning it properly concludes the first episode before beginning the “Junk Jungle” chapter after the opening credits, itself left unfinished pending episode three. Perhaps a future short chapter evens things out, but in the meantime, this awkward timing ensures that “Super Spartan ii + Junk Jungle i” doesn’t feel like an episode of television, just “the next part of the story,” and it isn’t even clear what the story is yet. … More The Ghost in the Shell | Episode 2

The Ghost in the Shell | Episode 1

The Ghost in the Shell is so much. For reasons within and without, it feels precious and rare like a gemstone in every second, every frame. It is true there hasn’t been a recent installment, the latest now six years old, but it’s also an example of anime, a craft initially defined by limited movement in comparison to Western animation, and yet Science Saru adapts Masamune Shirow’s kinetic manga with buttery-smooth animation, an active camera, and generous colors. The only visual element withheld is the gore, the opening body explosion covered in a digital mosaic – which somehow makes it more obscene – leading to the splat of a bloody stick-figure against the wall. Where traditional adaptations pare back the farcical, even manic quality of the source material, opting instead for deadly serious meditations which, honestly, better fit the subject matter, The Ghost in the Shell is paced with a punchline rhythm, and is altogether a carousel of great faces. One of the small joys of the manga is the candid glimpses of characters in repose, where Batou might be wearing an enormous grin or otherwise be looking silly (or pervy). This is practically the animating philosophy at the heart of 2026’s Ghost in the Shell, if the first episode is any indication. … More The Ghost in the Shell | Episode 1

K-Drama Report: Inspector Koo

Little by little, I’m getting a sense for the geography of South Korea. Of course, there’s metropolitan Seoul and Busan. You land in Incheon, a major city to the east. Jeju is a popular vacation spot. Irene and her accent come from Daegu. Now we have the setting for K-drama Inspector Koo, Tongyeong, a destination on the southern coast which CNN praises for its “fresh seafood, picturesque seascapes and quaint fishing village charm.” After only two episodes, I desperately wanted to visit. Who knew a murder mystery could be so flattering for a city, but every chase scene, every surveillance detail is another opportunity for a wide shot or roving camera showcasing the mountains or festivals or public gardens. This is a regular feature of the genre as I’ve witnessed it, that K-dramas are always selling something, and in total present the shiny artifice of a country at its best. How is it that every male lead is at least six feet tall and every female lead is five-foot four? And take a look at this black bean noodle – doesn’t sound appetizing, but it looks amazing. How about that sunset on the skyline? There’s a beach in everyone’s backyard here, but you fall in love on the bridge over the river. … More K-Drama Report: Inspector Koo

Enough

Red Velvet has already come back, so soon after the ReVe Festival 2022, kind of compounding my anxiety that the lead single “Feel My Rhythm” will be forgotten — or, if not forgotten, uncalculated in the Best of Red Velvet calculations to come. I say this because — and this is personal heresy — it might be my favorite Red Velvet song? … More Enough

Police Dad

The ongoing saga of cop shows in the age of “copaganda” furthers its absurdity at the NCIS front, a show itself mired in absurdity. After having left my job over the summer like so many Americans, I eventually went crawling back and now watch CBS procedurals again. But much has changed in these scant months. I come back to NCIS and Gibbs is gone! The man himself, Mark Harmon, is no longer pressing clipped sentences through his teeth and firing a gun. Who’s gonna take his place, I hear you shout, let it all out, because for some reason the show doesn’t end with his exit. The show never ends. … More Police Dad

You Are the Product, You Feeling Discomfort

In the inarguable blog post for With Eyes East — a feature I’m hoping will equate to semiregular content on this, you know, blog site — I got some problems. Number one being the sexual confusion I experience while watching Steven Seagal movies, but that’ll be our last item because it’s horrifying. First, and only appropriately so, Irene’s movie Double Patty came out (at the domestic box office), and no, netizens are not over “the Irene thing.” Via email alert, I was greeted by this happy headline the other day: “K-pop idols, such as Red Velvet’s Irene, are bombing at the box office as they seek big film careers,” over on the South China Morning Post (or Korea Times?). The article cites a number of idols trying their hands at acting, apparently poorly, but I only recognize Irene here, and as previous posts on this site have well-established, on this I get a little touchy. … More You Are the Product, You Feeling Discomfort